Early 1970s England, a young woman is hired as a nurse and put on the night shift while local miners on strike turn off the power. What she finds in the darkness of her new job is something that she may not be able to leave behind.
Also known as “Hercules and the Conquest of Atlantis,” and “Hercules Conquers Atlantis,” Vittorio Cottafavi’s is not a total disaster of a Hercules installment. Surely, it’s a weird, bizarre, and occasionally dull picture, but if the sword and sandal films (or “Peplum”) are your bag, this might whet you’re appetite. With its American title, The Film Detective releases Reg Parks’ Hercules debut from Italy in its full form, restored from the original 35mm negative and in crystal 4K clarity.
After the travesty that was the 1998 Roland Emmerich reboot of “Godzilla,” the king of the monsters went in to hiding from the states for a long time. It was until Legendary came along to hop on the expanded universe band wagon to finally give Gojira and his merry band of monsters and allies a chance to win a new generation of fans. Despite some bumps and tumbles, Gareth Edwards’ “Godzilla” is a giant step up from the 1998 embarrassment and still manages to travel well, with or without the impending “Godzilla vs. Kong.”
Director-Writer Brian Metcalf brings with him a strong crime drama that he hands over to a wonderfully seasoned cast of character actors. While a movie like “Adverse” could have stumbled right out of the gate, it manages to only improve by the time the movie has closed and ends as a sharp crime thriller. It’s a bold mix of “Taxi Driver,” and “Drive,” with a nigh unrecognizable Thomas Ian Nicholas staring.
I missed the boat when Invincible had its run in Image Comics, and I regret it, especially as a fan of “The Walking Dead.” Robert Kirkman is one of the group of Image comics heavyweights who manages to offer up his own superhero tale, but it’s given a massive twist that’s both bold and insanely violent. Taking the animated route this time out, producers Seth Rogen and Evan Goldberg help realize Kirkman’s epic “Invincible” for the small screen, sticking true to many of the comics original storylines, and unfolding what is a unique, exciting, albeit imperfect at times, saga.
I’m a big fan of Jay Baruchel (the actor), and as director of “Random Acts of Violence,” his adaptation of the original graphic novel by Jimmy Palmiotti wastes so much of its potential. It’s a great concept, with great commentary that amounts to a sub-par horror movie. The still relevant themes about how society tends to lionize serial killers, the unusual serial killer culture that most people tend to celebrate, and how most of their victims are virtually ignored begs for a dark horror movie of this ilk. Sadly, there is not a single substantial thing we can take away from all of this in the end.
In a scheme that may be completely genius or pure insanity, Pixie goes on an revenge trip with 2 friends to try and get back at those who cost her mother her life. Along the way, drugs, mobsters, and the clergy all get in the way.
A woman and her family move back to her old suburban town for the husband’s work. As she goes ahead of the family to get things ready, she meets the neighbors and something is clearly going down around the area that is not entirely right.