For the most part, “Popstar” is a funny and often raucous satire of the pop star life and modern music business. A mix of “This is Spinal Tap” and “Zoolander,” Andy Samberg creates an engaging enough character to where we want to see where he ends up in the finale. The problem with the film is it completely loses steam in the final half hour, leading up to the big performance. The writers spend a good portion of time anxiously trying to keep the momentum from the first hour.
I vividly remember watching “Rockin’ with the Chipmunks”back in the very early nineties where I recall loving the scenes of Alvin dancing along with Michael Jackson to “Beat It” and “Smooth Criminal.” Mostly a cash grab for the fans, “Rockin with the Chipmunks” is a brief history of the novelty group, spliced in with comedy skits and the members singing vintage rock and roll in their modern animation. The animation for the most part is dicey and fuzzy at best, allowing for a hazy series of music videos, but back then if you were a Chipmunks fanatic, you didn’t care.
The only reason to watch “Go, Johnny, Go!” is if you want to see some of the best rock and roll artists of all time do their thing on the big screen. Other than that, “Go, Johnny, Go!” is the story of the boring, milquetoast Johnny Melody, a bright eyed, blond white boy who rose from the slums as an orphan to become a rock and roll singer. It’s surprising that a movie featuring Ritchie Valens, and Chuck Berry would only focus on the most uninteresting individual, as when the movie stops to spread its paper thin premise with performances, it ironically becomes worth sitting through.
Originally airing on December 14, 1952 for the Colgate Comedy Hour, Abbott and Costello get to celebrate Christmas with the viewing audience and have a raucous time doing so. As with all Abbott and Costello comedy, the show moves at a rapid fire pace with consummate professionals Bud Abbott and Lou Costello having an impossible time staying still and taking a breather. Despite some segues here and there which were very typical of variety shows in the height of their popularity (there’s a wonderful dance routine by the Nicholas Brothers). Lou Costello is brilliant at reaction shots and double takes, and Bud Abbot is a wonderful straight man and foil. Also like skilled comedians, they make the best out of flubs.
What a difference a half-century makes: dismissed by critics and ignored by audiences when first released in 1968, the Monkees’ sole feature film “Head” is now considered a cult classic rich with innovative psychedelic effects, razor-edged satire and a wonderful score. On this episode of “The Online Movie Show,” we reconsider this last hurrah of Monkee-mania with Peter Mills, author of “The Monkees, Head, and the 60s.”
“The Online Movie Show” is produced at the Platinum Wolfe Studios.
I’ve seen so many hours of Looney Tunes that it’s obscene. My mom bought my brother and I about five or six Looney Tunes compilations on VHS when we were kids and I saw them at least eighty times a week. When I got cable television, I watched looney tunes almost obsessively. From the “Bugs & Tweety Show” Saturday mornings, to various hour blocks on Cartoon Network like “Toonheads” and “Acme Hour,” to twenty two day blocks of Bugs Bunny called “June Bugs” my appetite was insatiable. One of the big things you learn being a Looney Tunes fanatic is that Bugs Bunny was not the OG of the Warner animated gallery, it was in fact Porky Pig.
The long out of print “Rock-a-Doodle” from animation master Don Bluth has finally stormed its way on to HD thanks to Olive Films, and it’s a blast to the past for me. I fondly remember seeing a lot of the ads for “Rock-a-Doodle” as well as coming across TV spots and ads in comic books. Sadly, the actual cinematic experience was a bust, even for an eight year old moi. It was a dull, awful movie then, and it’s a pretty dull and awful movie, now. I doubt even the best of nineties nostalgia geeks can find a gem in this mess of a movie. I spent a good number of years putting “Rock-a-Doodle” in the back burner of my memory, and I realize it was for good reason.
Although I absolutely love “Thriller,” I’ve never been one to associate Michael Jackson with Halloween, but apparently someone does. “Michael Jackson’s Halloween” isn’t just an animated special for the whole family, but it’s classic Michael Jackson. It has his music, it inspires individuality, and it further emphasizes Michael Jackson as something of a mythical figure that centered his life on defending children against sinister forces lurking in the shadows. Suffice to say “Michael Jackson’s Halloween” is a weird animated special, but it’s an oddly entertaining one that will work if you’re a Jackson buff.