Although I absolutely love “Thriller,” I’ve never been one to associate Michael Jackson with Halloween, but apparently someone does. “Michael Jackson’s Halloween” isn’t just an animated special for the whole family, but it’s classic Michael Jackson. It has his music, it inspires individuality, and it further emphasizes Michael Jackson as something of a mythical figure that centered his life on defending children against sinister forces lurking in the shadows. Suffice to say “Michael Jackson’s Halloween” is a weird animated special, but it’s an oddly entertaining one that will work if you’re a Jackson buff.
This year, Nickelodeon decided to add some spice to their celebration of Halloween by providing a half hour stop motion special. The folks at Bikini Bottom are celebrating Halloween this time, and rather than the iconic wacky two dimensional style, we’re given a brand new spin, with some hilarious results. The stop motion by Screen Novelties is quite excellent, lending the series a sense of whimsy that you would find in something like “A Nightmare Before Christmas.” There is even a great homage to “The Haunted Mansion” Disney Ride, which is both dazzling and screams Halloween.
“Batman: The Animated Series” is one of the seminal animated creations of the nineties and is still considered a quintessential depiction of Batman. It’s a masterpiece of animation and meticulous storytelling. The voice work by Kevin Conroy and Mark Hamill as Batman and Joker are so definitive, that some fans can’t possibly imagine either character on screen without either actor portraying them. Here we are in 2017 with Bruce Timm reviving his animated version of “Batman” and what do we get? A very long gag involving Harley Quinn farting in the Batmobile as Batman sniffs it in with pleasure, all the while Nightwing retches in the side seat. This is the bar of “quality” we get with “Batman and Harley Quinn.”
What I’m sure was going to set the platform for a Sony movie/ad universe following up with a The “Tic Tac Toe Movie,” The “Peek a Boo Movie,” and “The Jingle car keys in front our Faces Movie,” “The Emoji Movie” (aka “The Sony Press Kit”) is the height of laziness to the point where the script was probably written on a napkin at a some overpriced coffee shop in Beverly Hills. “The Emoji Movie” is not just bad, but it’s offensively boring, and tedious. It’s “Doogal” bad. It’s “A Shark Tale” bad. There are just so many bafflingly stupid and moronic moments in “The Emoji Movie,” that I can’t believe any actual writer put all of this down on page with sincerity or the goal of turning any of this in to a pop culture craze.
A young woman begins working in an old school shoe factory as it is under closure threat from the company trying to save a buck and move the production to a less expensive country. Through the fight to save the factory and the jobs, she and her co-workers learn a lot about themselves, each other, and life in general.
It’s really hard to find anyone who does eighties neon pop surrealism like Empire Pictures. If you want to soak in everything about the decade from the bright colors, weird synth music and massive hair, look no further than films like “Terrorvision,” “Bad Channels” and or “Vicious Lips.” Your experience with Albert Pyun’s rare cult film may vary depending on your love for the decade, but sans the nostalgia goggles, it’s only a moderately entertaining experience that it limitless in its oddities. Something of a mixture of “Rock and Rule,” “Jem and the Holograms,” and “Rocky Horror Picture Show,” Albert Pyun throws so much imagery at the audience and there’s never any kind of substance soaked up.
Released to coincide with “International Bath Day,” the Teletubbies release yet another edition of their episodes on DVD. Comprised of six episodes total, this new volume features the alien—monster—children things dancing and singing once again with the help of their special Tubby Custard Machine. Said Machine concocts all kinds of scenarios and fun activities including allowing them to play with bubbles, and dance the new “Tubby Phone Dance.”
It’s surprising how well Disney adapts their own version of the shockingly beloved fairy tale “Beauty and the Beast.” While their Oscar winning animated version reigns supreme, Bill Condon manages to deliver his own interpretation that tweaks the tale here and there for new audiences with a great effect. I was quite stunned at how enjoyable “Beauty and the Beast” ended up being. While it has the familiarity of the 1991 movie, it’s also a unique experience that allows for a new angle on songs that are now deemed legendary. Condon approaches the live action remake/adaptation with a well balanced tone of whimsy and dread, allowing for a very subtle romance between Belle and the Beast.