It’s not often I hear about a movie made before the nineties that took three unfinished films and cobbled them together to create an anthology movie, but here we are. “Night Train to Terror” is actually a pastiche of failed productions, with its three spooky tales actually re-edited and truncated remnants of films titled “Scream Your Head Off,” “The Dark Side to Love (aka Greta),” and “Cataclysm” You might think this would end up in a failed production, and a poorly constructed end product. And you’d be right “Night Train to Terror” is one of the top five worst anthology horror films ever made. It’s a film that constantly left me baffled, confused, bored, and muttering to myself “What the fuck is happening here?”
“Purple People Eater” is a movie I vividly remember watching when I was a kid. I’d seen it on a fuzzy VHS tape from a local video store, and suffice to say I hated this movie when I was five, and I kind of hate it now. “Purple People Eater” is from the decade where studios either cribbed from “Gremlins” or “ET” in order to create their own kids oriented cash cow, and “Purple People Eater” is one of the laziest of a sub-genre consisting of “Mac and Me” and “Meatballs, Part II.”
To say that Simon Sprackler’s “Funny Man” is a bizarre horror film is doing no justice. It is probably one of the most bizarre horror movies I’ve ever seen, and I’m sad to admit I’ve never heard of it until 2018. I’m usually very good about horror movies and slashers, but “Funny Man” jumped right over my head, and I was finally able to see it. I wasn’t so much entertained as I was genuinely baffled most of the time, and I’m not sure if that was a bad thing or not. It’s a good enough horror movie if you’re willing to accept it’s sheer insanity.
While “Heavy Trip” may not be what we call horror in the conventional sense, Jukka Vidgren, and Juuso Laatio’s dark comedy musical has a lot of the DNA of a horror movie, right down to satanic worship, blood baths, and plenty of vomit. It’s not often you get to see an underdog tale of a band struggling to make it set to the tune of death metal, but Jukka Vidgren, and Juuso Laatio tap in to a distinct crowd that’s gone woefully overlooked. “Heavy Trip” will definitely stand out in the memory of their audience who are in the mood for something wholly unconventional but surprisingly crowd pleasing.
Thirty years after the Muppet Babies made their cinematic debut, it’s been hard to imagine the Muppet franchise without them. They’ve become as big a fixture as their adult counterparts, and other properties have tried mimicking them to a lesser degree. “Baby Looney Tunes,” anyone? Remember “Tom and Jerry Kids” and “Flintstones Kids”? In either case, now with the eighties series in limbo, Disney Junior has revived the property for a new audience offering an educational adventure series with the Muppet Babies, and it’s a nice revamp.
BOOTLEG FILES 648: “Mack the Knife” (1989 film version of “The Threepenny Opera” starring Raul Julia and Roger Daltry).
LAST SEEN: It is on YouTube.
AMERICAN HOME VIDEO: VHS and LaserDisc releases only.
REASON FOR BOOTLEG STATUS: Out of circulation for many years
CHANCES OF SEEING A COMMERCIAL DVD RELEASE: Not likely, but not impossible.
One of the minor mysteries of the movie musical genre has been the failure to create a satisfactory screen adaption of the Bertolt Brecht-Kurt Weill theatrical landmark “The Threepenny Opera.” Not that there haven’t been several attempts. In 1931, director G.W. Pabst simultaneously helmed a German- and French-language version. (An English-language version, to be distributed in the U.S. by Warner Bros., was planned but never shot.) Those films, unfortunately, jettisoned much of the glorious score and were burdened by the stodginess that permeated many of the early sound-era films.
Coming Back to theaters July 29, July 31 and Aug. 1. For Showtimes and Tickets check Fathom Events.
I still remember going online back in 2006 and watching the trailer for “Across the Universe.” As a budding Beatles fan making himself familiar with their catalogue at the time, the prospect of a movie built around their music made me excited and over joyous. I mean if they can build a whole storyline around ABBA, they can surely do the same with the Beatles, whose music tell stories of their very own and even had interesting commentaries on where the group were at the time. I was quite crestfallen when the movie landed with a thud and was generally dismissed by audiences.