I have to admit that “The Big TNT Show” isn’t nearly as good as “The TAMI Show.” Despite being a big sixties fanatic and lover of the styles and attitudes, “The Big TNT Show” suffers from being a pretty humdrum concert with an unusual line up. If anything the best way to watch and appreciate “The Big TNT Show” is as a sixties oddity that took a lot of what was coming in the decade, and what was popular and kind of mixed them together in one weird show with an enthusiastic audience. If anything there is a ton of good music and some raucous performances.
The follow up to the hilarious “Wayne’s World” has much more of a coherent ending, but that’s about all it has to offer. In the way of a sequel, rather than trying to continue bringing us new hilarious comedy bits like the car sing along, and product placement spoof, “Wayne’s World 2” either repeats those jokes in a new form, or extends them to where it’s boring. For some reason “Wayne’s World 2” is less a sequel and more of a spoof that confuses itself as some sort of David Zucker movie. The characters break the fourth wall constantly, ruining any momentum, and even touch on nineties fads once again. Instead, rather than a weird but funny appearance by the T-1000, there’s a cameo by the “Jurassic Park” T-Rex.
Rush is amazing, and will always be amazing, and how they built their fan base was less around the media and hype and more around traveling. They were there on busses and vans, going through road after road, and showing up for the fans. No matter how tired, or sick, they always came to show fans what they were made of. This is what kind of made Rush feel less like a band, and more like visiting relatives that we loved to be with time and time again. What makes “Time Stand Still” such a bittersweet documentary, however, is that it chronicles the rise of Rush, and their beyond loyal fan base, but it also packs in the daunting realization that they can’t do this forever.
For someone who understands the punk rock world so well, Alex Cox is very quick to tear the nostalgia shades off of the viewers to depict a meeting of two lovers that was so intense it resulted in an unfortunate murder. “Sid and Nancy” are often romanticized by music lovers even to this day, but Alex Cox who brought us the masterpiece “Repo Man,” looks behind the gloss, picturing two unbearable, but real individuals. Director Cox paints a brilliant picture of two people spiraling in to oblivion, with a remarkable drama that’s less a biopic and more a chronicle of two doomed lovers. Sid Vicious and Nancy Spungen are a lot to drink in. From the moment we meet them, they’re loud, they’re parasitic and disgusting, but they form a relationship where they understand each other. In many ways they decided that they need each other to survive.
Dalida tells the story of the Italian-Egyptian singer who made her life in France and was, and still is, hugely popular in French-speaking countries and other parts of the world. She was and still is a musical icon who became almost mythological after her suicide in 1987. For the unfamiliar, Dalida was and probably still is as big of an icon to some as Cher and Madonna are in the US.
A starting band with members from the US and the UK moves to Los Angeles to make it big. Living in their van, they work hard to get their start on the Sunset Strip. After a chance encounter with a mysterious man, things start to fall into place, but there is a price to pay.
Panhandling plus satanic riffs equates to all out of carnage and bloodshed in writer/director Chris McInroy’s return after Bad Guy #2 with horror short Death Metal. Lars spends his day in the park, strumming his guitar with a tip jar at his side. Instead of money, it’s insults that are thrown his way. After lamenting to his father, and being completely negligent, Lars returns with an evil axe that makes him sound like he actually can play the instrument well.
Written by Christopher Leeson and directed by Josh Wong, this documentary follows a band as they record an album in an abandoned home in the Canadian Prairies. One of them finds this place while driving and brings the rest back to record a more natural, organic album in terms of sound and how it comes to be. The film follows these men and looks into their lives through interviews and music. The men shown include Adam Naughler, Jon May, Blake Reid, Aaron Young, and Jason Valleau who all work on the album together and have their lives and hopes discussed by themselves and others.