There are some films you can sense where everyone put their best foot forward. And then there are some films where it’s obvious people were just running out the clock to get a paycheck. With “Mondo Balordo” you can sense Boris Karloff would shamble in to the studio, record his narration for this monstrosity and then leave back to his home. The absolutely awful “Mondo Balordo” is one in a series of pseudo-documentaries that exploit their topics to a certain degree.
“Legion of Superheroes” arrived during that darker time where “Teen Titans” and “Justice League” had ended their excellent runs and DC was embroiled in a lawsuit over the Superman name. Around this time DC and Warner were attempting to create series less about critical acclaim and more about making merchandise money. “Legion of Super Heroes: The Complete Series” (now on Blu-Ray with all 26 episodes) isn’t a bad series per se, it’s just as grand as “Justice League” or as entertaining as “Teen Titans” was. Even during its entire run, the best episodes were just okay.
Scott Douglas Brown’s “Stadium Anthems” is a movie that is just fine when all is said and done. The direction and production values are very good, and most of the cast keeps the film afloat with their charisma. It’s an okay movie that ultimately feels like with a bit of alterations it could have been great. I am always a fan of mock documentaries about rock bands, and varying shades of egos, et al. It’s just that “Stadium Anthems” suffers from feeling like there are just too many ideas struggling to rise to the surface, and it drags it down big time.
A history of Doo-Wop music, its influence, and how far reaching it is even to this day. The interviewees are numerous, including a lot of important figures in the genre and a lot of people whose work was influenced by these trailblazers.
The Ventures are the number one instrumental rock group in the world and everyone has heard at least one of their tracks. To celebrate their 60th anniversary in the business, this documentary digs into where they are from, what makes them so popular, and what’s next for a group that’s been around since the 1960s.
For a movie that’s almost as old as I am and features many a flat tops and pastel vests, “House Party” is a movie that’s barely aged. In fact, it’s a movie that so many studios have tried to duplicate but never quite have captured the same magic and enthusiasm. There’s just something about “House Party” that’s kept it a vessel of pop culture, hip hop, and comedy that was shifting from the eighties and in to the nineties. Not even the sequels lived up to what is basically the perfect party movie when all is said and done. The movie advertises itself in the title, but while the movie is centered almost completely on a party, it’s also a pretty excellent coming of age comedy.
During the early 1970s, “The Sonny and Cher Comedy Hour” was a bright spot on the television schedule. The eponymous couple would team up with a stellar guest line-up (including Jerry Lewis, Jimmy Durante and Tony Curtis) and a rather voluminous supporting ensemble (including then-unknowns Steve Martin and Teri Garr) for comedy sketches and musical numbers.
It’s hard to imagine a more bizarre experimental movie I’ve come across in years. Jack Henry Robbins’ film “VHYes” at its best is a funny, smart, experiment with nostalgia, while at its worst, it feels like a weak pilot for Cartoon Network’s Adult Swim expanded in to a near feature length movie. Some might appreciate the jarring changes in tone and bite size comedy that is peppered throughout “VHYes” and while I thought it left much to be desired, it also had a lot going for it, with some fascinating commentary about nostalgia and memories. It really wants to be “Amazon Women on the Moon,” at the end of the day, but it ends as a mildly fascinating meshing of genres, and comedic bits.