Montreal is sort of infamous for its roadwork and potholes… One day, a pothole grows to frightening size and oozes a sort of gas. Soon after, people in various neighborhoods around town are starting to feel this gas’ effects, turning into violent people and zombies, switching bodies, meeting monsters and other oddities.
I’ve had a lot of time to think about Lowell Dean’s follow up to 2014’s “WolfCop,” and while I did love the original movie for its balls and unique premise, I can’t say I loved “Another…” Is it a poor follow up to the original? Absolutely not, but with the bigger budget and massive acclaim, it feels more like Dean forced a lot of the cult aspects, and has a tough time progressing the narrative of his hero Lou Garou. That said, “Another WolfCop” is still a fun cult movie romp that gets a nice blu-ray treatment for fans.
Jim Wynorski’s “The Return of Swamp Thing” is one of my bonafide childhood favorites, and a favorite of the rental places. “The Return of Swamp Thing” was my introduction to the character when I was a child and it’s a definite favorite that’s become more about sentimental value than quality. I admit that viewing “The Return of Swamp Thing” through nostalgic glasses helps improve the campy direction Jim Wynorski takes for this second outing.
It’s finally all coming together on Friday where all the superheroes from the Marvel Cinematic Universe clash to bring down one of the galaxy’s biggest threats. Since its introduction in 2008, Marvel and Disney have made building universe look easy, but many modern studios have proven it’s an impossible task to pull off competently. Before Marvel and DC there were many established Extended and Shared, and if you’re looking for a break from Marvel, these are five you might love.
With “A Quiet Place” ruling the box office and proving horror is as popular as ever, fans are actually debating whether a not you can brand a movie a horror film if it’s rated anything but R. Does gore and violence qualify a horror movie as legitimate genre fare? Do we even need horror and or grue to be scared? Didn’t telling scary stories around camp fires center more on mood and atmosphere and less on someone being mutilated or turned in to a human centipede? In either case, “A Quiet Place” proves you can scare and grab people with horror no matter what the rating, and these are five more PG-13 horror movies worth watching.
“Gate 2” has been a rarity for years and finally gets a very good re-release by Scream who treats us to a sequel that’s nothing like the original. That’s both a good and bad aspect for the film as Tibor Takacs returns to direct, and complete his story arc, while also advancing the mythology. With Stephen Dorff on to better pastures, we follow his more reluctant friend Terry, who is now all alone after his friend moved away with his big sister. With no one around to corroborate their adventures in a hell dimension, Terry is now a pariah. Anxious to re-open the gate properly this time, Terry is egged on by two local bullies to let them take part in the summoning, promising them wish fulfillment. Much to their surprise, they manage to trap one of the minions of the gate, and Terry keeps it, hoping to find out its secrets.
The “Cloverfield” universe is the next step in cinematic universes where it exists not just on cinema, but on the world wide web, as well. Sprung from the spontaneity that fans adore, “The Cloverfield Paradox” is the next wave in the story of “Cloverfield” and tackles another corner of the mythos that fans just might appreciate. In 2008 when fans spotted something falling in to the Atlantic ocean which spawns the emergence of the giant beast Clovie, many assumed it was from an experiment that went awry from the evil organization Tagruato, the enigmatic company that’s been running the viral sites. With “The Cloverfield Paradox” we finally get an explanation as to what occurred, and so much more.
It’s David Ayer with another cop drama except rather than a socially relevant tale about mismatched officers of a different race or gender or religion—it’s got Orcs! “Bright” is by no means as clever as it thinks it is, as it uses fantasy tropes not to move the story forward or to lend a new twist to the cop drama, but to hammer us over the head with clumsy allegories and symbolism. Max Landis’ script is painfully stale and lacks any kind of idea as to what it’s trying to get across. It’s much too serious to take as a fantasy film, and not silly enough to take it as a meta-cop movie. Even the opening scene of Will Smith’s character beating a fairy to death on his front lawn with a broom is flat and never quite played up as a meta joke, so much as a poorly delivered device to alert us that we’re watching a “different” kind of cop movie.