Although “Scary Stories to Tell in the Dark” has gone down considerably well with audiences it might remain one of the most misunderstood movies of the year. The original books from Alvin Schwartz and Stephen Gammell were compilations of urban legends, urban folklore, and original tales, the former of which had been shared for generations by many people. They began life as morality stories and then became campfire tales. Sure André Øvredal could have turned the books in to a normal anthology, but in the end he opts for something of more substance. “Scary Stories to Tell in the Dark” is about stories. The stories of the past. The stories we tell one another. The stories the characters tell each other to survive. The stories that can ultimately destroy us.
By 1997 the “Power Rangers” had reached the nadir of their popularity and with the appeal of the franchise dying down as fans grew older, “Turbo” was a last gasp cash grab. It didn’t just bring the old and new Rangers (for the most part, anyway) to the big screen, but it also rebooted the Power Rangers in to a auto-centric kind of Power Rangers team that would do nothing but go downhill from here.
“Men in Black International” should have worked. On paper it’s a great idea for a reboot, one that doesn’t bring with it the marquee name of Will Smith and the class of Tommy Lee Jones. I respect Sony for wanting to revive the “Men in Black” franchise after so many years, and I respect them even more for side stepping the whole “21 Jump Street meets Men in Black” movie they were planning. But in the end, this new attempts to jump start “Men in Black” for a new audience is a swing and a colossal miss. Worse, it’s absolutely boring.
With Godzilla and giant monsters currently stomping through American cinemas, “Terror in the Skies” comes at the right time asking us about allegedly real giant monsters. Throughout decades of folklore and legends, there have been encounters with giant winged beasts, and supernatural monsters, all of which have managed to spawn mass hysteria and mysterious accounts by locals of various towns around America. While “Terror in the Skies” has potential to be a creepy documentary, it watches so much more like afternoon filler on basic cable.
When “The Universal Horror Collection” was originally announced, it was titled the “Boris Karloff/Bela Lugosi Collection” by Shout Factory. One can only assume that they’ve managed to retain the rights to many Universal movies obscure and classic, thus changing their new series to “The Universal Horror Collection.” With that broad a title, the sky is apparently the limit for Shout Factory and what they can do with these volumes. Since this was originally a Karloff/Lugosi four movie set, the whole of the films included star the pair of horror icons. With Volume 1 of “The Universal Horror Collection,” fans will be elated to see that they’re starting us off on the right foot.
With fans of Mighty Morphin complaining that they could only get the 1995 movie on DVD when it was released as part of a complete box set, Shout! Factory finally releases the big feature film on Blu-Ray for collectors. “Mighty Morphin Power Rangers: The Movie” admittedly has a ton of nostalgic and sentimental value for me, so I’m not even going to pretend to thumb my nose up at it. All I know is it’s a damn fun movie, and one you can watch the equally underrated “Power Rangers” from 2017.
Twenty years ago, Studio Ghibli and the master Hayao Miyazaki opened my mind up to a new dimension of animation and storytelling that pretty much changed my life. It also inspired me to look toward telling bigger tales with richer characters, because Miyazaki is very much about rich characterization and brilliant metaphor. Much of his films revolve around the love of nature, the vastness of the open sky, and the effect humans can have on the environment and the world around us.
I’ve always been and will continue to be a staunch defender of John Carpenter. He’s one of my all time favorite filmmakers and even his weakest outputs have some great creativity to them. “Vampires” is fun in all its schlocky nonsense, and “Ghosts of Mars” is a fun remake of “Assault on Precinct 13” for a contemporary audience. Eighteen years later, “Ghosts of Mars” is fine C grade science fiction redeemed by Carpenter’s sharp direction, and the absolutely gorgeous Natasha Henstridge.