Logan, the public’s beloved Wolverine, has aged and isn’t doing so great. As he holds onto life for some reason and is looking for a reason to be. His later life is not filled with action, something he seems to have settled into. That is until a woman comes asking for his help and a chain of events leads to him having to help a young girl in desperate need of guidance and assistance.
“Logan” is a terrible X-Men movie, but a very good Wolverine movie. I say that because director James Mangold holds about as much contempt for X-Men and its concept as Bryan Singer does. Mangold offers a vision of the team that is none too flattering. Set in an undetermined timeline of the movie series, we’re met with Logan in the distant future where he’s one of the only surviving mutants left on Earth. The dream has died, Professor X is now suffering from a brain disease that has turned him in to a burden, and everything the X-Men strived for has been forgotten and passed off as a joke. Now faced with nothing but a dark ending, he is confronted by a Hispanic woman who pays him to help her. Logan, at the behest of Charles Xavier, is tasked with caring for a small girl named Laura who is much more like Logan than even Charles Xavier realizes.
This is one of the first time in years I’ve had such a difficult period deciding which movies had to be cut from my top ten and which deserved to stay on. Of course I didn’t catch every thing I wanted to, as probably Manchester by the Sea and Edge of Seventeen may have been on the list, if I saw them. So while there are some omissions out of my control, this is the ten I ultimately stuck to. This is the ten best movies I saw in 2016, along with a big list of potential place holders I quite loved, just the same.
Movies in 2016 that almost made the list includes the moving science fiction thriller Midnight Special, the touching sequel Finding Dory, the elaborate and beautiful The Handmaiden, the fun Ti West western In a Valley of Violence, the superb and very scary sequel The Conjuring 2, the fun and moving Rogue One: A Star Wars Story, the hilarious and raucous antithesis to the superhero movie Deadpool, the sweeping fantasy thriller Doctor Strange, the incredible crime drama Hell or High Water, the very fun Adam Wingard reboot Blair Witch, the moving and fun teen drama Sing Street, the teeth grindingly compelling 10 Cloverfield Lane, and the chaotic survival thriller Green Room. Kudos to everyone behind these top notch movies I plan to revisit again and again in the coming years.
Now on the Top 10…
As always with these lists remember this is not gospel or definitive opinion, so by all means feel free to disagree, and share your own candidates for the worst films of 2016, below. It’s been a year filled with very good films and very bad films, and thankfully it wasn’t very hard to compile this list. There weren’t very many movies I’d call awful this year, but these are ten of easily the worst films studios released to audiences
Bad Movies in 2016 that almost made the list includes the silly Lauren Cohan starring horror drama The Boy, the insanely vapid The Angry Birds Movie, the painfully stupid animated film Batman: The Killing Joke, the tedious and lazy X-Men: Apocalypse, the pointless and scare free The Night Before Halloween, the pointless remakes of Cabin Fever, and Gasper Noe’s Martyrs, the Rob Schneider starring animated comedy Norm of the North, the continued murdering of Robert Deniro’s career known as Dirty Grandpa, the sickly sugary and obnoxious Trolls, the half baked sitcom My Big Fat Greek Wedding 2, the empty sequel Alice Through the Looking Glass, the moronic and mean spirited Clown, and the insanely awful anthology Holidays.
Now on to the Top 10…
I freely admit that I was skeptical until the very end that comic book fans would ever get a good or respectable movie about “Doctor Strange.” Some comics just don’t translate at all to the cinematic medium. Thankfully, director Scott Derrickson proves me wrong, providing a cinematic adaptation of “Doctor Strange” that’s very much its own superhero tale while also embedding itself as a part of the Marvel Cinematic Universe. The Marvel spirit is in full force here, but the movie does take the source material seriously while subtly injecting a sense of whimsy here and there. “Doctor Strange” comes during a good time where movie audiences like some magic with their adventures, and Doctor Strange is that kind of fantasy movie for comic book fans that they’ve always wanted.
It’s amazing what kind of feat the Russo Brothers have pulled off. Not only do they offer up a pseudo-sequel to the continuing saga of “The Avengers” but they also manage to squeeze in a superhero epic, and revenge saga that stretches out over the Marvel Cinematic Universe without ever missing a single beat. “Captain America: Civil War” finally brings the Marvel Universe full circle creating something of a wider scope now that Marvel has been able to acquire and introduce superheroes and characters that were long thought to be incapable of appearing. In just a two and a half hour movie, we’re able to watch a full fledged tale of friendship unfold in the face of a revenge plot, while being given marvelous and overdue introductions to iconic Avenger The Black Panther, and Marvel’s long awaited iteration of their iconic superhero Spider-Man.
Adapted from the iconic Marvel Comic, the film iteration was made on a measly budget of a million dollars with a joint venture by Fox, Marvel and Neue Constantin Films. After casting and initial filming was conducted, “The Fantastic Four” was a highly anticipated film covered in major magazines like Wizard and Film Threat. After a long tour of fan meetings and interviews with the press, the cast and crew learned that their hard work would result in a film that was cancelled by the studios and never to be released. Shortly after, the folks that took part in “The Fantastic Four” learned that, much to their horror, the film was never intended to ever be released. Worse, much of the struggles to conceive a fantastic cinematic vision in a decade bereft of epic comic book movies were merely to secure the rights for the comic book property and nothing more.
Long before Marvel Cinematic Universes and James Gunn, there was the bastard child of the Marvel Universe “Howard the Duck.” Adapted from the comics during the decade of “ET” and other assorted attempts at cuddly cinematic creatures, “Howard the Duck” takes a dive at some of the good old “ET” buck, while also presenting itself as the anti-“ET” of a sort. “Howard the Duck” is a childhood favorite of mine; it’s one I watched over and over whenever it aired in all of its edited form on network television. There was just something about “Howard the Duck” that I loved. Whether it was the surreal nature, the actual talking duck from another planet, or Lea Thompson being devilishly sexy once again in a fantasy film, I loved “Howard the Duck.”