In 1959 Indochina, a legend is born. A man fights his way out of jail and to make money until he is forced to fight for revenge. Through this, he learns a lot about himself and what he is ready to do.
Written and directed by Jesse V. Johnson, Savage Dog is a decent fight film with a bit of story created with the purpose of setting up fights for star Scott Adkins and co-star Marko Zaror. The story is decent enough but not exactly fascinating, something that should not bother fans of fight films as this one has a few very good fights and some side ones that are also interesting. The dialogue is decent while the setting is interesting, but not used to its full potential. The characters are almost all created with a purpose relating to Adkins’ character, making him the center of just about everything. The story is not bad as it develops in ways that keep the attention and introduces fights in a manner that makes sense.
A special police team is sent to transfer a high risk prisoner from holding to a local prison where the Butterfly clan should not be able to get to him. Once at the prison, things go south fast and the team members find themselves in a fight for their lives.
A beautiful but deadly MI6 agent is sent to Berlin in 1989, right at the time the wall is about to be taken down, so that she can navigate her way through the cities and the web of spies and double agents there to get her hands on a list of them with powerful information.
Based on the legend of the Monkey King, Wu Kong is a retelling of Sun Wu-kong’s story where he is born and sent back to his mountain where he is raised and trained by a monk to then go create some mayhem and cause some changes in the realm of Heaven.
With the death of Paul Walker and the unstoppable ego of Vin Diesel, “The Fate of the Furious” signals a rock bottom point in the movie series that we haven’t seen since “Fast and Furious.” As the series runs on fumes, the writers and producers are working over time to introduce us to dynamic new anti-heroes, all of whom can’t make “Fate of the Furious” worth watching. Unless you’re a completionist, or a hardcore Kurt Russell fanatic, “Fate of the Furious” is a convoluted and painfully long follow up that tries very hard to fill the void Paul Walker left when he died.
Following the death of an opponent, Boyka questions why he is doing this sport and what he wants from it. As a means of atoning for the death, he goes to visit the deceased’s wife to try and help her as best he can to in turn be able to forgive himself.
We all know well and good about the turbulent and peaceful relationship between the Jedi and his padawan, but how often do we get to see the relationship between Siths and their apprentices? “Dark Legacy” explores the typically twisted and weird relationship between the Sith and their apprentices and how it can be emotionally draining and quite violent. The training revolves more about brainwashing and the Stockholm syndrome and director Anthony Pietromonaco delves in to the demented dynamic and how it makes or breaks the apprentice.
What was once considered just a passing joke by Spider-Man fans has managed to gather some cult acclaim over the years, and has even been embraced by Marvel (yes, it’s canon, now) and Stan Lee himself. “Supaidāman” is the Japanese incarnation of Spider Man that bears almost no resemblance to the character we know from the US. That doesn’t mean it’s terrible though, as the 1978 action science fiction series is quite entertaining and has a lot of innovative ideas we’d see in future Super Sentai series. Sure it’s cheesy and goofy in some way, (including the opening theme song) but there’s a lot to like if you can divorce yourself from the Marvel Spider-Man and think of this character as something from another universe.