Well if anything “Casper Meets Wendy” is much better than “A Spirited Beginning” despite offering no big surprises. Unless you consider that the only cast member that’s been in most “Casper” movies so far is Pauly Shore. In the former film he played a bad ghost, and here he plays a fortune telling magical mirror. As with most of these movies, there is a whole cast of D list celebrities, and the adaptation of Harvey Comics’ “Wendy The Good Little Witch” is an excuse to introduce future teen star Hilary Duff. To her credit Duff is adorable.
Eli Roth has always been a better horror fan and film lover than actual filmmaker, and he’s proven it time and time again. After the embarrassing bomb that was “Death Wish,” I had hope that “The House with a Clock in Its Walls” would be a win and Roth would kind of re-invent himself. While not as awful as “Death Wish,” Roth proves once again he’s not too good at handling tone, pacing, and general direction. Without the thick icing of blood, grue, and torture to cover up the thinly layered cake that is “The House with a Clock in Its Walls,” Roth once again proves he’s a filmmaker that has so much to learn, and so much evolving to do.
It’s ironic, and perhaps not incidental, that Vestron would release the entire movie series for “Wishmaster” and “Warlock.” They’re two weak attempts at movie maniacs in a pretty stale decade for horror, and deep down while they have potential to be menacing and terrifying horror villains, they’re poorly realized, and potentially trail off in to absolute nothingness. “Warlock” is not as bad a slope as “Wishmaster,” as it managed to gain some momentum in the nineties, even sporting a Sega Genesis video game in 1995 which involved platforming, and fighting off zombies and demonic beasts with magic spells. 1989’s “Warlock” is a tonally confused movie that wants sorely to be a horror film, but ends up sliding in to dark fantasy territory by the time it draws to a close.
Despite Thor, The God of Thunder being one of Marvel’s most iconic characters and virtual co-founder of The Avengers, making him a compelling action hero has been a tough task. Even with some great directors and sleek scripting, “Thor” hasn’t quite been as exciting as Iron Man or Captain America. He’s barely risen to the Hulk who, so far, has only had one movie and a hand full of appearances in the Marvel Cinematic Universe. With “Thor: Ragnarok,” Marvel has reached the point where audiences are familiar enough with the character that they can begin to change his identity a bit. In the end, he’s still Thor, the God of Thunder, but he also comes in touch with his god like abilities when he allows himself to embrace humility once and for all.
At best I’d say that “A Witches’ Ball” is a serviceable movie. It’s exactly the kind of movie you’d find at Walmart one day that you’d probably buy for your daughter in hopes of distracting her with a fantasy while you’re preparing for dinner or something. It’s mediocre and hits about all the right beats for a movie heavily aimed toward small girls. Director Justin G. Dyck is a man whose entire filmography revolves around filming cheaply made, holiday oriented, family films and “A Witches’ Ball” s right up his alley.
It’s a shame that Disney treats “The Black Cauldron” kind of like the black sheep of the family they don’t mention at family reunions. It’s such a riveting and creepy film that evokes a lot of what makes the fantasy genre so appealing. There’s even the Horned King, one of Disney’s most frightening, if not their most frightening villain ever created, he’s a skull faced, horned monster with one goal to grab the magical black cauldron and use it to take over the world. In galleries and retrospectives, he’s almost never mentioned, which says a lot considering Disney is fond of including the Chernabog, who is only on screen for eleven minutes in “Fantasia.”
The first time I ever saw “Mortal Kombat” was in 1992 when I stopped by a grocery store on the way to school and saw a pair of guys battling one another on the arcade cabinet. Though “Street Fighter 2” was huge, “Mortal Kombat” made its own waves by realistic character models and some of the most vicious video game violence ever conceived in its era. So came the 1995 movie where not even then was there this much babbling about supernatural forces, and tournaments. “The Journey Begins” works overtime to build a mythology from this simple video game, and fails big time. It feels like someone at Threshold Studios were alerted about the upcoming movie and only had about two weeks to build a respectable animated tie-in.
Setting aside that DC pretty much slaps Batman in to their newest film, “Justice League Dark” is actually a fun celebration of the supernatural element from DC Comics. Taking a much needed peek in to the darker universe from DC, “Justice League Dark” is an adaptation of the acclaimed graphic novel, involving supernatural characters from DC who team up to take on a threat beyond the capabilities of Superman and Wonder Woman. “Justice League Dark” is a fairly well realized horror take on the DC universe that suffers, sadly, from a short run time. With a group of characters filled with such immense, and complex back stories and amazing powers, it’s sad “Justice League Dark” is only allotted a scant eighty minute run time. John Constantine alone deserves a thirty minute introduction.