I’m no misanthrope, but it’s tough to find great new Christmas movies, even though Hollywood does keep trying no matter what. I went in with low expectations with “Let It Snow” but took the chance thanks to the great cast, and I was pleasantly surprised. It’s hard to remember a Christmas movie that feels so down to Earth and unassuming than “Let It Snow.” It has every chance to be so saccharine and cloying, but it instead insists on a very sweet and engaging tone with some genuinely engaging characters.
Oliver Alfonso’s horror comedy is a movie that will likely be a very polarizing title down the line. For the people that actually bother to check it out on Netflix, “Girls with Balls” is a Z grade movie that walks the line between absolutely obnoxious, and admirably entertaining. I was mixed on “Girls with Balls” as it packed some great meaty horror comedy material, along with some woefully stupid moments and unlikable characters.
One of the telling lines of “The Queen” is when show runner Flawless Sabrina explains that the biggest task of organizing the Miss All American Camp Beauty Pageant is finding a hotel that can house all the contestants, and finding a hotel that’s “hip” enough to want to house them. In 1968, being out and yourself was about being as discreet as possible and operating behind closed doors. While “The Queen” is basically a documentary about the cut throat world of Drag pageants, as well as a sobering portrayal of how the LGBTQ community had to function behind closed doors for much of the twentieth century.
This week we have seven stellar short films from around the world including Asia, Hungary, and The Ukraine, as well as one from prolific indie filmmaker Patricia Chica. Some of the shorts featured have competed in Cannes this year, and all deal with some kind of interesting and very widely discussed social theme including LGBTQ Pride Month. Look for these excellent films when you can. If you’d like to submit your short film for review consideration, submissions are always opened to filmmakers and producers
We’re in the thick of pride month (Go see “Booksmart”!) and as many online entities and blogs celebrate the month, we’re naming five of our personal favorite LGBTQ films of all time. They’re ordered by year, as I have a hard time naming my favorite of the sub-genre. These are only some of the many excellent titles, of course, as there are some banner films like “Brokeback Mountain,” “Jeffrey,” “The Bird Cage,” “Hedwig and the Angry Inch,” “The Perks of Being a Wallflower,” and so much more.
Feel free to let us know what some of your favorite LGBTQ films of all time are, and celebrate with us. Happy Pride Month.
Writer Paul Rudnick walks a fine line with “Jeffrey” as he balances comedy and drama with his stage play and film. “Jeffrey” has every opportunity to be melodramatic or cheaply exploitative, but it instead manages to find a way to laugh through tears and fears. In 1995 America was still basically in the midst of the AIDS epidemic with the government doing just about nothing about it, so “Jeffrey” examines the relative fear and terror behind it.
“To Wong Foo” was an especially curious film for me when I was twelve as I was admittedly not at all aware of what Drag Queens were. All I knew about “To Wong Foo” then is that it starred three of my favorite movie stars dressed as women. While the trailers completely advertised the film as men who dress as women for some kind of action oriented premise, I was surprised that it was a lot better than that. “To Wong Foo” isn’t a masterpiece, but through and through it’s a charming and funny drama comedy about acceptance, and enduring through pain.
I feel every generation should have a movie or two that defines them and how hard it is to grow up during that period. We’ve had movies like “Dazed and Confused,” “Mean Girls,” and “Breakfast Club,” and we’re very fortunate to have had two very good movies (“Eighth Grade”) about the modern youth culture in the last five years. Olivia Wilde’s directorial debut is one of the finest drama comedies of the year. It’s an honest and entertaining look at two girls trying to find out who they are before they graduate high school and enter in to college–possibly without one another.