I give director and writer Paul Etheredge-Ouzts a lot of credit for creating a traditional slasher film with a lot of the conventions turned around for an all gay cast. Every single character in the movie is gay, right down to the psychotic masked killer. Ironically, “Hellbent” does fall in to the traps of conventional slasher films, with people willingly walking in to danger, and a slasher whose origins is completely unexplained. I was disappointed in the latter, as I was expecting a big twist, or at least a link to protagonist Eddie’s past as an aspiring police officer.
Touko Laaksonen was an army officer and diligent brother who had a talent for drawing muscular men in various revealing outfits. Known as Tom of Finland, he was once arrested for his drawings before finding popularity and fame in the United States.
In this film that seems to be a Thai take on the Jurei ghost story type, directors Piraphan Laoyont and Thodsapol Siriwiwat take a sub-genre, the vengeful ghost, and go to a point of insanity that is quite enjoyable. The film does not create much in terms of new aspects for the sub-genre, but it has some truly inspired moments, some really creepy sequences, and kills that are original and sometimes insane. The way they use each nurse’s obsession against her works quite well which helps the film feel fresh in its kills. The characters they create here are not particularly original or deep, they are fairly ditzy nurses completely obsessed with themselves and their love interest. The characters are even annoying at times, something that hinders any kind of sympathy that might be needed to truly care about their deaths. However, the way they die is entertaining and this helps a ton with a film of this sub-genre.
A married gay couple returns to the B&B that they previously sued for refusing them a double bed following their win in court. Another guest arrives and things take a turn for the dangerous. As they try to figure out what is happening and how to fix it, they must face their issues and some of the owner and his son.
In this mash-up of Frankenstein and Jack the Ripper, Igor is now a woman and on the hunt for body parts. Frankenstein’s creature is a touch different and the film gains greatly from it. Co-written by Jonathan Martin and Rebecca Martin, with the former directing as well, Creatures of Whitechapel takes two well-known stories, mixes them, and creates a story that works perfectly. The changes to the characters work and their new ways bring these stories some fresh air. The characters created this way are fun to watch and layered in a way that feels non-gimmicky as opposed to most film that pull the gender-swap card. The stories work well once merged into one and the mysteries they create are interesting. The film makes good use of known characters, locations, and stories, creating a short film with a ton behind it and a lot of interest for most horror fans.
While the Doctor is away, his assistant will play. As the mad-scientist is out, his not-so-mad assistant works on getting his creation a friend. As the friend comes to life, the assistant teaches her how to live and how to love.
A man is receives an odd call from his ex and goes to join him in a remote cabin. As they work through their issues and loneliness, they are haunted by something that may or may not be supernatural in nature.
A being falls to Earth and copies the first image of a human it sees. Living as this girl, she starts learning about family, love, and life. As she does, the girl she has copied lives her life in New York, working in the adult industries and slowly losing herself. As their lives evolve, their meeting is unavoidable and may bring them more than they expect.