No matter how classic or profitable a series or franchise is, studios are always in the market of appealing to a younger audience with a new version of the property. With the success of shows like Muppet Babies and The Flintstone Kids, Hanna-Barbera decided to revisit the formula in 1988 for Scooby-Doo. It was their attempt to win over a new generation of fans while dusting the cobwebs off of the franchise that’d begun to show its age thanks to misguided spin offs and introductions of grating additions like Scrappy Doo and Flim Flam.
It’s a brand new era for the classic clan of weirdoes and eccentrics, all of whom get a chance to show a new generation how much fun they can be. I’ve always been a big fan of the Addams family since I was a child, as they always felt more genuine than the Munsters. While the Munsters spent their time trying to fit in to modern society, the Addams family always stuck true to who they were, and rarely ever changed their own rituals or style to fit some new standard of what normal is. They are who they are, like it lump it.
With 2019 seeing the release of the animated reboot of “The Addams Family,” I thought it’d be fun to check out the line of Addams Family video games that came to consoles over the years. I’ve always been an Addams Family fan, preferring the darkly demented family over the more whimsical Munsters. Hopefully the animated movie can be the start of a brand new franchise like “Hotel Transylvania.” Until then, these are the Addams Family games from the absolute best to the utter worst.
What’s your favorite?
Premiering in 1994, during a time where Disney was really trying to create series with mythos and complexities, Gargoyles stands out as one of company’s most ambitious animated series of the nineties, and a bonafide masterpiece of the decade. Gargoyles came with an unparalleled production quality that was just impressive all around. From an excellent score to a massive cast of voice actors (comprised mostly from “Star Trek” alums) right down to the amazing animation, Gargoyles was anything but a gimmick. The writers unfolded a complex mythos, and great back stories for each of the gargoyles (many of whom had their own strengths and weakness) all delivering an episodic fantasy with substance.
Laika has the ability to conjure up magic and unique premises that you can’t find anywhere else, and it’s why I think they’re bringing so much to the animation medium. While “The Box Trolls” isn’t their best title, it surely is a meaningful and heartfelt work of art that works as an entertaining allegory about the class structure and the idea of the dream of wealth and whether or not it can ever live up to our fantasies. Is there such a thing as too much? And it is really as ideal as we think?
In 1988, Tim Burton introduced us to a foul-mouthed freelance “bio-exorcist” ghost, simply named Beetlejuice (or, to those sticklers out there, Betelgeuse). Like most entities of his ilk, chanting his name three times would give him power, allowing him to interact with the real world and perform hauntings and create monsters. Michael Keaton took on the guise of the demonic anti-hero with a penchant for perversion and trickery and director Tim Burton created a bonafide horror icon for the 90s. In 1989, the love for Beetlejuice had hit its high and Burton cemented himself as a master of Goth tales with Batman and Edward Scissorhands soon after.
When I was a kid whenever councils or committees tried to encourage kids to read, they always invented some kind of mascot, and for me it was Cap’n O. G. Readmore. Every Saturday morning after the cartoons, he’d show up to remind kids to read, and explain how much fun reading was. “The Pagemaster” has good intentions but deep down it feels disingenuous and an awful lot like a glorified Saturday Morning special turned in to a big feature. At barely eighty minutes in length, it’s a mediocre, dreary, occasionally boring film that you can’t help but feel like it could have been shown as a TV movie.
It’s shocking that “Manifest” lives on to see a second season, as the series is thick in mystery and mythos and it might drive fans nuts if it ends without some answers. I’m not usually a fan of series like “Manifest” that practice the tradition of an ensemble of characters uncovering a mystery that connects them a la “Lost,” but “Manifest” is a pretty good science fiction drama all things considered. I don’t know if the show is going to dip in to science fiction or religious realms soon, but the series digs in to some unique material with a prologue that is pretty damn compelling.