As one of the most popular horror authors of the 1990’s who penned two very popular series of horror novels “Goosebumps” and “Fear Street,” author R.L. Stine had a humongous influence on kids everywhere. He helped introduce many to the joys of spine-tingling horror and tongue-in-cheek mystery, as well as the art of storytelling. “Goosebumps” and “Fear Street” thrived on creating unique and realistic protagonists, along with introducing genuine plot twists and ironic endings that channeled Rod Serling and Richard Matheson. “Goosebumps” books a hallmark of school book fairs and local libraries across the country, and as a horror buff myself, I can attest to cutting my teeth on everything the man wrote at the time.
2018 was a big year for movies, it was a great year for animation, it was a stellar year for horror movies in general, and it was such a busy time for anyone that loved and appreciated film. Thankfully it was tough stacking a top ten that was definitive and that sit well with me because I had so many favorites. With so much new avenues to view film I didn’t get everything I wanted in 2018, but I saw enough to compile a top twenty or top twenty five.
This is my top ten films of 2018, these are films I loved, these are films that I hope you seek out if you haven’t, by now.
Honorable Mentions: Paddington 2, The Domestics, Black Panther, Ready Player One, Spider-Man: Into the Spider Verse, Revenge, Tully, The Night Eats the World, Bird Box, A Star is Born
Miles Morales was introduced to the Marvel universe in 2011, established in the alternate label the “Ultimate” universe. When that universe’s Peter Parker died, Miles stepped up to become Spider-Man. Since then Morales has become one of the banner Spider-Man iterations that have taken on the mantle of the hero. Morales wasn’t just welcomed in to the primary Marvel universe, but he’s managed to become just as popular as Peter Parker and the original Spider-Man. Some fans will even argue he’s better than Peter Parker’s Spider-Man. It’s general sentiment that’s been accepted by many because Spider-Man is not a person, it’s a movement. It’s a movement where literally anyone can wear the mask and strive for the same goals Peter Parker did.
The digital release is available today on ITunes, Amazon, & Google Play. It will also be back in movie theaters this week. It’s currently playing in Los Angeles (LaEmmle Monica Film Festival), New York (IFC Center, Cinema Village), & San Francisco (LandMark’s Opera plaza). Look for Theater Listings Here.
Cristina Costantini, and Darren Foster’s “Science Fair” is a film that every family should take their children to watch. Not only does the National Geographic documentary explore the joy of learning, but the inarguable proof that education can enrich one’s life. “Science Fair” examines a part of the educational world that we don’t often see, exploring the very important yearly International Science and Engineering Fair that attracts 1,700 of the smartest students from 78 different countries around the world.
After 1966’s “How the Grinch Stole Christmas,” and 2000’s “Dr. Seuss’ How the Grinch Stole Christmas,” we now have 2018’s “The Grinch” (I assume the next reboot will be titled “Gri”). Illumination Studios continues being the C grade Disney Strudios, adapting the Dr. Seuss tale if, for no other reason, than to have their own holiday title out for the market and appeal to a younger audience. There’s not a lot of reason for this adaptation, as Illumination doesn’t offer a new twist on The Grinch. Except for obviously omitting “Christmas” from the title, “The Grinch” is an amalgam of Ron Howard’s live action movie, and the original Chuck Jones short movie–except bland.
It’s that time of year already, where the holidays have finally crept up on us; it seems like time just flies and we’re back to trying to figure out what to get the movie lover in our life, or what to treat ourselves with. Whether you celebrate Christmas, Hanukkah, Kwanzaa, Festivus, or just love the deals, this is our annual holiday gift guide with some suggestions for the respective movie lover, and pop culture fanatic.
Included in the guide are links to the products, and always remember, if you’re interested in helping us out, buy directly through us, and earn our eternal admiration.
I’ve come to terms with “Teen Titans Go!” and I’ve especially come to accept it thanks to the shockingly good feature film. If there was ever a time where the superhero movie genre was ripe for parody and satire it’s 2018, and “Teen Titans Go! to the Movies” manages to do it better than anyone else. For everyone that’s come before, attempting to mock the whole appeal of the sub-genre, “Teen Titans Go!” captures the whole appeal and absurdity of the superhero movie and the superhero mythology as a whole. It also manages to cater to the hardcore comic book buffs in the audience, inspiring some great laughs from obscure references.
Disney re-visits their staple of public domain tales with another visit with “The Nutcracker,” a ritual that’s annual for most movie studios. No matter what year it is, some studio thinks they can offer an artistic, original, or hip take on “The Nutcracker,” and every year it’s terrible. Even with Disney injecting the classic ballet with the spectacle of Robert Zemeckis, the eccentricity/whimsy of Tim Burton, and a vague cribbing from 1939’s “The Wizard of Oz” (bordering on plagiarism), “The Nutcracker and The Four Realms” is a hollow effort to turn the musical composition in to a hit holiday movie. And perhaps a hit holiday movie franchise. You know they’ve focus grouped it and are planning parts two to seven, right now.