Even though I was born in the eighties, I don’t have a particular connection with “The Goonies” as while it’s mostly considered a masterpiece, I’ve only ever considered it just pretty good. Director Richard Donner’s adventure film is the Hardy Boys Meets Indiana Jones and for the most part it’s an entertaining call back to fodder like “The East Side Kids,” which keeps in line with Spielberg’s ode to his childhood cinema.
I’d be lying if I said that I’m the biggest Scooby Doo fan around. Hell, I’m still stunned that Hanna Barbera has placed so much stock in the franchise for so many decades, but I digress. I had high hopes going in to “Scoob!” as every generation is introduced to Scooby Doo once again in some new form, and “Scoob!” seemed like the right avenue. Not only does it give us a new vision of Scooby Doo, but it makes tweaks to the mythos that I liked, while also establishing a shared Hanna Barbera universe. And yet, at the end of it all, I’d still rather have seen “Scooby Doo on Zombie Island” or “Scooby Doo and the Witch’s Ghost,” again.
I was never aware of what “Carnival Magic” was until “Mystery Science Theater 3000” covered it years ago. I’d never seen an alleged kids’ film that was so adamantly uncomfortable, and droning, and inappropriate before. Al Adamson, who was known mainly for adult exploitation films, took his hand at making a children’s adventure film, ends up making in inadvertent cult item that promises to confuse and dumbfound movie lovers for years in the same ilk as “Manos: The Hands of Fate,” and “Troll 2.” I don’t know if I’d call it a cult gem, but it certainly is a cinematic oddity.
I truly hope you’re doing well in the current social climate and are celebrating Friday the best way you can. This week, I’m reviewing two brilliant animated series that’s female oriented, but fit for every audience imaginable. They’re two very complex and amazing animated series you can sit down and watch with the whole family, that promote strong female heroes, complex ideas about youth and discovery, and confronts very real overtones about loss of innocence and growing up way too fast.
After spending many years on sub-par DVD releases and in basic limbo for a new release, “The Wizard” is given a much overdue Collector’s Edition that treats the cult classic the way it deserves. Is it a glorified Nintendo commercial? Sure! Is it a glorified ad for Universal Studios? Definitely! Is it fun? Oh god yes. “The Wizard” is a movie that might appeal to you more if you have nostalgia attached, granted, but on its own it’s a solid kids adventure film that’s also ahead of its time in the way it digs in to the video game tournaments and how much mental and physical prowess they demand.
After some um—rather interesting internet ballyhoo, “Sonic the Hedgehog” is finally brought to the big screen in what is a shockingly good adaptation. Although I’d argue that the “video game movie curse” ended in 2018 (ahem–“Tomb Raider”), “Sonic the Hedgehog” does open the door for more, higher quality video game movies down the road. While I’d be hard pressed to say that “Sonic” re-invents the wheel, it also dodges a lot of video game movie pitfalls by side stepping cloying pop culture references, and paying homage to the source material.
In the nineties, many American movie studios were trying to beat Disney at their game by basically—mimicking everything that made their movies a hit. They didn’t try to rewrite the rules until the early aughts; before then we had a bunch of movies that were basically D grade copies of Disney hits. Richard Rich is a once Disney animator who tries his best to riff on Disney, taking a classic fairy tale and adding about every trope from the Disney list you can imagine, right down to funny talking animals. What he forgets is entertainment and a sense of life.
With their partnership with GKids, Shout Factory has managed to obtain a remarkable chunk of Studio Ghibli’s library and have given choice titles some truly deluxe treatment. Among some of Hayao Miyazaki’s masterpieces is the incredible “Spirited Away” a film that owes a lot to “Alice in Wonderland” and “The Wizard of Oz,” that also evokes subtle social commentary on child trafficking. In either case, “Spirited Away” is still a remarkable and stellar piece of art, with some of Miyazaki’s most memorable creations including No Face, and the Soot Sprites.