You have to give it to John Carpenter. Even when he stumbles, he’s still one of the finest directors around who manages to set himself apart from his contemporaries stylistically. While “Star Man” is an obvious attempt to cash in on the good Spielberg “ET” dough, “Star Man” manages to be a pretty okay movie, either way. Carpenter sets aside his usual nihilism in favor of a more measured alien love story where it retains much of its appeal thanks to the wonderful turns by Karen Allen and Jeff Bridges. This is especially a movie where Allen shines, as she delivers a performance filled with layers and emotion to the very end.
One thing you can say about “Memoirs of an Invisible Man,” is while it’s not one of John Carpenter’s best films, it certainly is inventive. Carpenter is no stranger to science fiction and whenever he hits the genre, he attacks it with a new angle and inventive gimmick that make it worth watching. “Memoirs of an Invisible Man” is about a man who begins to live life when he realizes he’s completely invisible to just about everyone, and must also deal with everything from a clandestine government organization to learning how to eat in spite of being incapable of seeing his fingers or mouth.
John Carpenter has always been about transcending what ever form of storytelling he pursued. Even when paying homage toWesterns or remaking something like “Village of the Damned,” Carpenter never approaches it conventionally. With “In the Mouth of Madness,” he had every chance to repeat the same meta-beats as “They Live,” but he ends up delivering a genius, beautifully loony, often brilliant piece of cinema that’s both a tribute to literature, a meditation on the power of the imagination, and our own state of being and reality.
Since we’re all slowly and inexorably heading into the last day of the month of October, I’ve gotten to thinking about the perfect film to watch on Halloween. The sort of film where, to properly experience it, you have to turn off all the lights in your living room and surround yourself with friends or family, put a huge bowl of freshly made popcorn on the table to get that smell of hot butter in the air, and then cower together to scream and laugh while lit only by the glow of the television. We’ve all done it at least once, and it’s always fun, but it can be unforgettable if you pick just the exact right thing to watch.
This, in turn, got me to thinking about John Carpenter. Because, as you all remember, he just happened to make a little obscure flick called “Halloween”. Which, coincidentally, is why my own personal recommendation for the perfect film to watch on Halloween is “The Fog.”
It’s a pretty interesting time to be a Stephen King fan, as 2017’s seen the emergence of King in almost all media. His works “It” and “The Dark Tower” are being adapted in to highly anticipated feature films, “The Mist” has been turned in to a series for better or for worse, and Scream Factory are re-releasing “Misery” on blu-ray later in the year for fanatics. With “The Dark Tower” coming to theaters very soon, I thought I’d ring in the occasion by highlighting five stellar Stephen King movies, and five you’re much better off avoiding.
What are some King adapted movies you think are worth watching, and what are some you think should be avoided? Let me know in the comments!
Back in 1982, American audiences were enamored with the extraterrestrial. We were in a time where the prospect of aliens was cuddly and friendly, and we were capable of exploring vast new worlds. What with “ET” and “Close Encounters” and “Star Wars,” who didn’t want to visit new worlds? Then John Carpenter came along in 1982 with his version of “Who Goes There?” a short story about an amorphous alien entity that could consume human bodies, and America wasn’t too kind to it. John Carpenter’s masterpiece is notorious for not being welcomed by critics or the box office during its release date, but thankfully years later, horror fans and movie buffs alike have embraced “The Thing” for the sheer pitch perfect masterpiece it is. John Carpenter doesn’t provide us with a more positive outlook of an alien visitor as he did with “Starman.”
With “Escape from New York,” director John Carpenter once again evokes the western by delivering his own trademark twist of the sub-genre. Through his film he offers up a classic tale of a hero in the badlands while also introducing us to one of the most colorful figures in the Carpenter gallery: Snake Plissken. Plissken is a role only Kurt Russsell could have played, a brooding and rebellious anti hero who is also very cunning and of few words.
Almost forty years later, director John Carpenter’s “Assault on Precinct 13” is still an excellent and mean contemporary western that never lets up on its audience. Director Carpenter has a knack for lensing the world to look like an alien habitat filled with despair and evil, and “Assault” is no exception. What begins as moving day for a local precinct descends in to violence, chaos, and murder with an enemy that will stop at nothing to quench its thirst for vengeance.