Rope (1948)

While most people would consider films like “Psycho,” or “Rear Window” to be top notch Hitchcock, I often insist that “Rope” is where Hitchcock manages to shine the most. At the very least it’s what I consider the best Hitchcock has ever been because he manages to challenge himself at every turn here. With “Rope,” adapted from an actual real life crime, Hitchcock lingers on his characters and his setting, adopted ten minute long extended takes that were the length of a normal camera magazine. With the long takes, Hitchcock is allowed to use the camera as a proxy for we, the spectator, who are watching and waiting to see if our villains Phillip and Brandon are going to be caught.

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