One thing you can always count on with aliens, that no matter how advanced or sentient they are, their primary form of security is always two huge closing doors that slide together and seal as gradually as possible. You assume in their world they’d have laser doors that seal up in a matter of milliseconds, but no. It’s always very slow closing doors that never quite close fast to stop our heroes. But of course they always murder the alien pilots because–they’re obviously not trained to zip through the doors I assume. “Independence Day: Resurgence” is a sequel with such an obvious mission to launch an “ID4” cinematic universe that it’s almost not really worth watching “Resurgence” at all, when you get down to it.
I’m not quite sure what creator/director Bruce Branit is planning, but “State of the Union” is definitely a taste of a narrative that I definitely want to see more of. Considered an amuse-bouche by director Branit, “State of the Union” garners a ton of foreshadowing, hints at larger plot elements, and introductions of characters that may or may not appear in the planned feature length film.
Roland Emmerich’s “Independence Day” is one quarter of a very decent albeit cliche alien invasion film, and three quarters an unwatchable adventure film. What opens with looming shadows and hovering space ships devolves in to a buddy comedy with catchy one-liners and plot twists much too convenient to buy. Even for a science fiction film about huge alien space ships. Apparently the government can see asteroids coming from miles away and predict when one will pass, but they can’t see space ships the size of two continents enter the atmosphere.
Watching this almost twenty years ago, and again a few days ago, I am still left pondering: Who exactly did this movie appeal to? What was the niche audience? Director Tim Burton bases an entire science fiction film on specialty trading cards from the sixties, he creates a meta-alien invasion movie that throws comedy and menace at every turn, and then piles every moment of the film on with big celebrities and actors. Who exactly did this movie appeal to, but Burton?
It’s pretty clear directors Michael Deak & Aaron Osborne either created a giant Kaiju movie with a sense of humor, or a Kaiju movie that is actually a spoof of Godzilla. There can be no other reason to explain the inadvertent comedy and utterly atrocious performances in “Zarkorr! The Invader.” It’s a film so bad but so utterly entertaining that you’ll likely laugh along with its idiocy as it takes you on the roller coaster ride.
nspired by the online short film “Geweldenaren van Ver,” director Federico Alvarez’s short film (made under a five hundred dollar budget) is yet another tale of indie success that most independent directors can only dream of. Uruguayan director Alvarez posted this short film on Youtube back in 2009 and after the video was posted on rapper Kanye West’s blog, it garnered an immense fanbase, currently has over five million views on Youtube, and Alvarez experienced surprising success, “I uploaded Panic Attack! on a Thursday and on Monday my inbox was totally full of e-mails from Hollywood studios,” said Alvarez. Now he’s been given a contract by Sam Raimi’s studio “Ghost House Pictures.”