Robert D. Krzykowski’s feature directorial debut The Man Who Killed Hitler and Then The Bigfoot premiered at Fantasia 2018 recently and was a huge success. His Q&A with star Sam Elliott was enlightening and fun. Here he is to answer a few of Cinema Crazed’s questions.
Most of the time we get such a backlog of short films and feature length indie films that we work hard to take them all on and review them before the year is up. In what we hope will become a new feature, “Shorts Round Up of the Week” is a column where we’ll be reviewing a round up of short films of varying quality.
If you’d like to submit your short film for review consideration, submissions are always opened to filmmakers and producers.
Director Michael Mort has been working in stop motion animation for most of his cinematic career, working with studios such as Aardman Animations and his own studio Animortal Productions, and is a clear fan of old school action films and their over-the-top styles.
Welcome to Mercy is your second feature as a director, what attracted you to it?
I’m still figuring out what sort of filmmaker I am. Telling stories for a living is such a broad and nebulous job — Your work is this delicate combination of deeply personal ideas, natural instincts, collaborative partnerships, and practical opportunities. How you balance and navigate those ends up defining what you put out in the world… and I think in a very real way it also ends up defining who you are.
I really enjoy what Louie Cortes is going for with “Help Me.” It’s a very short but sweet horror treat that I loved for its ability to take a twist and make it so fascinating that you want to know more. When the short was finished I lingered for a while on the ending, and I was definitely interested in the ultimate concept that invoked “Invaders from Mars.”
Damien Leone has been pretty much grooming Art the Clown to become a cult slasher icon since his earlier films. He was even the somewhat paranormal narrator and ghoulish monster that ushered in various mediocre tales of horror for “All Hallow’s Eve” parts one and two. Apparently since the character has garnered some kind of momentum within the horror community, Art gets his spotlight as a bonafide slasher, who delights in viciously murdering people left and right on Halloween night. The results inspired a wholly ambivalent shrug from me overall, I’m sad to say.
Now with the easy accessibility of filmmaking technology and more filmmakers stepping forward, we’re getting more horror movies based around Halloween than ever. I’m just fine with that as Halloween was always a very under tapped mood back drop for such a long time in the horror genre. “10/31” is tailor made for Halloween and horror buffs looking for a good time with assorted tales of terror and black comedy. While it isn’t perfect, it’s a damn good treat nonetheless that I can’t wait to put alongside gems like “Tales of Halloween,” 2013’s “Mischief Night,” and “Trick r Treat.”