I don’t know how many audiences will click with “Glimpse” but for folks that can appreciate film as an experimental form of art with no real narrative, John Nicol’s movie is solid. It has no story and no dialogue and often time feels like some kind of music video, but it’s well made. Director Nicol seems to know what kind of movie he’s making, even if it’s never quite clear throughout the eight minute run time.
Jill Sixx Gevargizian is a filmmaker and music video director from Kansas City with roots in hairstyling and one awesome eye for beautiful images on films. Her newest project, a short for the Soska Sisters’ Massive Blood Drive PSA just dropped and she even stars in it.
Made in 2012, Art as a Weapon is a documentary about using street art to publicly send a message, may it be of peace, hope, a political one, or any other messages sent to the mass public by way of graffiti, paintings, etc. The film follows an art class in Burma learning to use art with the most effectiveness and contrasts this with American street artist Shepard Fairey. Directed by San Diego documentarian Jeffrey Durkin, the film mixes the Burmese school students’ scenes with scenes shot in San Diego while artist Shepard Fairey was in town painting a Buddhist monk on the side of a building.
Following a massacre in a church, a priest who really is a vampire attempts to get funding and new followers as a vampire hunter works to take out as many of his followers as he can. In this ambitious ultra-low budget horror-comedy by writer/director/star Matthew Rocca, a typical story of good versus evil becomes less typical when the bad guys and good guys are not clear-cut with each of them having qualities that make them more complex and thus harder to pigeonhole. The story has interesting elements and some definitely good ideas. The dialogue balances between funny and just ok. The film’s issues in the story are where it seemingly gets lazy. Rape as a character establisher or changer or even as a shocking method is cliché, overdone, and a lazy plot tool when used the way it is here. The rest of the film uses a few other overdone plot devices but they are not as annoying and can be forgiven more easily.
Dani arrives in California to visit her cousin for a month and have some fun away from her worries and her past. The two girls do fun tourist things and prank each other, until something goes wrong, very, very wrong. As things go from bad to worse, the film explores voodoo, the supernatural, and hell, all through a found footage lens. The story created by writer/director Tom Costabile has a lot of good ideas and some truly unnerving imagery and moments. The opening with the voodoo curse being put into place goes from interesting to freaky fairly fast. The film itself then takes a little bit to establish the two cousins and the other players around them (including an unnecessary but not annoying cameo by Ron Jeremy) until one pranks leads to all hell breaking loose.
In the near future, during the second great depression, an ex-con joins a duo of burgeoning bank thieves as there are no jobs and he needs to survive. At the same time, a resistance movement grows fast and a group of female criminals is causing mayhem. As things take a more serious and more violent turn for all involved, the authorities are closing in on them. In writer/director Tony Olmos’ first feature film a few years ago, the story may be a bit exaggerated but it will feel close to what may become reality to some. The story is set in the San Diego area amid racial and class issues, political problems, and an upswing in crime during the second great depression.
A sequel to the 2011 video release Skeleton Key 3, this new film is in no way shape or form related to the Kate Hudson starring film from 2005. This film follows a man dealing with the (blue) zombie apocalypse while saddled with a demon sidekick/bully and a ragtag team of helpers. John Johnson, the man credited as the brain behind this film and the star of the film looks to be specialized in the anything goes/what the fuck type of horror films by the looks of his IMDB page. As this particular film is not listed and this reviewer will not be watching it again to pull the credits, the little bits of credits available on Midnight Releasing’s website are all that will be used to identify the players here.