Bruce La Bruce, director of The Misandrists, has always had a touch (or more) of the offensive in his films, at least to general audiences, to bring up thinking points and discussions. His most recent release touches upon the patriarchy, women’s rights and power, the use of sexuality (and porn) as a tool of communication and a weapon.
Nicholas Ferwerda’s “Family Game Night” is a short that I could actually see becoming a feature film somewhere down the road. The potential for a dark comedy horror film is right there. As a short though, it’s a very good and very darkly eccentric horror film with a fun twist on the conventional nuclear family concept that entertains successfully.
Written and directed by Phil Bucci, Paul’s Bad Day is an uber short with a good impact and a fun twist on its subject. As a horror sub-genre that is quite overdone these day (and it will not be revealed here to keep some surprise), this new take on it is a breath of fresh air. The very short runtime forces it to be concise and straight to the point, something that is highly appreciated and shows that the filmmaker knows how to use the less-is-more approach to horror.
Written by Josh Collins and Steven G. Michael with Collins directing, Fags in the Fast Lane is a low-brow, tongue-in-cheek comedy that goes for a style and universe that would make John Waters proud. The humor and the story are in your face, over the top with just about everything and the glittery kitchen sink thrown at the viewer. The story is one that includes something to shock or offend everyone. The trashploitation sub-genre is well represented here and viewers who won’t have been stopped by the film’s title should find something to have fun with here.
As a killer offs all other sisters in their sorority, two young women argue as to which one will survive based on completely arbitrary characteristics leading the killer to wonder if he’s the crazy one or they are.
As a slasher buff, I’m saddened that we’re in a current horror climate where other less deserving slasher films have gotten full fledged franchises while “Behind the Mask” is still just a one time gem. “The Rise of Leslie Vernon” is one of the best slasher films of the aughts that was perfecting the indie slasher sub-genre well before “Hatchet” came along. No slight to Adam Green, but I’d much rather have had three “Behind the Mask” films over four “Hatchet” films any day of the week. “Behind the Mask” is brilliant in not only creating a great slasher villain, but telling a sharp meta-story that dissects the sub-genre as a whole.
I remember a time where it was nearly impossible to get a film like “Fags” made, but now we’re in a glorious time where the LGBT community is allowed to be fun and unleash their creative visions. “Fags in the Fast Lane” is Andy Warhol, John Waters, Russ Meyers, and a dash of Frank Henenlotter thrown in to a blender and given some pretty fun tweaks here and there allowing Josh Collins and writer Steven G. Michael to go as far out there as he wants. Thankfully he never loses track of the narrative or the film’s genuinely weird sense of humor once. “Fags” is a very LGBT aimed action comedy but it also has an admirable sense of self-awareness always looking for any reason to poke fun at itself.