Monday (2018)

Part of Robert Rodriguez’s “Rebel Without a Crew” TV docu series, Alejandro Montoya Marin was one of the five filmmakers chosen to make his first feature much in the way Rodriguez did with “El Mariachi.” With only seven thousand dollars, no crew, two weeks to film, “Monday” is a heavy task to complete and Alejandro Montoya Marin is up for the challenge. It’s hard to believe “Monday” has such a low budget, as it manages to build such a fun darkly comic crime thriller out of such limited resources.

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The Five Choice Indies of 2018

As with every single year, we try to cover as much indies as possible, but we just never have the time to see them all, sadly. As with previous years, this top five comprises five of the best indies I saw all year. It’s not to say the films that didn’t make the list are terrible films, or that the films the other writers on Cinema Crazed enjoyed aren’t good, either. This is merely a subjective list of five independent films we highly recommend to you that we saw this year.

It’s good to remember this is opinion, and not gospel.

If you want to see what films the Cinema Crazed collective consider A+ Indies, visit the link included!

Also, be sure to let us know some of the best indie films you saw all year!

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Shorts Round Up for the Week (12/8/18)

Most of the time we get such a backlog of short films and feature length indie films that we work hard to take them all on and review them before the year is up. In what we hope will become a new feature, “Shorts Round Up of the Week” is a column where we’ll be reviewing a round up of short films of varying quality.

If you’d like to submit your short film for review consideration, submissions are always opened to filmmakers and producers.

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[Holiday Gift Guide] Film Movement Plus Subscription Service

Fans of cinema both classic and arthouse are still stinging from the closing of “Film Struck” a few months ago. If you’re still aching for something completely different from the mainstream, I offer you the alternative of “Film Movement.” I’ve been cognizant of Film Movement for years now and have always intended to subscribe to the service. “Film Movement” was established in 2002 as mainly a DVD of the month club that mailed DVD’s to respective subscribers. These days while the DVD Club is still available, “Film Movement” is more of a subscription service that streams movies to subscribers much in the realm of Netflix, except the movies you’ll find here are nothing like you’ll find in the mainstream.

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Shorts Round Up for the Week (12/1/18)

Most of the time we get such a backlog of short films and feature length indie films that we work hard to take them all on and review them before the year is up. In what we hope will become a new feature, “Shorts Round Up of the Week” is a column where we’ll be reviewing a round up of short films of varying quality.

If you’d like to submit your short film for review consideration, submissions are always opened to filmmakers and producers.

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Butterfly Kisses (2018)

Despite the fact that I’m a fan of the found footage sub-genre, whenever I come across a new independent film that embraces the format, I release a small groan of worry. Granted, the format can still unleash some gems, but too many times filmmakers tend to fall in to the trappings of clichés and typical twists, not to mention building up to something and never actually delivering. Thankfully “Butterfly Kisses” is a strong horror film that skillfully implements the format while also examining the dangers of becoming obsessed with lore and the darkness of humanity.

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