A Night of Horror: Nightmare Radio (2019)

“On this stormy night, we are going to tell horror stories, because horror stories never end.”

I’m a big fan of the concept where studios or a collective of directors take various short films from indie directors and create anthology horror films in the vein of “Tales from the Darkside” or “V/H/S/.” The idea is a great one and opens up a broader audience, and allows them some great exposure. “A Night of Horror: Nightmare Radio,” is one of the many that’s come along, mixing seven stellar horror shorts told by a lone radio DJ in the middle of the night.

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Nothing But the Blood (2020)

Intentional or not, when you go in to “Nothing But the Blood” you’re bound to have flashbacks of “Red State,” as director Daniel Tucker seems to be sewing his narrative from the same cloth. Ideas about religious fanaticism, the deadly cost of religious institutions, and the hypocrisy of religious leaders are all here. Les Best even seems to spend most of his time on screen channeling Michael Parks. Daniel Tucker tries hard to establish him as a source of evil, even beginning the movie with a fourth wall breaking prologue as Best’s character reads a long sermon and angrily preaches to us.

Why this should set up the story I was never entirely clear but—it’s black and white, so it’s eerie…?

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Angelfish (2019)

Peter Lee’s “Angelfish” is a very good drama romance about two people with varying obligations and turmoil finding love with one another. Often times when it hits, it hits hard, but when it fails, it tends to ruin the momentum of the narrative and drag on for quite a while. Shocking enough, “Angelfish” can sometimes feel long in the tooth, if only because it often feels like it’s padding the narrative rather than using those opportunities to add more dimension between our characters Brendan and Eva. That said, even in its imperfections, Peter Lee’s Bronx set drama is engaging and often times emotional.

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Five Films for Fantasia Film Fest 2020 I Am Excited For [Fantasia Fest 2020]

For yet another year and another summer, Cinema Crazed is honored to be covering the Fantasia International Film Festival, the new edition now running from August 20th to September 2nd will screen films and various cinematic features virtually with all attendees and press being able to access the vast library of films online, thanks to COVID concerns and the continuing pandemic.

The festival is famous for featuring some of the most acclaimed and highly anticipated genre films from around the world, and this year is featuring a great and vast array of films. It’s no small feat considering the festival had to switch formats and entire platforms practically overnight. Nevertheless, here are five films premiering this year that I just can’t wait to check out.

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Erasing Eden (2016)

It’s easy to see where director Beth Dewey draws her influences from as “Erasing Eden” is very much a modern successor to “Five Easy Pieces.” Rather than the story of a well off young man, “Erasing Eden” centers on a young woman with everything who is prepared to destroy it all. For what reason? Even she doesn’t know, as she spends so much of “Erasing Eden” setting off a series of catastrophic events and reluctantly trying to reverse them in order to make it to her own wedding.

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Elodie (2019)

There aren’t many good movies or movies at all, for that matter, about the writing experience, and it’s a shame. There’s so much to be mined in the realm of creating and how characters can take on their own lives. “Elodie” is an indie gem that deserves to be watched by just about everyone, as it’s not just a wonderful character piece, but a superb look at the creative experience and the concept of impostor syndrome.

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A Girl, A Guy, A Space Helmet (2012)

Director-Writer Mike Timm’s passion project is a movie that jumps back and forth between fantasy and reality. It’s a very avant garde work of art that takes on the typically broader spectrum of the romance comedy and adds some creativity to it. While “A Girl, A Guy, A Space Helmet” has every chance to be a trite tale of a man and a woman falling in love, Timm’s unique direction and self awareness make it a worthwhile cinematic experience.

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Interview with “Relic” Director Natalie Erika James

Photography credit: Ashley Mustow (https://cargocollective.com/ashleymustow)

With the recent limited theatrical and VOD release of critically acclaimed horror film “Relic”, Cinema Crazed had the chance to talk to filmmaker Natalie Erika James, who makes her feature film debut courtesy of IFC Midnight.

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