Going in to “1BR,” its pretty clears that director David Marmor takes pages from Ira Levin’s psyche, reflecting many themes and ideas the author was known for. Director David Marmor builds a simplistic but absolutely harrowing thriller that confronts similar feminine themes. “1BR” feels so much like a movie torn out from 1979 and altered for modern times. That element works for the movie, as the lack of more modern constructs gives his thriller a very timeless displaced feeling. This sense of aesthetic contributes to the sheer claustrophobia and alienation that character Sarah experiences.
With almost eighty acting credits to his name, and experience in various fields of production and filmmaking, we spoke to Hans Hernke, the producer and co-star of “Another Plan from Outer Space.” The science fiction thriller is an impressive indie about a space crew stranded in a large harsh landscape looking for help. Hernke took time out for an interview to discuss the development for the movie, the upcoming toy line for it, and his new movie which he’s collaborating with “Another Plan” director Lance Polland on.
It’s the middle of the summer and quarantine is still under way, sadly. We hope you and yours are doing well during these bizarre, frightening times. “Shorts Round Up of the Week” once again goes back to Quarantine, visiting a list of short films of varying genres that were created during quarantine. This scenario allowed a lot of great filmmakers to build genuinely beautiful, fun, and sometimes horrifying cinema, and it’s managed to be a great twist in such unusual circumstances.
For this edition we have some great short films including a documentary, a horror comedy or two, and yes, a zombie flick.
If you’d like to submit your short film for review consideration, submissions are always opened to filmmakers and producers.
As she returns to her childhood home to care for her mother with her daughter there to help, a woman is faced with a haunting presence in the house that will force all three of them to look at their lives and themselves.
Director Ryan Nicholson’s slasher throwback is thankfully a horror film that, while imperfect, has managed to appreciate in value since its release in 2008. While we may be well past the age of the eighties revival in horror cinema, “Gutterballs” is a nice look at the fad done well and with some semblance of substance over style. It’s still not a masterpiece, but it’s definitely midnight movie fodder that should be appreciated with its cinematic contemporaries. Frankly I’m surprised slasher BBK’s signature look never caught on with the horror community, but I digress.
Critically maligned when it was first unleashed on the world and was bashed for years by fans, “Freddy’s Revenge” is a movie that caught the fan base by surprise. With the advent of the internet, fans have been able to appreciate the sequel to one of the most influential horror movies as a classic in its own right. It’s a sentiment that’s managed to spread along the entire horror community as more queer horror fans have found “Freddy’s Revenge,” allowing Freddy Krueger to reach a part of society that reached beyond dreams and in to the sub-conscious in to ideas about self acceptance and repressed sexuality.