The “Zombie Bloodbath” trilogy is the sheer apex of garbage zombie movie fodder. It topples even “Night of the Living Dead: Resurrection.” The trilogy is something you’ll be forgetting minutes after, as only an hour after viewing these I can’t truly recollect the plots. There’s really no sense of arc, continuity, or overall cohesive storytelling here, as the zombies take center stage in films where characters are a sheer after thought. In the first Zombie Bloodbath from 1993, at a remote radioactive plant, its workers suffer the outbreaks of a chemical spill which turns them into—what else? Zombies.
Director and Writer Sean Hogan’s “The Haunting of #24” is a film with a lot of potential that is never quite realized in to much of a film with any kind of substance or surprise. Director Hogan sets up so many plot devices, characters, and suspense that can be flourished into a horrifying ghost film. Alas, “The Haunting of #24” is just mediocre as all get out, and squanders most opportunities to rise to the occasion and spook us. It’s not a horrible movie, it’s just so utterly boring to sit through from beginning to end.
A young woman is interviewing for a job at a mortuary and part of her interview is for the mortician to tell her a series of creepy stories.
“Playroom” is yet another horror movie with an identity crisis, and the apparent struggle for a solid identity is concocted by director Stephen Stahl who wants a coming of age movie, and a horror movie wrapped in one bizarre package. Paired with homophobic overtones, “Playroom” (also known as “Consequences”) is the story of a group of friends in the eighties (Stahl never lets us forget it’s the eighties) who bond and love one another, and eventually disconnect as life takes its toll.
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“Dawn of the Living Dead” is such a blatant attempt to garner the Romero fan’s attention, especially with the tagline “In the tradition of “Night of the Living Dead…” If we’re splitting hairs here, pretty much all of these zombie movies that copy Romero are in the tradition of “Night of the Living Dead.” David Heavener’s “Dawn of the Living Dead” (or “Evil Grave: Curse of the Maya”) induced my optimism and I pleaded that perhaps this movie would be a so bad its good little independent foreign horror comedy. Instead it’s just a film that revels in tedium, padding, and glacial pacing.
I guess you could classify “Scare Package” as a horror movie, and yes even a horror comedy. But if my arm were twisted I’d be more comfortable just classifying it as a comedy. “Scare Package” is that movie that has a great time breaking down horror tropes and satirizing the clichés we’ve seen in various horror movies, but never actually includes any kind of scary content. Every single segment in this anthology is played with a tongue in cheek, and it’s a shame since a movie with this concept has a chance to re-imagine horror tropes.