“The Conjuring” movie universe has been a horror lovers dream, but sadly a mixed bag of movies that all interconnect in some form. The core movies that started it all are fantastic, while the rest have been either abysmal or mediocre. Thankfully, there was still some momentum in the popularity of Annabelle to allow for “Annabelle: Creation” to restore the missed opportunity that was her spin off. “The Curse of La Llorona” is a nice departure from Ed and Lorraine Warren that digs deep in to the roots of “The Conjuring” universe. It’s a horror drama about parenting, grief, revenge, and a vicious maternal villain like the previous films, but this time the producers dig in to Latin folklore.
Adam Mason’s “I’m Just Fucking With You” is about business as usual for Hulu’s “Into the Dark,” the anthology horror series that’s given viewers a new episode every month. Like all episodes before this April entry, there’s a slow build up, a very good hour, and a final twenty minutes that drag in to a luke warm climax. All in all it’s another mediocre episode that never quite recovers once the second act is introduced. I think it’s time worth spent, don’t get me wrong, as one of the fun things about anthology films is the ability of the authors to convey social commentary. “Into the Dark” has covered social commentary in droves, whether it’s rabid consumerism (“Pooka!”) or the Me Too movement (“The Treehouse”), they’ve covered some interesting bases for the modern generation.
Like a lot of previous efforts to reboot a property, Neil Marshall’s handling of “Hellboy” was the apparent product of studio interference and clashing ideas that resulted in a hectic shoot for just about everyone. That’s a shame since when Neil Marshall is allowed to unfold his own ideas and monsters, he gives us “The Descent,” and “Dog Soldiers.” It’s not to say that “Hellboy” is a bad movie, it’s just one half of a very good reboot that’s fun, and action packed, and one half of a sloppy studio film that’s boring, over explained, and sloppily tailored for sequels, prequels, and spin offs.
If you’re looking for a wonderful companion piece to the upcoming feature film adaptation of the infamous book trilogy “Scary Stories to Tell in the Dark,” Cody Meirick’s documentary “Scary Stories” is a great refresher course for fans. It’s also a wonderful look at how history repeats itself, with the elementary school touted horror anthology nearly suffering the same amount of censorship and hysterical panic that EC Comics endured decades before its release. It’s a fascinating but nasty bit of history repeating itself, but history also learning from itself, as well.
It was only a matter of time until studios would come along and start trying to duplicate the formula that “A Quiet Place” perfected. Hoping to strike lightning twice after the shocking pop culture success of “The Birdbox,” Netflix adapts yet another novel in to an apocalyptic thriller featuring monsters working on human senses, and a family trying to stick together, doggone it. And it stinks. Director John R. Leonetti’s horror drama has a good idea somewhere buried beneath this hacky often mean spirited mess, but damned if I could find out how to salvage it.
Anyone who knows me knows that I hate the first adaptation of “Pet Sematary” from 1989 as well as its sequel. I think the first version is silly, exploitative, and looks more like a cheap TV movie than anything. It also sets up so many plot elements and a mythology that it never clarifies or resolves. While the new version of Stephen King’s novel “Pet Sematary” also never quite answers all of the nagging questions, it at least adds a brand new logic to it, giving many of the characters motivations for their irrationality. There’s also an explanation as to the allure of the pet sematary and why it’s stayed up for generations.
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Season nine was a big turning point for “The Walking Dead,” it’s the season where we lost a ton of big players in the series including Lauren Cohan and one main character Andrew Lincoln. With the exit of both dramatic forces, “The Walking Dead” has had a ton of foot work to cover, and season nine was a pretty good rebound that’s managed to keep the pace going now that the main driving force of the show has left. With a very good season, “The Walking Dead” presented some stand out moments. These are ten of the most shocking.