This year I covered Cinepocalypse’s second shorts block, and for this round the topics included Sex, Blood, and Heavy Metal. Not all of the movies are horror here, nor are they particularly scary, but they’re an interesting variety for the festival.
In the nineties America was obsessed with dinosaurs. For reasons we could never put our fingers on, Dinosaurs were in just about every facet of pop culture you could imagine. Video games, movies, animated series, they were mascots for snack foods, they were the basis for a family sitcom, and yes, they were fit in to movies amounting to cinematic oddities still making movie buffs scratch their heads. We had a family film about miniature dinosaurs, a buddy cop comedy about a female cop and a dinosaur, and yes, we even had “Tammy and the T-Rex.”
I have to say that I hate that I didn’t like “Attack of the Demons.” Throughout its merciful seventy five minute run time I anxiously tried to love it, and wanted to recommend it thirty times over. But by the end, while I appreciated its approach and concept, it’s really just a dull demonic thriller in the end. There might be a new way here to tall a story, but it’s by no means a novel take on the premise of a demon apocalypse by Eric Power.
For another year, Cinema Crazed is covering the Cinepocalypse Genre Film Festival. 2019 promises to be a fun year for the festival as programmers promise to screen some classic genre entries, as well as screening some of the most unique and original horror films from around the world. Presiding over the jury this year is Joel Schumacher; here are five reasons to be excited for this year’s festival.
I honestly never go in to any movie prepared to hate it. I approach every single movie with even the lowest of expectations and always hope to be surprised and thoroughly entertained. With “Hi-Death” though, this is a movie I had a difficult time finding any redeeming traits for. I love anthology horror, I love throwbacks to classic VHS and SOV days of horror and science fiction, but “Hi-Death” is a confusing mess of an indie horror film that will test the patience of any hardcore horror fan.
With Godzilla and giant monsters currently stomping through American cinemas, “Terror in the Skies” comes at the right time asking us about allegedly real giant monsters. Throughout decades of folklore and legends, there have been encounters with giant winged beasts, and supernatural monsters, all of which have managed to spawn mass hysteria and mysterious accounts by locals of various towns around America. While “Terror in the Skies” has potential to be a creepy documentary, it watches so much more like afternoon filler on basic cable.
When “The Universal Horror Collection” was originally announced, it was titled the “Boris Karloff/Bela Lugosi Collection” by Shout Factory. One can only assume that they’ve managed to retain the rights to many Universal movies obscure and classic, thus changing their new series to “The Universal Horror Collection.” With that broad a title, the sky is apparently the limit for Shout Factory and what they can do with these volumes. Since this was originally a Karloff/Lugosi four movie set, the whole of the films included star the pair of horror icons. With Volume 1 of “The Universal Horror Collection,” fans will be elated to see that they’re starting us off on the right foot.
After losing her sales job, a woman gets a job part of a crime scene clean-up crew with the help of her BFF. As a serial killer hits the city, the crew has plenty of work and may be at risk themselves.