At this point I’m just glad that the new “It” adaptation didn’t get split in to a trilogy. “It Chapter One” was great just as it was, I thought “Chapter Two” needed to be the book end. Thankfully it truly is the finale I was hoping for as a poignant, complex, and heartbreaking film about the horrors of the past, and trying to prevent the nightmares of our childhood from deciding who we are and can become as adults. Once “The Losers Club” is forced back in to Derry Maine, they have no choice but to confront their own personal monsters before fighting the physical manifestation of their demons known as Pennywise.
John Frankenheimer’s survival horror film came in the midst of horror films that often preached something about conservation or the risks of pollution which would inevitably spawn some kind of monster in nature. Films like “Piranha” and “Orca” were all common place, and “Prophecy” is one of the many of its ilk. While it’s not exactly a great movie, “Prophecy” is a good enough man vs nature horror film about pollution and the fall out from corporate greed and irresponsibility.
Johannes Roberts’ “47 Meters Down: Uncaged” is a real testament to the concept of the score and how a great score can often help enhance a movie going experience. A lot of times the score can even become its own character. “Uncaged” has a score that genuinely stinks with a droning blaring bass that sounds more like library music than anything else. And that’s when there is a score since inexplicably, only about twenty percent of the movie’s run time has an actual score. The rest is complete silence that punctuates this absolutely awful sequel.
Bela Lugosi is back in the “Online Movie Show” spotlight with a special episode devoted entirely to the landmark 1932 “White Zombie.” Our guest is award-winning writer Brad A. Braddock, author of “Memoirs of Murder: A Prequel to the 1932 classic, White Zombie” (published by Arcane Shadows Press).
It’s that time of year yet again, where the holidays have finally crept up on us and we ready ourselves for two whole months of corny holiday music, cornier holiday commercials, and that stupid Elf on a Shelf. It seems like time just flies by and we’re back to trying to figure out what to get the movie lover in our life, or what to treat ourselves with. Whether you celebrate Christmas, Hanukkah, Kwanzaa, Festivus, Boxing Day, or just love the deals, we bring you, once again, our annual holiday gift guide with some suggestions for the respective movie lover, and pop culture fanatic.
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Although Lon Chaney Jr. secured a spot as horror film royalty by playing the title character in “The Wolfman,” his best work often occurred outside of the horror genre. In this episode of “The Online Movie Show,” film historian Troy Howarth explores Chaney’s erratic but often intriguing career, tracking his remarkable work in “Of Mice and Men” and “High Noon” and his shaky endeavors as “Son of Dracula” and in the “Inner Sanctum” series, with a pause to address the urban legend surrounding his live television “Frankenstein” performance.
Returning from Lake Fear, skipping the unrelated Lake Fear 2, Remington is back and out of the evil cabin and is dealing with evil once again. This time, a duo of girls looking for one’s sister hires a famous paranormal investigator and they all stumble into Remington’s world of evil.
John Landis’ werewolf thriller is a hard film to pigeon hole. It’s not exactly a horror movie, not exactly a comedy, and not entirely a drama. It is in fact a unique beast and amalgam of various genres that’s managed to remain absolutely timeless since its initial release. The fact that Landis breaks so many of the tropes of the werewolf film while also embracing the classic mythos of the monster is what makes “An American Werewolf in London” such a masterpiece.