Jessica Loren is new on the job; her first shift is the last shift of a closing, empty station. As her shift rolls on, odd things start happening and she can’t tell if they are real, imagined, or just a prank.
The story of Joss Whedon’s “Buffy the Vampire Slayer” is about as classic a tale and about as old a tale as most other movies in development. Whedon had a vision for a new take on a horror story and Hollywood didn’t get it and kind of fucked it up. Everyone by now knows the tale of 1992’s “Buffy,” and how Joss Whedon initially wanted to make something of a darker more stern take on the vampire hunter that minced a coming of age tale with a story of a young woman coming to maturity. When Whedon was given the chance to finally bring his film in to development he kind of lost control of his creation.
I kind of appreciate what “The Sand” is going for. It tries to be a summer time survival movie that evokes “The Raft” from “Creepshow II” with a bit of “The Blob” for good measure. The problem is that it spends so much time on unlikable characters and ridiculous plot points that it feels like a sub-par prequel to a good movie. The film literally ends on a scene that made me think “That is the movie I want to see!” Set on the night after a graduation, a group of friends go out on to the beach for a night of drinking, and teenage antics. Little do they know that a small gooey ball they’ve discovered is some kind of substance that is alive, and has embedded itself in the sand.
In this anthology of the subversive, four tales are told with bloody realism. A woman is cut open while naked to remove something from her body, a man obsessed with his sister helps her give birth with dire consequences, a group rolls around outside in mud and blood, a man masturbates until the end and a group of women worship a man in a very particular way.
There’s probably a very good reason why “Midnight Kiss” has never seen a DVD or Blu-Ray release, and that’s because it’s very much a cheesy nineties horror movie lacking any kind of focus. Sometimes it’s an erotic thriller, sometimes it’s a gory vampire movie, and other time it even dips in to something of a vigilante superhero movie. Fans of vampire flicks will hate its soapy late night cable porn aesthetic, while fans of erotic thrillers will dislike the gory vampire tale that ensues. I’m not sure who will enjoy the vigilante vampire cop aspect, but that’s only some of the problems behind this movie.