For years, satirists pin pointed Dick Cheney as the man behind George W. Bush, a man who was much too smart for the man running the country, he was the man often depicted as the grouchy old grandfather, or stern dad watching over his under achiever son and pulling the strings behind the scenes while junior basically had no idea and was wiser for not knowing, and “Vice” doesn’t shy away from that common message. “Vice” is an engrossing often pitch black comedy that is so much more complex than that now infamous gag. But Adam McKay makes it clear what kind of person Dick Cheney is from the minute we see him. Upon the bombings of 9/11, he’s swept away in to a safe room and decides to commit to swift political, consciously and visually keeping Bush oblivious to the scenarios unfolding.
Hayao Miyazaki has reached a point in his life where there is so much change but he doesn’t know what to do with any of it. He’s reached an old age and has barely any strength any more to sit down and draw all day, but he has no idea what he’d be doing without a pencil or paper in his hand. At his old age he’s still a very curmudgeonly individual who demands perfection and treats his protégés with harsh criticism when they fail to deliver storyboards that meet his pitch perfect idea of what life is. Miyazaki has lived a full life, and in a way he’s ready to go.
Cult films have a special place in American film nerds’ hearts. This documentary explores how cult films affect their fans and how they become so through interviews with fans, filmmakers, and a variety of speakers.
On October 20th 1967, Roger Patterson and Bob Gimlin emerged from a forest in Northern California with 59 seconds of grainy, shaky, silent 16mm film that offered documentary evidence of the existence of the Sasquatch, a creature of Native American folklore. Although neither Patterson nor Gimlin had any previous experience in filmmaking or zoology, they presented their remarkable footage as the first motion picture evidence to confirm the existence of the elusive Sasquatch.
However, not everyone was convinced by the imagery on the Patterson-Gimlin Film. Additional doubt was generated by the strange story behind the film’s creation. Over the years, odd rumors emerged about the film, including the story of an Academy Award-winning make-up artist’s alleged role in assembling the creature seen on camera.
Film journalist Phil Hall traces the convoluted history of how Patterson and Gimlin supposedly wound up in the right place at the right time with their camera, and how they brought their weird little film into the scientific community and American popular culture. While the debate over the authenticity of the Patterson-Gimlin Film continues to percolate, few would question the effectiveness of how this piece of celluloid brought forth an unlikely sensation lovingly dubbed Bigfoot.
I’ve made it no secret about my hatred for anime in the past, but over the years I’ve softened on my stance considerably. I’ve learned to appreciate the genre and medium quite radically. While I would never label myself an anime fan, I definitely have a ton of love for the art form and have fallen in love with Studio Ghibli, and films like “Akira,” “Ghost in the Shell,” “Vampire Hunter D” and the like. When I was offered a chance to review “Anime Impact,” jumped at the opportunity since I wanted to learn more about anime. I also am a big fan of Chris Stuckmann who is easily one of my top ten movie critics on Youtube.
“Won’t You Be My Neighbor?” is the movie that the world needs right now, it’s the ultimate superhero tale. It’s about a man who grew up experiencing nothing but pain that decided one day to take his ability to talk to children and his education and use it as a tool for good and for changing the world. And change the world Fred Rogers did, as he one day took a step back and decided that the world needed some kind of force for good. He knew that could mold children and use the medium of television as a valuable tool that could turn every single child, no matter what race or religion, in a neighbor and a friend.
I’m very disappointed that it’s taken me so long to watch “The Ballad of Gregorio Cortez,” a Robert M. Young Western drama that has gone shockingly under mentioned for years. A mix of “The Ox-Bow Incident” and “Rashomon,” in many ways it’s a very history accurate and groundbreaking example of the genre. Young’s drama pictures a hideous crime and paints it in the shades of people’s prejudices and how we can perceive certain events when emotions and biases play a big hand.
John Sturges’s “The Great Escape” is easily one of my favorite action movies of all time, and one of my top five McQueen pictures (“The Getaway” takes the number one prize). It’s legacy and influence on pop culture and action cinema as a whole has been lasting, with John Sturges presenting a slew of brilliant actors at the top of their games in what is a very intriguing tale about escaping Nazi clutches, and fighting for freedom. “The Coolest Guy Movie Ever” is a fine and entertaining historical documentary for anyone that fancies themselves a fan of the movie. It’s exhaustive, meticulous in its detail, and we even get some candid stories about the cast.