Every horror fans knows of The Monster Squad by now, but that wasn’t always the case. Back when it came out, The Monster Squad played against The Lost Boys in theaters and flopped. That doesn’t mean that it didn’t become a bonafide cult favorite over the years.
A journalist filled with gusto and ambition accidentally discovers the murder of 22,000 officers of the Polish army seemingly by the Soviet during WWII. The deeper he digs into the issue, the more danger he puts himself in.
The yearly “Rock and Roll Hall of Fame” induction ceremony is one of the more iconic and polarizing concerts, often inspiring a slew of controversy from music buffs and musicians alike. There’s always a hailstorm of “Why not this band?” or “Why not this artist?” and you’re always guaranteed to read an interesting headline of someone griping about an overdue band not getting their dues yet. Suffice to say whether the ceremony falls flat or it’s raucous, it’s almost always a promise you’ll get an interesting experience. And that’s from what we get to see on the edited annual broadcast on cable television. There are some bands and or artists excluded from this list as they have been omitted consciously, from what I’ve read, but for your money it’s a pretty solid release from Time Life I recommend.
Ted Geoghegan’s “Mohawk” is stellar and a very timely commentary on colonialism, manifest destiny, and the last gasp of what would become a slain race in the middle of a pointless war in 1814. “Mohawk” has a very unusual aesthetic to it, approaching audiences with a unique score, some great digital photography, and a tone that’s right down the line between horror and action. It has a lot to say about the unfair and cruel destruction of the Native American race, with an enemy we all have learned about but still known very little thanks to revisionist history.
Now with the acquisition of FOX studios by Disney, X-Men is set to have a new renaissance in film and the media and “Chris Claremont’s X-Men” is available to audiences and comic book fans in a brand new feature length edition. Director Patrick Meaney adds over thirty minutes to his biography of Chris Claremont, featuring brand new interviews, extended interviews and even insights in to the franchise. From the comics, to the animated series, and movies, both old and upcoming, we manage to garner some keen and interesting looks in to the mind of Claremont, the man who made the X-Men as we know it.
I vividly remember watching “Rockin’ with the Chipmunks”back in the very early nineties where I recall loving the scenes of Alvin dancing along with Michael Jackson to “Beat It” and “Smooth Criminal.” Mostly a cash grab for the fans, “Rockin with the Chipmunks” is a brief history of the novelty group, spliced in with comedy skits and the members singing vintage rock and roll in their modern animation. The animation for the most part is dicey and fuzzy at best, allowing for a hazy series of music videos, but back then if you were a Chipmunks fanatic, you didn’t care.
Rush is amazing, and will always be amazing, and how they built their fan base was less around the media and hype and more around traveling. They were there on busses and vans, going through road after road, and showing up for the fans. No matter how tired, or sick, they always came to show fans what they were made of. This is what kind of made Rush feel less like a band, and more like visiting relatives that we loved to be with time and time again. What makes “Time Stand Still” such a bittersweet documentary, however, is that it chronicles the rise of Rush, and their beyond loyal fan base, but it also packs in the daunting realization that they can’t do this forever.