Written and directed by Jennifer Phillips with story editor Emily Schooley, Blood Child is based on a true story, but how much of it is left here is not easily found with a quick Google search. Here the story is taken in a very supernatural way so the belief in whether or not it’s fully based on a true story will depend on the viewer’s level of belief in the supernatural. Nonetheless, the story is well written and takes the beliefs it plays with seriously while also adapting them to the screen. The characters feel like they are perhaps not developed at their best or the performances for them is what causes this lack of care for them from the viewer. The lead is interesting, but her husband comes off as unlikable, her best friend comes off bitchy, while the housekeeper comes off as a cliché complete with an accent that can only be fake (and if it is not, apologies to the actress).
A man is receives an odd call from his ex and goes to join him in a remote cabin. As they work through their issues and loneliness, they are haunted by something that may or may not be supernatural in nature.
Arrow Video is easily one of the best movie distributors around, and if you ask certain movie buffs collectors, they’d argue that they’re the best, period. I can’t decide as Arrow Video has been on a mission for the last few years to deliver fans some of the most unique movie titles on blu-ray and DVD, and offer them in deluxe collector’s packages that would make most cineastes hyperventilate out of sheer excitement. Arrow Video has taken it upon themselves to offer fans the two tales of “House,” two films that were big movie rental fodder in their heydays and are now brought together for what is a heavily suggested anthology. Arrow Video combines two of the true “House” movies that are—ironically—about as different from each other as the last two “House” movies.
Scream Factory offers movie fans a double feature on Blu-Ray with the theme of Asian culture driving the plots for both films. For folks that love Asian films, these two films offer up a helping of Asian genre entertainment with slight twists to them. The first feature is 1982’s “The House Where Evil Dwells,” a supernatural thriller that is basically “Amityville Horror” with a Japanese twist. It’s also just as goofy as the former ghost film. The Fletchers have migrated from the US to Japan in hopes of taking a long needed vacation. Writer Ted is intent on finishing his novel and is anxious to relax. The trio along with Ted’s friend Alex ends up at a small house in the woods of Kyoto where they’re told by Alex’s friend that the house’s rent is cheap due to suspected ghosts.
They left the title but they moved the scares! They left the title but moved the scares! Why?! Why?! Now that I’ve had my little Craig T. Nelson outburst, I’m pretty surprised how ordinary “Poltergeist” is. It’s not the worst remake of all time, but it’s just ordinary. It’s bland, lifeless, vanilla, and feels like what the Lifetime Channel in America would do to a remake of the Tobe Spielberg classic haunting film. I think the only reason Gil Kenan was hired for this movie was because the movie is based around a monster house and he depicted a monster so well in his last film that the job only seemed like a no brainer. The problem is Kenan forgets to produce likable characters and interesting scares during the process of producing an evil possessed house.