Thirteen years later, Guillermo Del Toro’s period dark fantasy is a masterpiece of the genre telling a tale of loss of innocence and good versus evil that’s touching, gripping and a bit spooky in its way. Del Toro’s film is one that warrants repeated viewing and continued analyses as it’s a fairy tale that masterfully mixes “Alice in Wonderland,” the Brothers Grimm, “Wizard of Oz,” along with classic folklore.
What “The Shape of Water” ultimately amounts to is Guillermo Del Toro’s own adoration for monster and romance cinema. Del Toro constantly evokes shades of “The Creature Walks Among Us,” and “Beauty and the Beast,” while also channeling Woody Allen’s “Purple Rose of Cairo.” Much like the latter, “The Shape of Water” depicts a somewhat whimsical romance in a world filled with misery and darkness at every corner. Del Toro has a lot to say about the ugliness of humanity and the ideas of what monsters truly are in this world and others.
“Blood & Iron” is a stellar sequel to the entertaining and raucous “Sword of Storms,” and it’s a yet another faithful adaptation that emphasizes the lore and world of the BPRD. The animated follow ups to the movie, set somewhere between the movies, have been worthy of the time spent with excellent animation, and a compelling narrative, overall. The idea bout the audience watching outcasts defend our Earth and realm is continuously fascinating, and the cast bring their A game.
For folks that appreciated the subversive artistic style that launched Mike Mignola into stardom, “Sword of Storms” practices a lot of the grit and indie flavor, along with much of what made Del Toro’s films so stellar. There’s even voice work from the original films’ stars including Ron Perlman, Selma Blair, John Hurt, and Doug Jones, all of whom are about as fun as ever. Directors Phil Weinstein and Tad Stones’ animated movie is set between the live action installments, channeling creator Mike Mignola with dark and often grim animation, with the back drop of an exciting narrative that never trails from its original source material.
It’s that time of year again, and as always we have a mile long list of movies and pop culture items that we want to add to our collection. Since you’re anxious to know what we have on our wish list this year (come on, admit it), we thought we’d post a snippet of movie items that we’d love to have on our shelves to entertain us in to 2017.
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The Los Angeles County Museum of Art is hosting an exhibit of a part of filmmaker Guillermo Del Toro’s horror-centric art collection. This includes everything from movie props (from his own films and others’), to paintings, to photographs, to sculptures, to storyboards, to sketches, etc, etc, etc. This small part of his collection is insane in the best of ways and any movie nerd that can should go and see it before it closes on the 27th of November.
As a proper movie (horror especially) nerd, I went and took a ton of photos. Unfortunately, it is dark in there and flash photography is not allowed to protect the art and other people’s enjoyment of it. With no further ado, here are some of my photos of the exhibit in all their dark and grainy glory!
“The Day of the Dead” is such a fascinating holiday filled with so much interesting lore, that there’s a lot more material left for five more animated films of this ilk. Jorge Gutierrez has spent a long time trying to expose audiences to Latin and Hispanic heroes and complex characters, and with “The Book of Life” he succeeds yet again. “The Book of Life” is a wonderful animated romance in the vein of the classic Disney films, but it’s also a respectful tale set amidst the backdrop of the Day of the Dead. A group of rowdy grade schoolers are in for a unique field trip when they’re taken in to a museum by a mysterious tour guide who relays to them an epic story of love, life, and death. Set in the Mexican town of San Angel, we meet three childhood friends Manolo, Maria, and Joaquin, all of whom have spent enormous amounts of time together and are facing adulthood with pressures to grow up and realize their potential.
Though released almost at the same time as “Pacific Rim,” co-author Mark Zicree’s hardcover compendium chronicling the creative works of director Guillermo Del Toro is anything but a cash in. It’s a wonderful treasure trove of amazing sketches, and incredible conceptual work, that not only explores the mind of Guillermo Del Toro, but pays tribute to one of the finest fantasy directors working today. Guillermo Del Toro has almost single handedly kept the fantasy genre alive with his dark neo-Gothic epic works, and “Cabinet of Curiosities” gives his fans that rare glimpse in to his mind and his life that they’ll be more than happy to read from beginning to end.