Recently, Scream Factory put out a filled to the gills Blu-Ray of “The Hills Run Red” which felt like a “finally” on this film as it’s one that seems under-seen and under-appreciated. This slasher is one that came and seemingly went with the general public, but that slasher fans and many horror fans have been loving its release. It’s a brutal, meta slasher film that is a fun watch for fans of the genre and is a bit much for casual horror fans, which is exactly why it’s so great. The film itself is greatly entertaining and the kills are violent and bloody. It’s what a slasher fan wants and it’s what a horror fan in general wants. The story itself is strong enough to support the film without the blood, but there is more than that to this film. There is a lot here to unpack and it’s definitely a must see.
For folks that have been following “The Peep Show Collection” for the last few years, Impulse Pictures is back with two new volumes of loops on DVD. Porn and erotica aficionados will enjoy what Impulse has to offer followers of the vintage material, as it’s all still rough and poorly directed, but has a charm to it that’s hard to ignore. Impulse isn’t just about adult film, they also offer up hard to find material and these two volumes continue he tradition of “42nd Street Forever.”
Impulse Pictures is back with Volumes 13 and 14 of “The Peep Show Collection” now on DVD. As always these collections are prime artifacts for many niche movie collectors. If you’re a porn aficionado, remember the days of going to grindhouses in the seventies, or just want to watch vintage erotic cinema to chronicle its evolution, “The Peepshow Collection” is the best place to chart your journey. Though every DVD from Impulse only runs a little under two hours or so, they pack a hefty load of erotic and adult short reels.
I haven’t been to the movies since 2011, but I don’t remember a time where going to the movies resulted in an undisturbed experience. The only times I ever spent watching movies in a theater without an asshole destroying my experience were when I took in a matinee during the middle of a work and school week. That said, I spent a good portion of my childhood in movie theaters, and though the novelty eventually wore off, I left with some great and some horrible anecdotes to spare. Years ago I wrote a list of my worst experiences for Crave, and thought I’d re-post the five worst from the original top ten. I still love movies and the movie going experience. It’s magical. I just wish people had some grasp of consideration for others in this age of self-entitlement.
Have any bad movie going experiences of your own? Let us know in the comments!
Forty years later and there’s still nothing like “The Texas Chainsaw Massacre.” Not a single film no matter how brutal has managed to be as unsettling and nerve rattling as Tobe Hooper’s masterpiece. It’s astonishing how Hooper’s master work hasn’t aged a day and still retains much of its raw guerilla filmmaking aura. The man and the cast suffered to make his horror thriller about maniacs in the South, and it shows through every single film cell.
“The Texas Chain Saw Massacre” is a horror film I not only respect, but revere, if only because it bears such a realism to it that feels as if Tobe Hooper let loose a bunch of lunatics on an unwitting cast of actors. Much in the realm of Ruggero Deodato’s “Cannibal Holocaust,” there’s the sense that Hooper clings very closely to reality, and covers every single aspect of this vicious environment. You can sense the thick stifling heat, the horrific confusion and chaos, and Leatherface. Leatherface is still the wild insane rabid dog let off of his collar, free to roam as he pleases. Gunnar Hansen as Leatherface is still a terrible force of nature who spares no one, and inflicts immense punishment on the flower children.
It’s interesting to see how Tobe Hooper doesn’t just provide a flawless masterwork of horror, but also manages to depict a very rotten and disgusting environment by sight alone. Every aspect of “The Texas Chain Saw Massacre” feels very aged and filled with years of decay, and Hooper is a master at creating so much out of very little. Hooper’s horror film is still an iconic artifact in grade A horror filmmaking, as well as building an entire narrative around chaos and pure anxiety. From Sally’s forced attendance at the family dinner, to her insane cackling in the final scene of the film as she bathes in blood, director Tobe Hooper’s film takes on a pulse all its own that’s yet to be duplicated or rivaled to this day.
The 40th Anniversary Edition comes with four audio commentaries. There are about six hours worth of commentaries, with director Hooper sitting down with the surviving cast and crew of the film. There’s an audio commentary with Director/Writer/Producer Tobe Hooper, Actor Gunnar Hansen, and Cinematrographer Daniel Pearl, there’s a second commentary with Production Designer Robert Burns and cast members Marilyn Burns, Allen Danziger, and Paul A. Partain. There’s an audio commentary with Tobe Hooper, and finally a commentary with Cinematographer Daniel Pearl, Editor J. Larry Carroll, and Sound Recordist Ted Nicolaou.
For folks who want to avoid all the insider stuff you can usually find on the internet, “Diabolique” ventures to offer something different in the horror spectrum. There’s less focus on the Hollywood aspect of horror, and more on the more underground anti-establishment perspective that horror aficionados will definitely appreciate. This is the first time in a while I’ve read a magazine without skipping past a section I just didn’t want to waste time on. The centerpiece of the magazine is the wonderful history of the horror comedy.
As far as murder mystery movies about evil houses, “The House of Seven Corpses” is not a masterpiece. I’m by no means intent on watching it again for at least a few years, but it makes a good argument for nonsensical genre fodder that doesn’t even try. The main character’s cat gets in to a stare down with a painting on a wall featuring the head of a severed cat. There’s the “Tibetan Book of the Dead” that’s bandied about like it’s an encyclopedia, and did I mention a zombie pops up in the end? Why? Who the hell knows? The zombie just gets out of its grave, kills the entire cast, carries a naked girl to his grave, and the movie ends.
Oh, Marilyn Joi. You truly are a babe. I may begin looking for your films just to bask in your curvaceous glory. That said, “Bada$$ Mothaf**kas” is the newest trailer compilation from Full Moon Entertainment, the sub-genre for this fun series is blaxploitation. To host the fun, they turned to the man, the myth, the legend: Fred “The Hammer” Williamson. He doesn’t just have a good time hosting this compilation, but is damn funny.