There’s a reason why sometimes a one off joke is used just once. It’s because stretching it out destroys the momentum of the joke. Someone behind “Cute Little Buggers” loved the scene in “The Holy Grail” involving the man eating cute rabbit and decided to turn it in to a horrendous horror comedy. Not that I have anything against movies that take inspiration from Monty Python, but when they have a rhyme or reason, and an actual good idea, I’m all for it. But “Cute Little Buggers” seems centered on the premise of one joke that one joke that gets boring after being used repeatedly mainly since the joke just isn’t that funny in the beginning, anyway.
The most popular teen in school seems to have supernatural or at least extraordinary talent. As he learns how to use these and more about himself, he is called upon to help save a fellow high schooler and his small town from unexplained evil.
You have to give it to Synapse films. With the decline of physical media, more studios are open to delivering movie buffs the classics, and the obscure titles. Let’s face it, until now, no other major label would have ever made the “Violent Shit” collection available for mass consumption. At the end of the day, this five movie collection of shot on video horror gore films from Germany are strictly a niche release, but they’re at least there for everyone to view. While the “Violent Shit” movies, in fact, complete shit, they are also important cinematic relics. Back in the eighties, when Germany enacted heavy censorship on all film releases, including horror movies, that were cut for mass consumption, a bunch of indie filmmakers got together and made their own gory, graphic, and obscenely splatterific horror movies.
Whether or not you like Nicholas Winding Refn, there’s no doubt that he makes art that gets people talking. Surely, his movies are hit or miss, but they are art that spawn emotions that not many directors can incite. Much like Lynch’s “Mulholland Drive,” Winding Refn’s newest masterpiece is a statement about the ills of fame and how Los Angeles can consume innocence and naiveté. Winding Refn makes a statement about how the modeling industry is literally cut throat, while seemingly drawing inspirations from films like “Suspiria.” The women here are assuredly predators intent on committing a devious scheme that revolves around the idea of vanity and self preservation.
Playing October 29th in a double screening with “Demons,” at the Anthology Film Archives, NYC [Tel: (212) 505-5181]. “Demons 2” star Coralina Cataldi-Tassoni is set to appear and present both films. Check theater times and ticket prices here.
Lamberto Bava and Dario Argento bring us quite an interesting universe where all elements of their narrative and concept tend to transcend reality and common sense and the realities kind of intercept one another. In either case, “Demons 2” much like the original, is a film where you basically buckle up and take the ride without picking apart too much of the ideas. When dissected nothing makes much sense, but it’s at least a fun tour through some genuinely fun shocks and creative moments of horror cinema. Unlike the first film, “Demons 2” lacks the novelty of the movie theater setting. Wherein the original had demonic forces infiltrating a safe haven for movie lovers, director Bava and producer-writer Dario Argento confine their victims to a locked down apartment complex.
Gwilliam (USA) (2015)
This flat out gross short follows a recently released criminal looking to get off. From there it goes in an unexpected direction. Written by Victoria S. Cook, Brian Lonano, and Kevin Lonano and directed by Brian Lonano, this short is odd and aims to either gross out or make the viewer uncomfortable or possibly both. This is the kind of short that you just can’t look away from, you want to but you also want to see how far it will go.
An old man, Ronnie, lives with is adult son, Brayden, giving disco tours to gullible customers. Things get a bit greasy when Brayden falls for one of their customers and Ronnie becomes jealous. Their home becomes a sexual battleground and a monster is unleashed onto the public. Co-Written by Toby Harvard and Jim Hosking (who both collaborated on the same short in ABC’s of Death 2) and directed by Jim Hosking for his first full length film, The Greasy Strangler is a mind-melting experience. The film’s humor is apparent from the first scene of the movie and, like the Energizer Bunny, it keeps going and going; quips so not funny that they end up becoming gut rolling, blatant displays of comically sized genitalia and pubic hair, and disgusting food.
After Helen, a bike messenger, gets hit by a car, she awakens in the hospital and soon finds herself haunted and taunted by her twin who she absorbed during her development in utero. As Helen seems to lose her mind more and more, her evil twin makes more and more appearances and damage. Or does she? Written by Adam Seybold based on a story by himself and director Cody Calahan, the film explores the evil twin subject in an interesting manner as the viewer is almost never sure if it’s a twin, a ghost, a possession, or simply mental issues that are causing all the mayhem.