It’s a new era and a brand new format for movie lovers and Warner Bros. is offering up their “Batman” movie anthology from the 1990’s on 4K UHD for those that have converted. With “Batman” also celebrating its thirtieth anniversary (where does the time go?) since its theatrical release, Tim Burton’s iconic adaptation of the DC Comics hero manages to appear once again in an even higher definition making it—uh—Battier? Burtoner? In either case, the good news is “Batman” is still a solid iteration of the Dark Knight, which is all that counts.
A mix of nostalgia value and genuine entertainment value, “Double Impact” is the Van Damme movie I’ve come to value over all of his other work. As someone who was a big Van Damme geek in the nineties, he’s had a better shelf life than people like Steven Segal, and films like “Double Impact” have held up big time. Even with the camp value and goofy comedy in the first half hour, “Double Impact” still amounts to a great action flick with Van Damme being given a test of how far he can stretch his acting chops.
Its season three for one of the most bizarre but very entertaining crime thrillers TNT has ever brought to the small screen. After season two falling in with the Russian mafia, and surviving a deadly marriage, the season closed with an assassination attempt on Desna’s life. Virginia sadly suffered the bullet meant for her sister in law. “Claws” returns taking off immediately from the last scene from season two and it takes off like a rocket. It’s the same lunacy as always for “Claws” with bizarre fantasy sequences, some genuinely darkly funny comedy, and a brand new pair of villains that might just be the undoing of Desna and her crew if she isn’t careful.
The entire “John Wick” series is something of a surprise seemingly out of nowhere. What might have been a weak vehicle from Keanu Reeves turned in to a pretty groundbreaking and exciting action series where Reeves is able to re-invent himself once again for a new generation. You wouldn’t figure Reeves would be believable as one of the deadliest assassins in the world, but he handles the role of John Wick so proficiently. Wick has become something much more than the titular anti-hero of his film series. He’s become the key in to a very unique cinematic universe.
I’ve always been and will continue to be a staunch defender of John Carpenter. He’s one of my all time favorite filmmakers and even his weakest outputs have some great creativity to them. “Vampires” is fun in all its schlocky nonsense, and “Ghosts of Mars” is a fun remake of “Assault on Precinct 13” for a contemporary audience. Eighteen years later, “Ghosts of Mars” is fine C grade science fiction redeemed by Carpenter’s sharp direction, and the absolutely gorgeous Natasha Henstridge.
During the first half of “El Chicano” main character Diego is going through his brother’s belongings remembering him before he died, and flips through a couple of “Daredevil” comic books. That’s basically the head space that Director Ben Hernandez Bray is in during his crime thriller superhero movie “El Chicano.” Essentially, “El Chicano” is an urban superhero with heaps of potential to be the next big avenger against drug dealers and gangsters. A mix of “Daredevil,” “The Phantom,” and “Batman,” Ben Hernandez Bray’s action thriller is admirably ambitious and fun.
Mill Creek Entertainment continues to unleash their vast library of exploitation titles, and they’ve continued running down the more obscure and lesser known blaxploitation titles. While other companies are giving us stuff like “Coffy” and “Cleopatra Jones,” Mill Creek Entertainment is offering up other interesting titles for pretty good savings for the collector looking to save a buck or two.
Mill Creek Entertainment is getting the jump on the massive library of blaxploitation action and crime thrillers with a six pack collection of some of the finest and most notorious. With many of the titles from the sub-genre being re-released, it’s only fitting that “Soul Team Six” could act as a discount basic course for the sub-genre that managed to convey a unique voice in the sixties and seventies.