Even though I was born in the eighties, I don’t have a particular connection with “The Goonies” as while it’s mostly considered a masterpiece, I’ve only ever considered it just pretty good. Director Richard Donner’s adventure film is the Hardy Boys Meets Indiana Jones and for the most part it’s an entertaining call back to fodder like “The East Side Kids,” which keeps in line with Spielberg’s ode to his childhood cinema.
The visceral raw energy and violence of Gabriel Carrer and Reese Eveneshen’s “For the sake of Vicious” is bound to be compared to the masterpieces like “The Green Room” very soon. The set up at least conjures up memories of “Assault on Precinct 13” except in a smaller scale. In either case, it’s a classic white knuckle home invasion siege thriller that spares no one, even when it successfully builds on empathetic and fascinating protagonists.
Danny Trejo began his thirty year career as the epitome of the “That One Guy” actor, appearing in so many bit parts and yet he was so easy to recognize. But when he was suddenly catapulted in to fame, he became the idea of what many envision as the American Dream. He also became the quintessential prisoner makes good tale, and his journey is as riveting as you’d assume it is. For fans of the man like me, “Inmate #1” is a riveting and down to Earth exploration of Trejo’s journey of redemption.
A teenage girl goes to her family’s lake house with her father so he can tell her some important news. In the meantime, a group of violence convicts escapes and heads to the same lake house. The clash between the family and the convicts pushes Becky to take things in her own inexperienced hands.
Harley Quinn has been one of the most popular DC Comics anti-heroes of the last twenty years, and for good reason. She went from an abused spouse who served her partner thanks to years of mental abuse, gas lighting and Stockholm Syndrome, to someone who cast off the shadow of the Joker to carve out her own niche. Harley Quinn should be an easy adaptation but DC and Warner haven’t quite mastered it yet. After stealing the show in “Suicide Squad,” she steals the show again in “Birds of Prey” but still never quite comes out unscathed thanks to what is an imperfect and brutally flawed, albeit balls to the wall entertaining action movie.
Once artist Snoop Dogg became a gangster rap icon, he inevitably branched out in the early aughts in to bigger pastures. Before he became a family friendly talk show host, he was someone who promoted the image of the pimp, and then became an open advocate for cannabis. In between those hazy days in his late career, Snoop Dogg (or someone in his PR team) decided that they should try to re-condition him in to a horror character. The inevitable product was “Bones” an utterly tepid, dull horror vanity vehicle from the man that gave us “Demon Knight.”
As Disney soaks up just about every viable property and franchise in Hollywood, studios have sought out some of the more vacant properties, and here comes the long dormant “Bad Boys” series. With the nineties as popular as ever, “Bad Boys For Life” is a great property to revive. The new sequel acts as a soft reboot that could potentially help it live past Will Smith and Martin Lawrence and in to the “Fast and the Furious” long road. “Bad Boys For Life” is a shockingly good restart for a new series, and I like how the producers take the titular heroes and allow them to grow in a world that’s becoming harder to keep up with.