It’s not often I sit down to watch a DCAU movie and want to immediately desire the original source material instead. I’ve never read “Batman Hush” but from what I originally gathered it was an iconic storyline that made waves in the aughts. The movie however is a disappointing, half baked and painfully boring Batman adventure that never really goes anywhere. Rather than treading new ground or giving us something completely different, “Batman Hush” just feels forced and never quite rises above the anemic energy.
The “Arrow” series finally comes to its natural peak as season seven loosely adapts Green Arrow’s iconic comic storyline “Super Max.” Once optioned for a movie and basically in development hell for years, “Arrow” realizes the narrative for a full season arc. After Oliver Queen is finally pushed in to a corner in season six he’s forced to out himself as the Arrow for all of Star city. In season seven he’s jailed in Maximum Security and forced to confront all of the criminals he’s put away since he arrived, prompting some tense unfolding of events.
“The Tough Ones” is one of the pair of films that Umberto Lenzi directed that spotlighted the character Tanzi, a man almost driven mad by his need to thwart crime at every corner. Tanzi is something of a great scale anti-hero who spends a lot of his time tracking down a petty thug who is very much a creep and noting very spectacular. Tanzi inspects this crime and chases the criminals like his life depends on it. He spends a majority of the film talking through gritted teeth and shouting at just about everyone and he almost always is on the verge of hurting someone. Tanzi is not meant to be a hero or even a heroic vigilante so much as he’s the corrupt law that’s hell bent on taking down the larger criminal element including Tony Parenzo (Ivan Rassimov) and his efforts to create an underground criminal network.
This year, Fantasia International Film Festival is screening a nice collection of vintage titles and anniversary screenings. One of these is The Crow coming up on the 30th of July at 7pm and it’s one screening I hate to miss.
The Crow turned 25 this year and it has been just about as long since it became my favorite film, hence why this is one of the hardest films for me to write about. There is no being objective, this film is entwined in my teen years and my adulthood. It’s one of those films that had such a big impact, it’s almost impossible to separate the emotional from the reality of the film. So, as it’s playing, I wanted to write a deeply personal piece, a piece that it nowhere near objective, a piece that is about my history with The Crow.
If you’ve ever seen Sarah Bolger act, it’s stunning how she can go from innocent to cold as ice in a second flat and make it believable. Seriously, check out the under seen “Emelie” for proof. What she does in “A Good Woman is Hard to Find” is portray the quintessence of the lengths parents are willing to go through to protect their children. Not only diving head first in to violence, but the willingness to delve in to darker corners of our own humanity, and what we’re capable of sacrificing in order to create a future for our kids.
The path to redemption is a long and arduous one that can obviously test us and our resolve to the very core. With the South Korean “No Mercy” we see the unfolding of a path of redemption for a woman who has very little in life and is about to see her only good thing be taken away by human cruelty. A mix of “Taken,” “Drive,” and “Dead Man’s Shoes,” Lim Kyoung-tack’s action thriller is a beautifully made, engrossing, and often riveting journey of a woman who is willing to go deep in to the darkness to retriever her sister, and might not have a way back once she’s fulfilled her goal.
By now it’s become common knowledge by all forms of movie buffs that Quentin Tarantino has a big fetish for feet. The man loves feet, especially women’s feet. Not only does he seem apparently aroused by them, but he also seems to use the feet as a means of conveying emotion and some kind of free style toward the audience. In a way we do learn a lot about his characters through the feet, and he’s not shy about putting them front and center.
In honor of the upcoming “Once Upon a Time in Hollywood,” these are five Feetastic Moments in Tarantino Cinema. What are your personal favorites?
I’m frankly surprised that “Batman Forever” doesn’t show up often on lists about homoerotic mainstream films. In the annals of homoerotic cinema, “Batman Forever” is right up there. While Joel Schumacher pretty much does what Warner asked by making Batman less menacing, less violent, and a lot more family friendly, it’s also incredibly homoerotic. That doesn’t hinder the experience, but it’s worth discussing how Batman goes from fighting with a Latex covered sex zombie to building romantic tension with a young man he takes in seemingly out of nowhere.