If you’ve ever seen Sarah Bolger act, it’s stunning how she can go from innocent to cold as ice in a second flat and make it believable. Seriously, check out the under seen “Emelie” for proof. What she does in “A Good Woman is Hard to Find” is portray the quintessence of the lengths parents are willing to go through to protect their children. Not only diving head first in to violence, but the willingness to delve in to darker corners of our own humanity, and what we’re capable of sacrificing in order to create a future for our kids.
The path to redemption is a long and arduous one that can obviously test us and our resolve to the very core. With the South Korean “No Mercy” we see the unfolding of a path of redemption for a woman who has very little in life and is about to see her only good thing be taken away by human cruelty. A mix of “Taken,” “Drive,” and “Dead Man’s Shoes,” Lim Kyoung-tack’s action thriller is a beautifully made, engrossing, and often riveting journey of a woman who is willing to go deep in to the darkness to retriever her sister, and might not have a way back once she’s fulfilled her goal.
For yet another year, Cinema Crazed will be covering the Fantasia International Film Festival, the 23rd edition running from July 11th to August 1st. The festival is famous for featuring some of the most acclaimed and highly anticipated genre films from around the world, and this year is featuring 130 films in its slate. Among them there will be the world premieres of MYSTERY OF THE NIGHT, BLOOD ON HER NAME, STARE, 1BR, THE DEEPER YOU DIG, and HOMEWRECKER; as well there will be events like screenings of classic horror like “The Living Dead at the Manchester Morgue” and the rare TV movie “What Ever Happened to Rosemary’s Baby?”
With the site covering Fantasia again, these are five film premiering that we can’t wait to check out.
It’s stunning that there has never been much stride made in the realm of possession movies. It seems like “The Exorcist” was the beginning and end of the sub-genre, followed by decades of films that ranged from serviceable to downright abysmal. “Belzebuth” further proves that theory as it’s a middling horror thriller that’s densely packed, kind of confusing, and ironically manages to deliver some good scares from the real life atrocities it depicts rather than the images of demons, evil Jesus Christ, and exorcisms.
Director Sara Summa paints “The Last to See Them” as the anti-thriller, it’s the calm before the storm, as four family members living in a remote farm in the Italian countryside are doomed to die horrendous murders in the middle of the night. What we see is the hours leading up to their death as… well nothing happens. Absolutely nothing happens. Director Sara Summa’s “The Last to See Them” has all the ingredients for a brutally creepy, and unsettling thriller but it amounts to a disappointingly empty posturing of the antithesis of the genre.
It’s only a matter of time until everyone begins to compare “Achoura” to “Stephen King’s It” mainly because they’re so thematically similar and share almost identical story beats. On its own, “Achoura” is a fine horror thriller that explores the loss of innocence, how fleeting innocence is for children, and how the past almost always catches up to us. As a symbol of the very heavy commentary is the rather spooky and interesting monster of the film, the Bougatate, that’s less a figment of imagination, and more a living darkness that devours kids’ joy, and fear.
This year I covered Cinepocalypse’s second shorts block, and for this round the topics included Sex, Blood, and Heavy Metal. Not all of the movies are horror here, nor are they particularly scary, but they’re an interesting variety for the festival.