Oliver Alfonso’s horror comedy is a movie that will likely be a very polarizing title down the line. For the people that actually bother to check it out on Netflix, “Girls with Balls” is a Z grade movie that walks the line between absolutely obnoxious, and admirably entertaining. I was mixed on “Girls with Balls” as it packed some great meaty horror comedy material, along with some woefully stupid moments and unlikable characters.
The independent film circuit isn’t exactly lighting the world on fire with their zombie horror fare lately. That’s a shame too considering there are so many bright voices out there that could re-invent the formula, and deliver something massive. “Survivorz” is low budget, routine, mediocre, repetitive zombie apocalypse fodder that feels like a dull video game, and never quite takes advantage of its setting. It’s set in London England but that’s really all the movie has to offer in the way of change of scenery.
Allegedly recounting the grizzly child murders that took place in the Moors of Europe, “See No Evil: The Moors Murders” is a sluggishly paced dramatic thriller that is often too centered on character to ever actually concentrate on the murders behind Myra and Ian Bradley. Apart from its tedious pacing, the constant meandering from Writer Neil McKay and Directors Christopher Menaul, and Nicola Morrow turn the mini-series “See No Evil: The Moors Murders” into a trying, often tedious experience that frankly bored me out of my skull.
So “Zombi 3” is technically “Zombi 2” while “Zombi 2” is technically “Zombi” if you cut out “Dawn of the Dead” which was renamed “Zombi.” It’s a confusing rabbit hole that goes so deep, you’ll pass out from the confusion. In either case, Bruno Mattei’s (Lucio Fulci’s? Claudio Fragrasso’s?) “Zombi 3” is one of those so bad it’s good zombie films that I didn’t hate. Maybe it’s because I didn’t have a history with it, but I kind of loved how aimless “Zombi 3” was with its zero plot, paper thin characters and the way it meanders back and forth.
It’s October once again! Finally! It’s our favorite time of year, a time where we can drown in horror and genre cinema without coming up for air. For the return of “Shorts Round Up of the Week” I bring you the Halloween edition, where I review short films of the horror, thriller, and dark fantasy variety. Hopefully we can dig up a second edition of this column before the month is up.
If you’d like to submit your short film for review consideration, submissions are always opened to filmmakers and producers.
Happy October, boils and ghouls.
Tony D’Aquino’s “The Furies” is teeming with potential but is a movie that seems to be hell bent on pissing away any and all entertainment value at every turn. Everything in “The Furies” could have used another draft, from the motives of the mysterious villains, the motivation of the protagonists, and of course the final scene that ends on the presumption that a sequel is coming up the pipe line or something.
Thirteen years later, Guillermo Del Toro’s period dark fantasy is a masterpiece of the genre telling a tale of loss of innocence and good versus evil that’s touching, gripping and a bit spooky in its way. Del Toro’s film is one that warrants repeated viewing and continued analyses as it’s a fairy tale that masterfully mixes “Alice in Wonderland,” the Brothers Grimm, “Wizard of Oz,” along with classic folklore.
It’s really tough to discuss Shin’ichirô Ueda’s excellent horror comedy “One Cut of the Dead” without completely deflating its sheer brilliance for someone that’s never seen it. The less you know about the premise going in to “One Cut of the Dead,” the more you’ll likely be very entertained by what unfolds. I knew almost nothing but the bare essentials and by the time the credits rolled, I was ready to put it in my top ten of 2019. Spoilers ahead.