When I was a kid I was heavy in to the mythology of Arthurian lore. Everything about King Arthur and the knights of Camelot drew my immediate attention and fascination. I spent a great three years learning everything that I could about that era. As a kid if I’d have seen Joe Cornish’s “The Kid Who Would Be King,” I’d have left the theater with a humongous smile on my face and anxious to learn a lot more that was available in the libraries. Joe Cornish has a particular love for making heroes out of underdogs and the least suspecting people you’d come across, and he carries that trademark in to his newest film.
When it originally premiered at Fantasia I was very anxious to check out Johnny Kevorkian’s science fiction horror film, and I’m glad I was finally able to view it. “Await Further Instructions” is one of those horror tales in the vein of “They Live” or “V” where it’s a tale about humanity, civilization, and way we can be led like sheep in the face of chaos. While “Await Further Instructions” is a very sharply written and vicious look at a dysfunctional family stuck together in a house, it packs in so many more relevant overtones that ring true in a day where everything on the internet is taken as gospel.
I could kind of see where “Supine” was headed thanks to the opening shots, but Nicole Goode’s short horror drama still managed to register as a demented peek inside of a complete and utter monster. Eva Larvoire does a bang up job playing Sylvie, a taxidermist living in France, who spends most of her time looking for dead animals on the road.
Directors Iker Arce and Miriam Ortega Dominguez’s “¿Quieres Que Hoy Te Bese?” is a nearly half hour short film that resonated deeply with me when it was all over. What we assume is a short horror drama about a teenage girl coming in to adulthood in the most sinister fashion, we soon discover is a very brilliantly constructed, disturbing non-linear horror tale.
Director Heidi Lee Douglas’s “Devil Woman” is kind of a jumbled mess of a horror movie that has a ton of potential. On one side of the coin it tries to be a horror movie about feral monsters spreading their virus through a bite. On the other side of the coin it tries to an environmentally conscious tale about Tasmanian Devils suffering from hideous cancer destroying the population. It’s tough to get sucked in to a horror movie about feral monsters when the movie bookends the tale with an actual picture of a disfigured Tasmanian Devil suffering from cancer.
I can’t say that I would recommend Stepanka Cervinkova’s dystopian horror film per se, but I appreciated the message behind it, and I liked its energy. I also loved the special effects as they garnered the right amount of yuck factor. The big problem with “The Body Corporate” is its sheer confused tone, but otherwise director Cervinkova is at least a good director with a neat concept.
This South Korean horror film by Jiwoon Moon is not a movie about ghosts or goblins, but about the absolute perverse horrors of greed and the evil money can foster. Director-writer Moon tells the tale of a small family living in a sheltered home. After Ji-hyo has a horrible nightmare with her father scaring her without any eyes, her mother Hyeon-woo half heartedly assures her that it was all a nightmare.
A group of advanced age crooks gets together for one last heist. In this retelling of the infamous Hatton Garden Heist, older men and one younger manage an impressive heist only for their group to fall apart due to disagreement and infighting.