Dynamite Warrior (2006)

The clear indicator that this is simply the lamest of the exports so far is the first twenty minutes where director Chalerm Wongpim asks us to enjoy the realism of the epic battle scenes, while also forcing us to swallow a scene of our hero Siang riding a large rocket in the air. He then takes part in one of the most boring fight sequences I’ve ever seen. Most notable is the choreography which is slow and clunky, while most of the scenes are so poorly edited that they look like rehearsals for actual scenes we’ll never get to watch. It’s the first time I’ve seen a flying knee kick and not gasp in amazement.

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Karate Warriors (1976)

Kazuhiko Yamaguchi’s “Karate Warriors” (aka “Killing Fist and Child”) is a solid action film mainly because of Sonny Chiba, and because Chiba’s charisma makes up for the overall plot’s shortcomings. His mystique is often entertaining and there are also the pre-requisite great fight sequences. Chiba is a force of nature here, and like “Yojimbo” he plays the rival gangs against one another for his own personal sake.

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Sonny Chiba’s Dragon Princess (1976)

Yutaka Kohira’s “Sonny Chiba’s Dragon Princess” (Or “Dragon Princess,” or “Lady Karate,” or “Assassin Woman’s Fist”) is a misleading title often being boasted as a Sonny Chiba film, even though he has nothing more than a glorified cameo. The actual star, Etsuko Shiomi headlines as a girl whose father Agaki (Chiba) is confronted by two martial arts masters who challenge him to a fight, intent on taking his position as top karate master.

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#Alive [#Saraitda] (2020)

It’s hard to re-imagine or re-think the zombie movie, especially in the times where just about everyone has thought of everything. Director Il Cho’s “#Alive” is basically the sequel that “Train to Busan,” should have been, “#Alive” is such a great mix of “28 Days Later,” “The Night Eats the World,” and “Dawn of the Dead ’04.” While it doesn’t re-invent the wheel it manages to offer a fun, exciting, and creepy movie about the pros and cons of modern technology and the value of human contact.

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The Haunting of #24 (Lie Still) (2005)

Director and Writer Sean Hogan’s “The Haunting of #24” is a film with a lot of potential that is never quite realized in to much of a film with any kind of substance or surprise. Director Hogan sets up so many plot devices, characters, and suspense that can be flourished into a horrifying ghost film. Alas, “The Haunting of #24” is just mediocre as all get out, and squanders most opportunities to rise to the occasion and spook us. It’s not a horrible movie, it’s just so utterly boring to sit through from beginning to end.

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Get The Hell Out (2020)

Wang Yo-Wei works as a security guard at parliament and is regarded as a loser by others. One day during a Parliament session, as a fatal virus is spreading inside the parliament, the MPs are infected and become zombies. Strangely, Wang proves to be only one immune to the virus. Together with his girlfriend Xiong, they not only fight their way out but also save many lives.

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