Belzebuth (2019) [Cinepocalypse 2019]

It’s stunning that there has never been much stride made in the realm of possession movies. It seems like “The Exorcist” was the beginning and end of the sub-genre, followed by decades of films that ranged from serviceable to downright abysmal. “Belzebuth” further proves that theory as it’s a middling horror thriller that’s densely packed, kind of confusing, and ironically manages to deliver some good scares from the real life atrocities it depicts rather than the images of demons, evil Jesus Christ, and exorcisms.

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The Last to See Them (Gli Ultimi Viderli Vivere) (2019) [Cinepocalypse 2019]

Director Sara Summa paints “The Last to See Them” as the anti-thriller, it’s the calm before the storm, as four family members living in a remote farm in the Italian countryside are doomed to die horrendous murders in the middle of the night. What we see is the hours leading up to their death as… well nothing happens. Absolutely nothing happens. Director Sara Summa’s “The Last to See Them” has all the ingredients for a brutally creepy, and unsettling thriller but it amounts to a disappointingly empty posturing of the antithesis of the genre.

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Achoura (Achoura: La Nuit des Enfants) (2018) [Cinepocalypse 2019]

It’s only a matter of time until everyone begins to compare “Achoura” to “Stephen King’s It” mainly because they’re so thematically similar and share almost identical story beats. On its own, “Achoura” is a fine horror thriller that explores the loss of innocence, how fleeting innocence is for children, and how the past almost always catches up to us. As a symbol of the very heavy commentary is the rather spooky and interesting monster of the film, the Bougatate, that’s less a figment of imagination, and more a living darkness that devours kids’ joy, and fear.

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Cinepocalypse 2019 Shorts Block 2: Sex, Blood, and Heavy Metal [Cinepocalypse 2019]

This year I covered Cinepocalypse’s second shorts block, and for this round the topics included Sex, Blood, and Heavy Metal. Not all of the movies are horror here, nor are they particularly scary, but they’re an interesting variety for the festival.

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Five Reasons to be Excited about 2019’s Cinepocalypse [Cinepocalypse 2019]

For another year, Cinema Crazed is covering the Cinepocalypse Genre Film Festival. 2019 promises to be a fun year for the festival as programmers promise to screen some classic genre entries, as well as screening some of the most unique and original horror films from around the world. Presiding over the jury this year is Joel Schumacher; here are five reasons to be excited for this year’s festival.

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Shorts Round Up of the Week – Cannes Contenders

This week we have seven stellar short films from around the world including Asia, Hungary, and The Ukraine, as well as one from prolific indie filmmaker Patricia Chica. Some of the shorts featured have competed in Cannes this year, and all deal with some kind of interesting and very widely discussed social theme including LGBTQ Pride Month. Look for these excellent films when you can. If you’d like to submit your short film for review consideration, submissions are always opened to filmmakers and producers

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Fighting With My Family (2019) [Blu-Ray/DVD/Digital]

The original documentary “Fighting With My Family” was the stuff that underdog tales were made of, so when it was turned in to a feature film, it wasn’t too surprising. Stephen Merchant has a knack for creating very funny, human tales, and this adaptation does a good job of taking from the documentary and creating a very good adaptation of the story of Saraya, a young wrestling fanatic who would become Paige, one of the most influential female wrestlers and Superstars for the WWE.

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