Mega Time Squad (2018) [Fantasia Fest 2018]

A man stumbles upon a time travelling amulet and uses it to attempt to get himself out of trouble and get his dream girl. Things do not go according to plan and things just get more complicated each time he travels back in time, causing a second, third, fourth, etc copy of himself that need to go back where they came from.

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Number 37 (2018) [Fantasia Fest 2018]

I’ve seen the frame work for “Rear Window” tacked on to a lot of genres, from murder mysteries, vampire movies, werewolf movies, Bigfoot movies, and so much more. I don’t know if I’ve ever seen Hitchcock’s “Rear Window” turned in to a gangster thriller before. Director Nosipho Dumisa definitely has her eyes aimed at Alfred Hitchcock’s murder mystery masterpiece, but thankfully while the film is pretty much an homage (or remake, perhaps?), “Number 37” definitely manages to stand on its own as a stellar thriller in its own right.

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Laplace’s Witch (Rapurasu no majo) (2018) [Fantasia 2018]

Following a mysterious death, a scientist is brought in to hopefully rule it as an accident. As he does his research, a police detective desperately wants to rule it as a homicide. Mixed up in the middle of it all is a teenager with what looks to be psychic powers and her friend who has disappeared. What will they all find once all is said and done?

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Microhabitat (So-gong-nyeo) (2017) [Fantasia 2018]

A young woman living paycheck to paycheck on a very tight budget finds herself in a hard place when she has to decide what to cut from her budget when her rent goes up by quite a bit. As she tries to find a way, she decides to abandon the tiny apartment and go couch surfing for a while. As things advance, her situation becomes more and more precarious.

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Female Filmmaker Friday: Tremble All You Want (Katte ni furuetero) (2017) [Fantasia 2018]

A young woman who has never dated lives in her imagination and in memories of the one boy who made her teenage heart flutter. As she tries to reconnect with him, another option opens right in front of her. What will she go for and how will it affect her life?

Directed by Akiko Ohku who also wrote the screenplay based on the novel by Risa Wataya, Tremble All You Want is a sweet story about holding onto the past, looking for what one wants, having standards, and learning to let go. The way to film is built and written is sweet but not overly so, the lead of Yoshika has an active imagination and it adds a big chunk of whimsy to the story and makes it about more than just a girl chasing a boy who may or may not give her a second thought. Some of the scenes have a bit of a feel similar to that of Amelie while not having a similar color palette and shooting style, something that is definitely good in establishing mood but also in establishing the director as doing her own thing here.

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