Shorts Round Up for the Week (12/8/18)

Most of the time we get such a backlog of short films and feature length indie films that we work hard to take them all on and review them before the year is up. In what we hope will become a new feature, “Shorts Round Up of the Week” is a column where we’ll be reviewing a round up of short films of varying quality.

If you’d like to submit your short film for review consideration, submissions are always opened to filmmakers and producers.

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[Holiday Gift Guide] Film Movement Plus Subscription Service

Fans of cinema both classic and arthouse are still stinging from the closing of “Film Struck” a few months ago. If you’re still aching for something completely different from the mainstream, I offer you the alternative of “Film Movement.” I’ve been cognizant of Film Movement for years now and have always intended to subscribe to the service. “Film Movement” was established in 2002 as mainly a DVD of the month club that mailed DVD’s to respective subscribers. These days while the DVD Club is still available, “Film Movement” is more of a subscription service that streams movies to subscribers much in the realm of Netflix, except the movies you’ll find here are nothing like you’ll find in the mainstream.

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A Selection of Shorts from Horrible Imaginings Film Festival 2018 Day 1 [Horrible Imaginings Film Festival 2018]

As is now traditional, Horrible Imaginings Film Festival played a boatload of short films as part of their programing this years, all highly curated and of great quality. As those shorts are many and all were good, it was hard to make a selection of some of them. Here are mini-reviews for a selection of those shorts from day 1, Friday.

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Funny Man (1994)

To say that Simon Sprackler’s “Funny Man” is a bizarre horror film is doing no justice. It is probably one of the most bizarre horror movies I’ve ever seen, and I’m sad to admit I’ve never heard of it until 2018. I’m usually very good about horror movies and slashers, but “Funny Man” jumped right over my head, and I was finally able to see it. I wasn’t so much entertained as I was genuinely baffled most of the time, and I’m not sure if that was a bad thing or not. It’s a good enough horror movie if you’re willing to accept it’s sheer insanity.

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Reality Bites Back: “Dead Set” Ten Years Later

If any case could be made for the advantage of running zombies in the zombie film sub-genre, “Dead Set” would easily trump any argument against the device. I’m a zombie enthusiast who loves the lumbering dead, and in all honesty prefers them above all. “Dead Set” not only endorses the idea of running zombies, but makes turns them on to a world of lazy, complacent television addicts, with remorseless fervor. Like the reality shows that have become fixtures of civilization, we’re turned in to blood thirsty monsters that feed off of one another, and show little empathy for the weak.

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