A young woman working at a carnival develops an unusual interest in one of the rids as she has a passion for these types of structures, giving them a personality of their own and getting more into them than the next person. As she gets very involved in caring for this right, her mother and her boss come in the way of her work and her dreams.
Director KEFF’s ‘Tapei Suicide Story” is one of the most somber dramas I’ve ever seen. It’s a film about life affirmation but also about the inevitability of death. Do we have control over our lives if we can control our own deaths? Are we merely embracing fate and are oblivious to it? “Tapei Suicide Story” is a very quiet and quaint drama that works on a very dark and inherently morbid premise.
In the Australian countryside, farmers raise and compete for best ram in the local fair. After one ram shows signs of a deadly and highly contagious disease, the entire community is put at risk and must rally together to survive this massive hurdle. Two feuding brothers are the center of things and must find a way to make things work for their own survival.
It’s been a while since I’ve delivered the Shorts Round Up of the Week as I was previously incapacitated with the flu for most of December. Now that we’re on a new year and a new chapter for the site, I thought it only fitting to unveil the first “Shorts Round Up of the Week” for 2021.
It’s apropos and yet somewhat inexplicable that Hayao Miyazaki would end his career on one what is easily his most divisive film. Miyazaki has spent so much of his career delivering masterpieces of animation that discuss the horrible fall out of war, destruction of the environment, and war machines. So it’s absolutely confounding that Miyazaki takes a more objective approach to Jirô Horikoshi and his creation of what would become certified weapons of war.
This year “I Spit on Your Grave” was given a deluxe box set on Blu-Ray and 4K allowing fans a new vision for what is easily one of the most upsetting, polarizing, and controversial films ever made. The Meir Zarchi film that popularized the volatile sub-genre rape-revenge films has spawned dozens of cinematic carbon copies (along with infamous bile from Roger Ebert), and features one of the most notorious castration scenes ever depicted. In commemoration of “I Spit in Your Grave” being released to fans yet again, I thought I’d sound off five of some of the more grotesque movie castrations ever filmed.
Director Gabrial Soriano’s “Seis días en la Oscuridad” is yet another of the many commentaries on a society that’s dominated by kidnappings for the purposes of profit. In a land where employment is slim, kidnappings are almost a way of life there, almost mundane. And a way to use that method to pull someone out of hot water eventually snowballs in to endless bouts of shit hitting the fan.
The clear indicator that this is simply the lamest of the exports so far is the first twenty minutes where director Chalerm Wongpim asks us to enjoy the realism of the epic battle scenes, while also forcing us to swallow a scene of our hero Siang riding a large rocket in the air. He then takes part in one of the most boring fight sequences I’ve ever seen. Most notable is the choreography which is slow and clunky, while most of the scenes are so poorly edited that they look like rehearsals for actual scenes we’ll never get to watch. It’s the first time I’ve seen a flying knee kick and not gasp in amazement.