If you were a witness to Bong Joon Ho’s historic victory at the Oscars this year, as he was the first to ever win Best Director, Best International Film, and Best Picture all in one night, this was a long time coming. Bong Joon Ho has managed to deliver so many cinematic gems over the last twenty years, including the painfully overlooked science fiction epic “Snowpiercer,” and 2006’s utterly fantastic “The Host (Gwoemul).” Joon-Ho’s 2006 science fiction epic is a masterpiece of monster cinema that’s intelligent, innovative, and reaches down to the basic core of family unity to propel its story beyond science fiction conventions.
This year we were once again lucky enough to cover the Final Girls Berlin Film Festival, and though we came on a bit late, we were able to catch a shorts film block from the festival as well as some features! This year the shorts block was solid, and I took on the #MeToo shorts block. This list of short films covers the topics of sexual assault, rape, toxic masculinity the like.
The gallery of genre entries was great once again and I loved the substance these directors brought to film.
The Academy is always a fan of the historical epic. They love movies about perseverance to hard times during a bygone era, from “Lincoln” and “Glory” to “Amadeus” and “Saving Private Ryan.” One of the movies that they didn’t touch in 2020, despite being a relatively mesmerizing picture, was Jennifer Kent’s 2019 “The Nightingale.” Despite it being a virtually gritty and gruesome journey in to darkness a la “The Revenant,” the Academy never offered the film its due, even in the realm of cinematography and or acting. There’s not even a best original screenplay nod handed to the thriller, and it’s a shame. Jennifer Kent’s revenge period piece is the antithesis of the glossy Oscar fodder that they stumble over themselves to honor every year.
Satoshi Kon’s “Millennium Actress” has become one of the most celebrated animation masterpieces of all time, and for good reason. It’s managed to transcend everything about its medium to convey a tale that everyone can relate to. A big departure from “Perfect Blue,” his grim polemic about fandom, Kon gifts us “Millennium Actress,” a film that is a great and often riveting celebration about life.
As with every single year, we try to cover as much indies as possible, but we just never have the time to see them all, sadly. As with previous years, this top five comprises five of the best indies I saw all year. It’s not to say the films that didn’t make the list are terrible films, or that the films the other writers on Cinema Crazed enjoyed aren’t good, either. This is merely my own subjective list of five independent film shorts I highly recommend to you that I saw this year. It’s good to remember this is opinion, and not gospel.
If you want to see what films the Cinema Crazed collective consider A+ Indies, visit the link included!
Also, be sure to let us know some of the best indie films you saw all year!
Director Danny Boyle and writer Richard Curtis have a fascinating premise for “Yesterday,” and when all is said and done, after two hours, they—have a fascinating premise. They don’t actually do much with it, in all honesty. They take what could have been a unique and bizarre tale about an iconic band completely inexplicably being erased from all of culture around the world and turn it in to a conventional tale of rags to riches. I mean the script does nothing with the idea of the Beatles not existing. What would happen to all the singers, performers, bands, and artists they inspired? Would they cease to exist as a whole? “Yesterday” barely scratches the surface at two hours.
The thing about cinema is that it’s an often very literal art form that takes what is often very metaphorical or performance art about stage productions and has a hard time supplanting it for the audience. For “Hedwig and the Angry Inch,” it’s a very good cult rock film that often feels like it has to be seen on stage in order to soak in the true experience. I’m not trying to take away what a cult classic John Cameron Mitchell’s musical drama is, but I couldn’t quite help but feel that “Hedwig and the Angry Inch” could have been much more appreciated as a live show.
It’s hard to find many good zombie apocalypse Christmas musical comedies out there, but when you do, it’s a treat. John McPhall’s wonderful “Anna and the Apocalypse” is a great film teeming with massive cult potential that I think will big momentum soon. It’s that kind of movie warranting a big Broadway production a la “Rocky Horror.” On its own though, the Scottish born “Anna and the Apocalypse” is a great reprieve from the massive holiday rush. While the holiday season is filled with an overflow of maudlin movies, “Anna and the Apocalypse” is that right dose of holiday glee with some great zombie carnage to boot.