If you haven’t checked out Shinichirou Ueda’s indie horror comedy hit “One Cut of the Dead” by now then you’ve truly missed out on a prime piece of filmmaking. The film has been a festival darling, has become a hit on streaming and is being given excellent treatment for physical media collectors in a deluxe Steelbook. “One Cut of the Dead” is a genuine horror comedy gem that is best appreciated going in with as little information about it as possible. Although most reviews have given this advice of avoiding any and all spoilers, it’s sage wisdom that will only help improve an already excellent film.
The idea of the cult movie and the birth of the cult phenomenon is a tricky concept that can’t be answered in one shot. While Danny Wolf approaches film fans with a three part feature length look at some of the best and most controversial cult films of all time, there isn’t a lot of examination of the cult film. Despite a round table of people like host Joe Dante, and guests John Waters, Kevin Pollak, and Illeana Douglas, “Time Warp” is a lot more a celebration of cult and indie films. If you want something more cerebral that discusses the whole idea and anomaly of cult films then you may probably want to look elsewhere.
I’m a big fan of the thought provoking documentaries that can usually be found on Turner Classic Movies, but every once in a while, I also adore documentaries that just celebrate the magic of film. “Time Warp” is a fun and insightful look at some of the all time greatest cult films, films that have helped shape the cinematic landscape. Before the internet age, cult films were often accidental. They were films that were usually born from word of mouth or crept up from the corners of studios and captured some sense of awe from the gradually growing fan base.
Severin Films has done an amazing job showing movie fans and collectors the generally colorful and interesting body of cinematic work that Al Adamson left behind. While he’s more generally known for his unfortunately terrible murder, Adamson was also, by all accounts, a very nice man who was creative, innovative and had a genuine love for filmmaking and the people he worked with. “Blood & Flesh” successfully takes us inside the life of the man who had a sincere love for entertaining people, and then digs in to how sometimes our good hearts can put us in the company of the wrong people.
The making of “Night of the Living Dead” 1990 has become one of the most fascinating movie making tales of all time. George Romero teamed up with friend Tom Savini to direct an official remake of his 1968 horror masterpiece. What Savini found was no end of interference, intrusion and creative stifling from the studio that funded the film. Despite excellent creativity and clever ideas to bring to the table, horror icon Savini was turned off from filmmaking for so many years, and he wasn’t able to deliver the film he actually wanted. Ironically, “Night…” 1990 is widely considered a top shelf remake of the original, and is argued to be superior to Romero’s by some horror buffs.
So many times whenever a production company or director has chosen to explore the history and influence of kung fu movies, they choose the more obvious routes. They go about exploring how kung fu movies influenced Hollywood and Western cinema. What director Serge Ou does is explore the influence on Western cinema, and how kung fu movies influenced the entirety of pop culture as a whole. Everything from action cinema, modern movie stars, and even hip hop is explored here and how they took from the genre and it amounts to a very unique and creative take on the outstanding legacy of kung fu films and martial arts cinema.
It’s really tough to discuss Shin’ichirô Ueda’s excellent horror comedy “One Cut of the Dead” without completely deflating its sheer brilliance for someone that’s never seen it. The less you know about the premise going in to “One Cut of the Dead,” the more you’ll likely be very entertained by what unfolds. I knew almost nothing but the bare essentials and by the time the credits rolled, I was ready to put it in my top ten of 2019. Spoilers ahead.
Antonio Pantoja is an acclaimed artist, photographer, and man of many skills who has just completed “One Must Fall.” Now premiering in various festivals around America and garnering various accolades, Pantoja’s horror comedy slasher is making waves, and Emilie Black took time from his busy schedule to ask about his career and love of film.