Marc Natoli is a new-ish actor who just landed in Los Angeles to take it by storm. His skills are clear in The Proposal where he gets to kick much ass and show that he’s got some acting chops to go with that. Marc was gracious enough to give us a bit of time to answer some of our questions and do a mini photo shoot around Hollywood.
One of the best movies about the American Drive-In that I’ve possibly ever seen, “At the Drive-In,” is a wonderful documentary directed by Alexander Monelli that embraces and celebrates everything that’s so enchanting about the drive-in. It’s also a testament to the love and commitment that movie buffs are capable of, even in the face of financial dire straits and a changing climate of pop culture. Drive-Ins have become something of a memory of American pop culture and in the new generation is a community that has struggled to stay alive. One of the few standing is the Mahoning Drive-In in Pennsylvania.
For too many years, filmmaker William Beaudine’s reputation was maligned with false stories of sloppy work and a “one-shot” approach to shooting. In reality, Beaudine was a talented and versatile creative artist who began his career with D.W. Griffith, directed such icons as Mary Pickford, Jean Harlow and W.C. Fields, and worked in the British film industry and for Walt Disney.
“Horror Noire” is the film you have to see right now. If you fancy yourself a horror aficionado, a film buff, or just a lover of history, “Horror Noire” is essential viewing that is long overdue. For a long time we’ve garnered some amazing documentaries that have covered a lot of overlooked chapters in horror cinema, and “Horror Noire” touches upon the most important era, exploring the history of African Americans in horror cinema, and how they evolved from being demonized, to becoming props, right up to becoming genuine heroes.
Most of the time we get such a backlog of short films and feature length indie films that we work hard to take them all on and review them before the year is up. In what we hope will become a new feature, “Shorts Round Up of the Week” is a column where we’ll be reviewing a round up of short films of varying quality.
If you’d like to submit your short film for review consideration, submissions are always opened to filmmakers and producers.
Robert D. Krzykowski’s feature directorial debut The Man Who Killed Hitler and Then The Bigfoot premiered at Fantasia 2018 recently and was a huge success. His Q&A with star Sam Elliott was enlightening and fun. Here he is to answer a few of Cinema Crazed’s questions.
Director Michael Mort has been working in stop motion animation for most of his cinematic career, working with studios such as Aardman Animations and his own studio Animortal Productions, and is a clear fan of old school action films and their over-the-top styles.
Welcome to Mercy is your second feature as a director, what attracted you to it?
I’m still figuring out what sort of filmmaker I am. Telling stories for a living is such a broad and nebulous job — Your work is this delicate combination of deeply personal ideas, natural instincts, collaborative partnerships, and practical opportunities. How you balance and navigate those ends up defining what you put out in the world… and I think in a very real way it also ends up defining who you are.