It’s important that we look back on the history of physical media, since the beginning of physical media for movie collectors was never Hollywood’s biggest plan. Since the creation of the home reel projector, studios have been working hard to fight the appeal of physical media, and now with its decline, we’re reverting to digital copies of films that can be monitored. With its introduction, comes the potential decline of honest independent filmmaking, and filmmakers that have an even playing field with Hollywood. That becomes an uphill battle as the physical media that does exist is nothing but overstocked Hollywood dribble, with stores openly refusing to stock independent cinema.
Noël Ramos is one of the most versatile creative talents in today’s indie film world, with impressive achievements on both sides of the camera. He’s our pick for the next major force to arise from the indie scene, and on this episode Phil Hall discusses Ramos’ career and goals.
This week’s podcast episode celebrates the continuing appeal of short films and the importance they play in launching new filmmaking talent. Host Phil Hall’s guest is Kim Adelman, author of “Making it Big in Shorts: The Ultimate Filmmaker’s Guide to Short Films,” which was recently republished in its third edition. She also reports on short films for Indiewire, co-programs the American Cinematheque’s annual Focus on Female Directors short film screening series, and is the co-founder of FFC Female Filmmaking Collective.
Heather Buckley is a behind-the-scenes lady and a writer for multiple publications and websites. She has supervised effects on films such as We Are Still Here, played a monstrous mother in the SyFy original movie Dead Still, produced special features for discs such as the newest releases of The Thing, Exorcist III, Return of the Living Dead, and many more. She has written for Fangoria, Dread Central, Scream magazine, Diabolique, Vulture, and a slew of others.
You can hear her on podcasts such as The Bonus Material Podcast and the Mass Hypnosis Podcast. She’s basically a horror super woman and a total badass.
It is the dream of millions to become a major player in Hollywood, but only a relatively few lucky souls are able to secure power positions in the film capital. On today’s show, Phil Hall gets a unique perspective on how to succeed in Hollywood from Summer Helene, executive vice president of California Pictures at Paramount and an award-winning film and television producer. This is a brutally honest and deeply funny program – take time to listen to this!
Maude Michaud is a multi-talented French-Canadian director, writer, producer, actress, etc. She creates horror films from scratch and that can hit close to home for some. Her films have shocked some and enthralled others; she has a style quite of her own.
Staci Layne Wilson is well known for her film reviews, interviews (on camera and in writing), her writing, and now producing and directing. Her interests are varied, but she clearly has a preference for horror as seen in her films such as the trippy triptych The Key to Annabel Lee, the sexy Fetish Factory, etc. Her knowledge of the genre and Hollywood’s inner workings is wide and she uses it well in her creations.
Her trivia on IMDB is rather telling: “Has worn Freddy Krueger’s hero claw, George Romero’s glasses, and the original Hannibal Lecter mask.”