Most of the time we get such a backlog of short films and feature length indie films that we work hard to take them all on and review them before the year is up. In what we hope will become a new feature, “Shorts Round Up of the Week” is a column where we’ll be reviewing a round up of short films of varying quality.
If you’d like to submit your short film for review consideration, submissions are always opened to filmmakers and producers.
Robert D. Krzykowski’s feature directorial debut The Man Who Killed Hitler and Then The Bigfoot premiered at Fantasia 2018 recently and was a huge success. His Q&A with star Sam Elliott was enlightening and fun. Here he is to answer a few of Cinema Crazed’s questions.
Director Michael Mort has been working in stop motion animation for most of his cinematic career, working with studios such as Aardman Animations and his own studio Animortal Productions, and is a clear fan of old school action films and their over-the-top styles.
Welcome to Mercy is your second feature as a director, what attracted you to it? I’m still figuring out what sort of filmmaker I am. Telling stories for a living is such a broad and nebulous job — Your work is this delicate combination of deeply personal ideas, natural instincts, collaborative partnerships, and practical opportunities. How you balance and navigate those ends up defining what you put out in the world… and I think in a very real way it also ends up defining who you are.
J. Larose and Ashley Smith appear in the recently released horror film “Extremity” (perfect for Halloween and available on demand!). The pair of stars took a few minutes to answer our questions about production, and their careers.
Dana Christina is a relative newcomer to the scene and the genre, but horror fans are already familiar with her thanks to Wynonna Earp. Extremity is sure to make her very familiar face and one horror fans will love more and more.
BearManor Media is proud to announce the release of “The Weirdest Movie Ever Made: The Patterson-Gimlin Bigfoot Film,” a new book by Cinema Crazed editor and columnist Phil Hall. The book will be available in all book retail channels beginning October 1st for the suggested retail price of $24.95 for the hardcover edition and $14.95 for the softcover edition.
On October 20th 1967, Roger Patterson and Bob Gimlin emerged from a forest in Northern California with 59 seconds of grainy, shaky, silent 16mm film that offered documentary evidence of the existence of the Sasquatch, a creature of Native American folklore. Although neither Patterson nor Gimlin had any previous experience in filmmaking or zoology, they presented their remarkable footage as the first motion picture evidence to confirm the existence of the elusive Sasquatch.
However, not everyone was convinced by the imagery on the Patterson-Gimlin Film. Additional doubt was generated by the strange story behind the film’s creation. Over the years, odd rumors emerged about the film, including the story of an Academy Award-winning make-up artist’s alleged role in assembling the creature seen on camera.
Film journalist Phil Hall traces the convoluted history of how Patterson and Gimlin supposedly wound up in the right place at the right time with their camera, and how they brought their weird little film into the scientific community and American popular culture. While the debate over the authenticity of the Patterson-Gimlin Film continues to percolate, few would question the effectiveness of how this piece of celluloid brought forth an unlikely sensation lovingly dubbed Bigfoot.
John Sturges’s “The Great Escape” is easily one of my favorite action movies of all time, and one of my top five McQueen pictures (“The Getaway” takes the number one prize). It’s legacy and influence on pop culture and action cinema as a whole has been lasting, with John Sturges presenting a slew of brilliant actors at the top of their games in what is a very intriguing tale about escaping Nazi clutches, and fighting for freedom. “The Coolest Guy Movie Ever” is a fine and entertaining historical documentary for anyone that fancies themselves a fan of the movie. It’s exhaustive, meticulous in its detail, and we even get some candid stories about the cast.