As a particular wedding is about to take place, a killer is hired to bring back the finger of an esteemed musician brought into the city for the wedding. As these man try to find a way out of their personal situations, things keep taking odd turns and forcing them to get involved.
With the accessibility of independent filmmaking, often times filmmakers have chosen to pay homage to the Grindhouse era, and with often varying results. It’s not too often we can sit down to watch a genuinely scary film that pays tribute to the atomic age and the classic anthology series from the golden age of television. Andrew Patterson’s “The Vast of Night” is absolute accomplishment. It’s a movie I reviewed during Slamdance 2019 and have yet to quit talking about or boasting about since it was scooped up by Amazon Video. It’s a cinematic gem filled with horror, mystery, science fiction, and pure suspense that will hook audiences the moment the film begins.
I freely admit that I didn’t quite enjoy “Birdboy” when it was titled “Psychonauts, The Forgotten Children” back in 2016 for the Fantasia Film Festival. While typically I’m a big fan of animation of most kinds, “Birdboy” failed to click with me. I just could not find any real reason to recommend it when I’d finished it, and struggled to even finish it, when all was said and done.
It’s the return of Shorts Round Up of the Week! And this week, Emilie Black steps in to the driver’s seat bringing readers some reviews for four of the latest short films from very unique indie film voices.
If you’d like to submit your short film for review consideration, submissions are always opened to filmmakers and producers.
Ang Lee has always been a visionary director who has challenged conventions with certain genres. While he doesn’t always hit a home run, Lee can at least be appreciated for wanting to take ideas to help usher in classic films. “Gemini Man” should have been a slam dunk. It would have been a slam dunk. But as a film, it’s so much more a concept meant to do pretty much everything but tell a story that’s engaging. It flexes its CGI, as well as Hollywood’s current fetish for de-aging stars and trying to find ways to beat mortality for the sake of cashing in on them as long as possible.
I was never aware of what “Carnival Magic” was until “Mystery Science Theater 3000” covered it years ago. I’d never seen an alleged kids’ film that was so adamantly uncomfortable, and droning, and inappropriate before. Al Adamson, who was known mainly for adult exploitation films, took his hand at making a children’s adventure film, ends up making in inadvertent cult item that promises to confuse and dumbfound movie lovers for years in the same ilk as “Manos: The Hands of Fate,” and “Troll 2.” I don’t know if I’d call it a cult gem, but it certainly is a cinematic oddity.
I truly hope you’re doing well in the current social climate and are celebrating Friday the best way you can. This week, I’m reviewing two brilliant animated series that’s female oriented, but fit for every audience imaginable. They’re two very complex and amazing animated series you can sit down and watch with the whole family, that promote strong female heroes, complex ideas about youth and discovery, and confronts very real overtones about loss of innocence and growing up way too fast.