“Justice League: The New Frontier,” adapted from the late great Darwyn Cooke’s graphic novel is an attempt at a new approach toward the DC universe the heroes behind DC. It’s an engaging, poetic, often brilliant animated film with an adult sensibility and intriguing psychological analysis that features a world on the brink of a new frontier, and its heroes and protectors facing the prospect of not being needed. On the opposite spectrum, their views of humanity are waning and devolving as they see endless cruel violence, and hatred take form through horrendous racial crimes. Director David Bullock and co. dare to present a film that takes a step back looking at the humanity that is affected by a world inhabited by DC heroes.
From Treehouse Digital and director Peter Stanley-Ward, “Treaters” is a short film that I would love to become the basis for a horror anthology somewhere down the road. “Treaters” is a surefire Halloween treat that works with a sense of whimsy but also has an admirably demented sense of humor that I was sucked in to from minute one. One thing that’s always menacing about Halloween are trick or treaters, because you just never really know who, or what, are wearing those dreaded masks and whatnot.
The adaptation of John Updike’s “Witches of Eastwick” is an engaging albeit soapy supernatural thriller that uses the idea of witches and Satan as a seductive male coming to something of a sexual war with a trio of witches with immense power. Over the course of “The Witches of Eastwick” he presents an enticing personality that’s despicable but manages to allure the trio of powerful women. The trio submits every essence of inner and outer power to him the more they find themselves falling for him, and obsessing over his sexual charisma. The way I tended to interpret “The Witches of Eastwick” is as a supernatural battle of wills between the sexes, and director George Miller manifests it through a brilliant cast.
Although I absolutely love “Thriller,” I’ve never been one to associate Michael Jackson with Halloween, but apparently someone does. “Michael Jackson’s Halloween” isn’t just an animated special for the whole family, but it’s classic Michael Jackson. It has his music, it inspires individuality, and it further emphasizes Michael Jackson as something of a mythical figure that centered his life on defending children against sinister forces lurking in the shadows. Suffice to say “Michael Jackson’s Halloween” is a weird animated special, but it’s an oddly entertaining one that will work if you’re a Jackson buff.
“Ghostbusters” was a superb one and done premise that worked because it had such regular men who were called in to confront some spectacular circumstances, and in the end have to figure out how to live in a reality where they’ve essentially proven the existence of the supernatural. It’s surprising that the follow up is so sub-par and often monotonous as it almost has nothing to do with the original concept. It kind of goes through the motions and doesn’t exactly know how to continue building on these originally complex and flawed individuals. They don’t evolve much at all from when we last saw them, and writer Harold Ramis and Dan Akroyd seem to be painted in to a corner by devolving them and building them back up all over again.
“Blood & Iron” is a stellar sequel to the entertaining and raucous “Sword of Storms,” and it’s a yet another faithful adaptation that emphasizes the lore and world of the BPRD. The animated follow ups to the movie, set somewhere between the movies, have been worthy of the time spent with excellent animation, and a compelling narrative, overall. The idea bout the audience watching outcasts defend our Earth and realm is continuously fascinating, and the cast bring their A game.
For folks that appreciated the subversive artistic style that launched Mike Mignola into stardom, “Sword of Storms” practices a lot of the grit and indie flavor, along with much of what made Del Toro’s films so stellar. There’s even voice work from the original films’ stars including Ron Perlman, Selma Blair, John Hurt, and Doug Jones, all of whom are about as fun as ever. Directors Phil Weinstein and Tad Stones’ animated movie is set between the live action installments, channeling creator Mike Mignola with dark and often grim animation, with the back drop of an exciting narrative that never trails from its original source material.
If you’ve ever seen the series “Freddy’s Nightmares” (Trust me, don’t, it’s awful), then it’s verified in various episodes that Freddy Krueger isn’t the only dream demon out there. In fact he’s one of many, and there are other types of demons that can haunt our dreams and our subconscious. In either case, I was thinking about the slew of horror movie monsters out there introduced since Krueger hit the movies in the eighties and wondered what other boogey men could perhaps be a part of Freddy’s world, or from his lineage. Here are five monsters that I think could be related to Freddy Krueger.