While comic book movies are almost always a guaranteed money maker, it’s quite a shock to many that one of the highest grossing comic book movies of all time is a movie about Aquaman. After spending decades being a basic punch line for all of pop culture, Aquaman swoops in and basically has changed the course of how we think of the character and DC’s Comic book movies. All it took was a skilled director like James Wan, and the undeniable charisma of Jason Momoa.
I didn’t discover “The Last Starfighter” until I was thirteen years old. It was 1996, and I was looking for any and all movies that peaked my interest, and “The Last Starfighter” seemed like a good time to me. For some reason “The Last Starfighter” managed to skate right by me when I was a kid, and I watched every movie. I watched everything from “Willow” and “Legend” right down to “Warriors of Virtue,” but I never actually knew there was such a thing as “The Last Starfighter.”
After the downbeat ending of “The Avengers: Infinity War,” there stood some beacon of hope in the post credits scene where Nick Fury pressed a pager, signaling someone from outside Earth. That someone was Captain Marvel, Marvel Comics’ most dynamic and entertaining super heroine who is finally brought to the big screen. Not only does “Captain Marvel” stand on its own as a great, fun movie about empowerment and learning how to conjure up your inner strength, it sets the platform for Captain Marvel charging in to “Endgame,” and it also sets up the foundation for phase four of the Marvel Cinematic Universe.
Although Universal eventually did follow up Tod Browning’s “Dracula” from 1931 with their own “Dracula’s Daughter” and “Son of Dracula,” the unofficial sequel has always been 1943’s “The Return of the Vampire.” When Columbia Pictures sough to revive Dracula for the big screener, Universal halted their efforts, prompting Columbia to basically deliver the follow up to Dracula but under a variety of different names and different circumstances. With “The Return of the Vampire” we have a great spiritual sequel that stars Lugosi returning as Dracula, but–not Dracula.
As a Superman fanatic it’s been a tough road as I’m still getting over the stinks of “Smallville” and “Batman v Superman,” so when Syfy proposed its own Superman series that side stepped Superman altogether, I was very skeptical. Suffice to say, “Krypton: The Complete First Season” isn’t always a great show, but appreciated as its own attempt to ambitiously tackle the back drop of the Kryptonian Lore, it’s not a bad time spent. At ten episodes total for the first season, there are a lot worse things you can do as a Superman fan. Watching “Superman IV,” for instance. I digress.
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BOOTLEG FILES 675: “The Wandering Jew” (1933 British feature starring Conrad Veidt and Peggy Ashcroft).
LAST SEEN: On GodTube.
AMERICAN HOME VIDEO: None.
REASON FOR BOOTLEG STATUS: A perceived lack of commercial value.
CHANCES OF SEEING A COMMERCIAL DVD RELEASE: A U.S. release is highly unlikely.
The first feature-length production of the sound film era to incorporate Jesus Christ into the on-screen characters was not inspired by the Gospels. Instead, it was based on a weird legend that originated in the 13th century and percolated across Europe well into the early 20th century.
With “Nightmare on Elm Street: The Dream Warriors” celebrating its anniversary on the 27th, I thought it’d be fun to list my five favorite Dream Warriors of the “Nightmare” movie series. Although the writers generally stopped exploring the concept of Dream Warriors after part three, other writers have generally run with the idea of victims using their dreams to fight Freddy and there have been many more dream warriors that have faced Freddy. Most have fallen under the wrath of his powers, but that doesn’t mean they haven’t given the dream master a hard time and some aggravation.