In fairly high demand since its release years ago, Time Life has begun to re-release the Complete series of “The Wonder Years,” the immensely popular nineties drama that introduced a decade to the sixties. One of the underdogs of the decade, “The Wonder Years” premiered with small fanfare, and ended up becoming one of the most celebrated primetime dramas ever made. I originally reviewed the Deluxe Locker Edition, and now I review the blue box set that features mostly the collection of the entire series on DVD. The series has been restored and featured uncut after almost twenty years out of print and without a proper release.
Boyd Kirkland’s “SubZero” stands as not only one of the best animated Batman films of all time, but one of the best Batman films, period. In a time where Warner were handing us goofy films like “Batman Forever,” behind the scenes, Bruce Timm took the material seriously, delivering entertaining mature fare like “SubZero.” Something of a sequel to “Deep Freeze,” Kirkland’s film is also a stark contrast to last year’s “Batman and Harley Quinn,” choosing to expand on the hit episode, rather than repeat the same beats ad nauseum like the latter chose to.
As with every single year, we try to cover as much indies as possible, but we just never have the time to see them all, sadly. As with previous years, this top five comprises five of the best indies I saw all year. It’s not to say the films that didn’t make the list are terrible films, or that the films the other writers on Cinema Crazed enjoyed aren’t good, either. This is merely my own subjective list of five independent films I highly recommend to you that I saw this year. It’s good to remember this is opinion, and not gospel.
If you want to see what films the Cinema Crazed collective consider A+ Indies, visit the link included!
Also, be sure to let us know some of the best indie films you saw all year!
I vividly remember watching “Rockin’ with the Chipmunks”back in the very early nineties where I recall loving the scenes of Alvin dancing along with Michael Jackson to “Beat It” and “Smooth Criminal.” Mostly a cash grab for the fans, “Rockin with the Chipmunks” is a brief history of the novelty group, spliced in with comedy skits and the members singing vintage rock and roll in their modern animation. The animation for the most part is dicey and fuzzy at best, allowing for a hazy series of music videos, but back then if you were a Chipmunks fanatic, you didn’t care.
In the digital age, there’s so much entertainment, it’s impossible to be bored, anymore. There’s so much stimulation and so much television that it’s also impossible to watch everything. I have a long list of shows I intend to see soon (Glow, The Handmaid’s Tale, Punisher), but out of the TV I did manage to watch in between many, many, many movies, these are five of the series I especially enjoyed.
What were your favorite Shows and Series of 2017? Let me know in the comments!
I was first introduced to “The Simpsons” on December 17th, 1989 at the age of six, when I spent all day with my dad and brother visiting my grandparents for the Christmas season. After arriving in the evening to my aunt’s house, my dad ensured we’d be there a while and I sat down with my big cousin to watch “The Simpsons” special “Simpsons Roasting on an Open Fire.” Little did I know this simple yellow skinned family of underdogs and losers would become one of the biggest comedic and creative influences of my life. It’s a show that’s stuck with me well in to my thirties, and it all started “Simpsons Roasting on an Open Fire.”
Thomas Bezucha’s “The Family Stone” is that movie that takes from “Guess Who’s Coming to Dinner?” and in many ways feels like a tribute to that very film. It’s still about acceptance and coming to terms with growing up, in the end. Except rather than the central theme being acceptance of race, the subtext revolves around a liberal brood accepting a conservative opposite as one of their own. It’s a rich, touching, sometimes painful look at the highs and lows of family, challenging our own perceptions, and dealing with an impending loss. The question that lingers in “The Family Stone” is not whether the matriarch of their very tight knit middle class brood can survive breast cancer, but whether the family can survive losing her.
Nickelodeon’s “Hey Arnold!” was one of the banner animated series from the heyday of the 1990’s. It was a subtle, sweet, and often funny coming of age show with a lot of heart and some brilliantly memorable moments that evoked pure emotion from its audience. Despite ending in 2004, Nickelodeon gave the series a final send off in 2002 with a flimsy and absolutely wretched big screen film that did nothing to close the world we’d come to love. Most of all, it did nothing for the story arc of main character Arnold, who spent a majority of the series under the care of his elderly eccentric grandparents.
Mid-way through the series, we learned that Arnold’s parents were explorers who spent their days traveling, and the last they ever saw of him was before they left for one last adventure to help a village suffering from a mysterious illness.