1994 was the year to really tune into Nickelodeon. It was a time where they’d hit their stride with programming blocks like SNICK and excellent series like Rugrats, and The Secret World of Alex Mack. It was also the year that “Aaahh!!! Real Monsters” premiered (October 30, 1994). Another of the many Klasky Csupo produced animated shows, “Aaahh!!! Real Monsters” focused on the world of monsters that hide in our closets, under our beds, and in our toilets. It is one of the few genuinely horror-oriented animated shows that Nickelodeon has aired.
I’d say the best marketing The Last Halloween ever had was on a bag of Reese’s Pieces during the Halloween of 1991. I can still remember my mom buying the big bag of Reese’s Pieces and on the lower left hand corner there was the ad for the CBS special premiering that month with the “Mission to MARS” mascots front and center. It was a fine Halloween, with a great special that ran once on CBS and before disappearing into obscurity. Serving as a promotional film for the candy company MARS Company, “The Last Halloween” was a half hour movie about a small town named Crystal Lake with an economy reliant on their massive candy factory.
The Legend of Sleepy Hollow is one of my all time favorite folklore tales. It’s a creepy, weird, and unusual tale about a man who loses all the way through the end to supernatural forces. “The Legend of Sleepy Hollow” has gotten its massive share of adaptations ever since releasing, and it’s managed to appeal to many generations that can appreciate a good mystery
It’s a brand new era for the classic clan of weirdoes and eccentrics, all of whom get a chance to show a new generation how much fun they can be. I’ve always been a big fan of the Addams family since I was a child, as they always felt more genuine than the Munsters. While the Munsters spent their time trying to fit in to modern society, the Addams family always stuck true to who they were, and rarely ever changed their own rituals or style to fit some new standard of what normal is. They are who they are, like it lump it.
Laika has the ability to conjure up magic and unique premises that you can’t find anywhere else, and it’s why I think they’re bringing so much to the animation medium. While “The Box Trolls” isn’t their best title, it surely is a meaningful and heartfelt work of art that works as an entertaining allegory about the class structure and the idea of the dream of wealth and whether or not it can ever live up to our fantasies. Is there such a thing as too much? And it is really as ideal as we think?
When I was a kid whenever councils or committees tried to encourage kids to read, they always invented some kind of mascot, and for me it was Cap’n O. G. Readmore. Every Saturday morning after the cartoons, he’d show up to remind kids to read, and explain how much fun reading was. “The Pagemaster” has good intentions but deep down it feels disingenuous and an awful lot like a glorified Saturday Morning special turned in to a big feature. At barely eighty minutes in length, it’s a mediocre, dreary, occasionally boring film that you can’t help but feel like it could have been shown as a TV movie.
Joe Dante’s 1984 masterpiece “Gremlins” is that perfect hybrid of a movie and culture milestone that appeals to horror fans, and fans of Amblin and Spielberg. It influenced a whole sub-genre of monster movies, and serves a wonderful purpose as a Christmas movie and a horror movie. It’s also a perfect bit of gateway horror for blossoming fans that want to ease in to what kind of heights this genre is capable of. There are also the hallmarks of Dante’s films from the chaos and terror implanted in to the suburbs, and the always great Dick Miller.
Disney remaking their loose adaptations of classic fairy tales and folklore is their newest confusing trend, and as a behemoth of a corporation they’ll keep churning them out. Because they know audiences will go see them. “Aladdin” banks heavily on the nostalgia of the nineties much like previous Disney efforts. And like previous Disney remakes, “Aladdin” is fine. It’s just fine. I’ve yet to see a Disney live action remake that has completely outshone their original effort; compared to “The Lion King,” Guy Ritchie’s remake is mediocre, time filling fodder and that’s about the best compliment I can give it.