I’ve pretty much gotten over my immense hatred for the watered down reboot of the “Teen Titans” animated series. It’s here to stay, and I’m over it. So I approached the new big screen adventure with an open mind and rock bottom expectations. All things considered “Teen Titans Go! To the Movies” is a mixed bag. Sometimes it hits with some sharp, slick superhero movie and Hollywood satire and truly engaging protagonists. Other times it feels like the writers are running out the clock with goofy filler and distracting musical numbers.
The Wasp is one of the oldest, most important Marvel characters of all time (she was one of the original five Avengers), and she’s also someone who has been waiting in the wings for far too long. In “Ant-Man and The Wasp,” the heroine finally gets her due in a movie that’s about her legacy as much as it is about the Avengers, and Ant-Man, overall. After the two heavy meals that were “Black Panther” and “Infinity War,” Peyton Reed’s return to “Ant Man and the Wasp” is like a nice light after dinner sorbet. It’s a palate cleanser, it’s simple, and it’s quite good.
Leave it to Disney and Pixar. They have the stable of Marvel superheroes at their disposal and they approach “The Incredibles 2” not as a cash grab but a sincere look at the idea of superheroes in the modern era. Sure superheroes seem like a great idea in theory, but “The Incredibles 2” uses its concept as a means of exploring the world with superheroes and how it can have its definite upsides and crushing downsides. The first film had the concept of the idea of the meaning of being exceptional, our natural advantages, and how mediocrity has become the norm for society that only accepted stellar, once upon a time. “The Incredibles 2” takes it a bit further dissecting the need for heroes and whether self-reliance is the only thing we have in this world.
I didn’t think it was possible, but “Paddington 2” is just as good as the original “Paddington.” It doesn’t repeat the same beats from the original film, but expands on the world we engaged in when we first met the friendly bear. Director Paul King is back and could easily have suffered a sophomore slump with a sequel that was filled with redundancies and pandered to a more mainstream crowd, but thankfully “Paddington 2” stays true to itself, following the adventures of our good hearted bear as he attempts to spread love where ever he goes, and find the good in people.
I was never much of a big fan of the animated series or books featuring “Paddington” and it never quite crossed my path as a kid as much as Dr. Seuss or Curious George did. It’s a shame because “Paddington” is such a pure and wholesome hero whose good intentions always reward him time and time again. Too often do we see good intentions repaid with disaster, but in “Paddington” it’s refreshing to see a hero like Paddington attempt to do good and fall in to love, appreciation, and a bonafide family.
I was never actually a fan of movies where we have to follow an animal or group of animals as we follow along on their adventures. It never dawned on me that animals have such exciting lives and I was never interested In that sub-genre. Save for the “Homeward Bound” movies, but that’s a whole other discussion. “Benji” is considered a classic by many that also begat a ton of copycat films, and “For the Love of Benji” is the follow up that, I assume is intended for kids. It’s kind of dark, all things considered.
After ten years of dodging threats left and right and staring down world destroying villains all through time and space, the Avengers meet their greatest foe yet. Known as Thanos, he’s a warmonger and mad man who has waged pure battle against the concept of life, and seeks six gemstones to complete his gauntlet. Said gauntlet will grant him the powers of a god, allowing him to complete his ultimate goal for the Marvel Universe. Suffice to say that after every threat has been thwarted from Red Skull to Loki, Thanos is the most fierce and complex villain that the Avengers has ever met.
Spoilers after the Jump >>>