Shorts Round Up for the Week (12/1/18)

Most of the time we get such a backlog of short films and feature length indie films that we work hard to take them all on and review them before the year is up. In what we hope will become a new feature, “Shorts Round Up of the Week” is a column where we’ll be reviewing a round up of short films of varying quality.

If you’d like to submit your short film for review consideration, submissions are always opened to filmmakers and producers.

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The 20th Annual Animation Show of Shows (2018)

Opens at Laemmle Theaters in Los Angeles on December 14th, and at the Quad Cinema in New York City on December 28th. Learn More Here.

Since 1998, “The Animation Show of Shows” has been a small program line up that selects the best in animated short films from all around the world. It’s presented new and innovative short films to animation aficionados at animation studios and schools, as well as theaters in the US and around the world since 2015. 38 shorts since, went on to become Oscar contenders with 11 winning the Oscar. This year, “The Animation Show of Shows” is not bereft of diversity and bold new voices, and it’s all in all a riveting experience, with eyes on personal statements and meaningful ideas.

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Shorts Round Up of the Week (11/9/2018)

Most of the time we get such a backlog of short films and feature length indie films that we work hard to take them all on and review them before the year is up. In what we hope will become a new feature, “Shorts Round Up of the Week” is a column where we’ll be reviewing a round up of short films of varying quality.

If you’d like to submit your short film for review consideration, submissions are always opened to filmmakers and producers.

Continue reading

A Selection of the Shorts from Stranger With My Face 2017 [Stranger With My Face International Film Festival 2017]

Stanger With My Face International Film Festival is a festival that concentrates on female-make film, with a definite penchant to horror and life explorations.  Each edition brings current films and issues as well as older films and a bunch of shorts to their audience while also pushing them to think about some of the issues women face in life as well as in moviemaking.

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Iridescence (2017)

Director Max Beauchamp’s “Iridescence” is an excellent short film and one that we desperately need these days. Conveyed through motion, body language, and dance, “Iridescence” is the story of one family torn apart and destroyed by ignorance and misunderstanding. Relying on ace editing by Duy N. Bui and fantastic choreography, director Beauchamp tells the story of the tragic death of a wife at the hands of her husband one fateful night. Years later their son grows up confused about his own sexuality and is struggling to hide his affair with another man from his violent father.

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Glimpse (2016)

I don’t know how many audiences will click with “Glimpse” but for folks that can appreciate film as an experimental form of art with no real narrative, John Nicol’s movie is solid. It has no story and no dialogue and often time feels like some kind of music video, but it’s well made. Director Nicol seems to know what kind of movie he’s making, even if it’s never quite clear throughout the eight minute run time.

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Withdrawn (2017) [Slamdance Film Festival 2017]

Adrian Murray’s “Withdrawn” is like Gus Van Sant attempted mumblecore but decided to make it even more droning and monotonous. It’s kind of like performance art through and through, all testing our patience for the insanely mundane and minute, while character Aaron goes through his every day life literally doing nothing. About halfway he has some financial scheme planned to keep his rented room but that’s not the important element. It’s all about how tedious the film can get and if we’re willing to wait for our pay off, if it ever comes at all. Aaron fixes a fern. He looks up tutorials on trying to solve a rubiks cube, and even has a five minute telephone discussion where we only hear him talking to and responding to the individual. Yes, I get it.

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We Are the Flesh (Tenemos La Carne) (2017)

Emiliano Rocha Minter’s “We Are The Flesh” is arthouse, horror, fantasy, surrealism, experimental. It’s also droning, boring, and at barely eighty minutes goes on way too long. “We are the Flesh” begins as something of a post apocalyptic tale where two wandering Mexican teenagers find a demented older man living by himself in isolation as a hermit in a humongous building. Everyday he forages for resources, and makes new resources which he trades for food by some unseen entity behind a wall. The minute the pair finds him, they’re taken in to his bosom, and are dropped in to demented world that is either Eden or Damnation. Quite clearly, Emiliano Rocha Minter seeks to take all kinds of imagery and use it as a sense of multipurpose provocative metaphor and symbolism, and pretty much all of it is a chore to sit through.

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