It’s no surprise that, rather than a most established performer and actress like Scarlett Johannson or Christina Hendricks, director Steven Soderbergh sought out Sasha Grey for the lead role in “The Girlfriend Experience.” Grey had spent years making millions off building the fantasies of her male (and female) audience with dozens of notable porn movies, as well as building a humongous line of sex toys that promote fantasy fulfillment for an audience that want every piece of her. Much like Grey, “The Girlfriend Experience” is about the fantasy and the reality that we may not realize isn’t always enticing.
“Virtual Encounters 2” is from Surrender Cinema, one of Charles Bands’ sub labels that specialized in the type of movie you’d usually find on late night Fridays and Saturdays on Cinemax back in the nineties. It’s always a good sign when you enter in to a new movie and the first thing you see are a woman’s erect nipples. “Virtual Encounters 2” is the okay sequel to the okay original film. The sequel follows a new group of characters, setting down on two dorm mates at Midvale College. Mel has wet dreams about the girl of his dreams and is discovered by his roommate Sam who actually can score with women. Sam convinces Mel to attend an art class with nude models and Mel is shocked to see one of the nudes are the girl of his dreams.
Many Nikkatsu Roman Porno films tend to integrate sub-genres within their basic frame works of being soft core pornography. While their movies inject frames like crime thrillers, dramas, and romance comedies, every one of these installments garner some long and drawn out sex scene involving petting or molestation. The same can be said for Impulse Pictures’ “Nurse Diary: Beast Afternoon” which is from the Roman Porno library but is deep down a pinku version of a giallo film. Folks that are typically turned off by Nikkatsu films just may find this in their interest.
In case you missed it, here’s what has happened so far in “The Peepshow Collection” movie series: The first nineteen volumes were filled with a lot of adult porn performers having sex, and engaging in general sexual acts. The next volumes will likely have those events unfold, too. Now that you’re caught up, for folks that value this kind of nostalgia and once thought lost series of stag films and porn theater shorts, “42nd Street Forever: The Peep Show Collection Vol. 19” from Impulse Pictures is back to the basics once again. As always the volume, which clocks in at almost two hours, is split in to man on girl, girl on girl, and basic shorts with orgies, threesomes and the like.
You could see where David DeCouteau’s contemporary film list started, as “The Killer Eye” is no more a horror film as it is a fifty minute soft core porn with twenty minutes of story added. “The Killer Eye” looks like it was made on a bargain basement budget, and considering the limited scenery, it’s not hard to figure out that DeCoteau put his entire budget on the film’s titular monster. This movie probably introduced a lot of people to hentai for all we know.
From Showtime and Kino Lorber comes what is basically a fun primer of adult cinema for folks that might want to either re-visit the genre, or perhaps learn where to start their collection. “X-Rated” is a very R rated look at some of the greatest Adult movies of all time, and manages to interview many of the surviving cast members of films like “The Opening of Misty Beethoven,” “Deep Throat,” and the once very controversial “Taboo.” Its surprising to see how much involvement many of the cast members had in making these classic porn movies, and how affectionately a lot of modern adult stars discuss these movies with a lot of insight and enthusiasm.
Gregg Bishop adapts for the big screen one of arguably best segments from the “V/H/S” horror anthology entitled “Amateur Night.” The original segment was the most memorable of the bunch and was filled with tension, disturbing gore, and a very memorable final scene. Thankfully, “Siren” grabs on to most of the original short film’s aesthetic, including a lot of call backs to the original segment. Wisely, the director and studio re-cast Hannah Fierman who has a haunting beauty that most viewers really will have a hard time forgetting any time soon. What made “Amateur Night” so haunting was that Fierman could be oddly beautiful and shockingly horrifying at the drop of a dime. Here she invokes the same qualities, playing arguably the same character.
In a private burlesque parlor in Hollywood, performers and VIP clients face off with a zombie attack. Directed by Staci Layne Wilson from her own screenplay based on a story by Lony Ruhmann, Fetish Factory mixes burlesque dances and performers with end of the world and zombie tropes for a fun result. Staci Layne Wilson takes the zombies sub-genre that is all over the place lately and focuses it by bringing her personal touch to it and adding a varied group of beauties to fight them off. Granted, this in and of itself is nothing new (we’ve seen hotties and strippers fight zombies before) but her usage of actual burlesque performers and actresses adds to this in a way that changes from the usual boobs and blood route these films take.