Edgar Wright has proven himself to be one of the most unique and creative living directors today and the man has only honed his craft to deliver a great spin on a classic crime tale about love, and redemption. “Baby Driver” is a remarkable turn for Wright who creates a pulp masterpiece. “Baby Driver” is a powerful and emotional tale about a truly engaging protagonist who is sinking in to a world of violence and murder, and has no idea how to get out. We’ve seen movies about getaway drivers before, but “Baby Driver” works to the benefit of Wright’s strengths including dynamic characters, sharp humor, and amazing editing.
Fantasia International Film Festival is having its 20th edition this July and I am proud to say I have only missed 4 of them, the first one, 2006, 2012, and 2014. That being said, I’ve played catch up and seen some of the films from those years and can say without a doubt that Fantasia International Film Festival plays a fantastic selection of films from around the world, with a penchant for the odd, the weird,. And the often overlooked by mainstream movie goers.
Brie Larson has spent a lot of time in film, television, and music making many appearances on television shows, sitcoms, dramas, and even working with Disney every now and then. She’s also a very prominent musician and has managed to finally break out in Hollywood over the last seven years as a surefire heavy hitter. Working her way from supporting player in to headlining acclaimed award winning films, Brie Larson has earned her stripes as a bonafide dramatic actress who is now an Oscar contender.
We’re rooting for her to take the gold home come February, but even if she doesn’t win, she has so many more amazing performances up her sleeve, and her potential for future wins are limitless. Being able to make the transition from art house films to mainstream cinema easily, Larson is something of a chameleon prone to stealing scenes, and I’m glad she’s finally getting her credit.
Here are five of her best performances yet.
“Ant Man” seems like a stand alone superhero effort at first, but it fits comfortably in the pegs of the Marvel Cinematic Universe. It also introduces us to a wonderful superhero who, by all logic, should not have translated in to such a great film. Surely enough, with a script by Edgar Wright (and various others) and an excellent cast (including a welcome Hispanic presence), “Ant Man” is one of the best adaptations of Marvel’s Phase Two in their Cinematic Universe. Like every hero in the Marvel Universe, “Ant-Man” is just an average man thrust in to great circumstances, and he has to earn his stripes as a crime fighter while overcoming his own flaws and insecurities.
If you haven’t seen “Spaced,” the odds are you’re missing out on the final puzzle that will cement you as a fan of Simon Pegg, Nick Frost, or Edgar Wright. The UK series was a massive hit for two seasons, and fifteen years later it still has a major following today. Many of the series’ stars went on to huge things in America and their home countries, including Simon Pegg, series director Edgar Wright, Nick Frost, and Jessica Hynes.
Fifteen years later, the show is still fresh, hilarious, and worth the hooplah it garnered when it finally arrived to the US a few years ago. It’s never too late to explore “Spaced,” so here are five essential episodes you should look out for while coasting through its fourteen episode run.
Director Edgar Wright finishes his “Cornetto Trilogy” (the first two being “Shaun of the Dead,” and “Hot Fuzz”) finally with “The World’s End,” a film very much in the tradition of the first two installments. Wright and co. dwell on the prevalent themes that have fueled the first two stories. They’re tales about xenophobia, alienation, conformity, coming of age, the fear of progress, and the dangers of nostalgia. Much in the way Woody Allen did with “Midnight in Paris,” director Wright warns about nostalgia and how our memories can lie to us and become a crutch, preventing us from growing up and moving on with our lives.
“Scott, if your life had a face, I’d punch it.” – Kim Pine
The stellar Edgar Wright has finally made it to the American shores by way of a cult series of graphic novels and in typical Wright-fashion, he’s not prone to just making any movie that would appeal to an audience of the PG-13 sector. “Scott Pilgrim vs. The World” is self aware. It’s so self-aware it’s aware that it’s self-aware and makes its audience aware of its self-awareness by reminding us of its self-awareness with an often self-aware sense of humor that very few will get. Leave it up to Wright to make a broad mainstream teen film that will only appeal to a cult audience as “Scott Pilgrim vs. The World” is basically about the modern generation. It’s pure unadulterated pop culture overload with ideals that are simplified and set to the tune of classic video games.
Take the attempted humor and characterization of “Shaun of the Dead,” the central plot behind the second half of “Night of the Creeps” and team it with “Return of the Living Dead” and you have yourself a sick and rather amusing little hybrid known as “Dance of the Dead” yet another zombie movie that branches off from Simon Pegg and Edgar Wright’s universe and tries for the same comedic momentum with a modicum of teen angst that doesn’t always work, but is nonetheless a fun indie romp. Let’s face it, the zombie genre is all but a skeleton of itself but that doesn’t mean director Gregg Bishop doesn’t give it the old school try by making his version of the Pegg-Wright romzomcom.