Just in time for “Women in Horror Month,” Andrew Fleming’s “The Craft” is one of those movies that’s gained some heavy cult momentum over the years, and for good reason. Even with the nineties aesthetic, “The Craft” has aged quite well offering up a mature genre picture that begins as a coming of age supernatural drama and gradually transforms in to a horror film. There just aren’t films like “The Craft” anymore, and that’s a shame, since Andrew Fleming offers up a unique tale of good and evil, and power corrupting absolutely.
I first saw “The Legend of Billie Jean” on Television when I was nine years old on my favorite network WPIX Channel 11 in New York. This was a time when I had no cable, so my only movie entertainment were the edited for time, pan and scan films from the eighties that were also cut for adult content and language. In either case, “The Legend of Billie Jean” became an instant favorite and it’s remained one of my favorites for a very long time. Now with a Retro VHS re-release from Mill Creek, I thought I’d ponder on my favorite memories with what I consider a classic from 1985.
It’s pretty disappointing that the Academy almost cut out the entire Live Action short category this year for the Oscars, as there are so many wonderful short films nominated. There are five pretty fantastic short films with strong messages about childhood and loss of innocence, and I hope now that they’re back in the broadcast, that audiences get a chance to watch and celebrate them.
When I was a kid I was heavy in to the mythology of Arthurian lore. Everything about King Arthur and the knights of Camelot drew my immediate attention and fascination. I spent a great three years learning everything that I could about that era. As a kid if I’d have seen Joe Cornish’s “The Kid Who Would Be King,” I’d have left the theater with a humongous smile on my face and anxious to learn a lot more that was available in the libraries. Joe Cornish has a particular love for making heroes out of underdogs and the least suspecting people you’d come across, and he carries that trademark in to his newest film.
“Instant Family” was one of the biggest surprises of 2018 for me. It seemed like a goofy vehicle for Mark Wahlberg to soften his image at the time, but it surprisingly ends up being one of the best drama comedies of the year. It’s not only such a funny and sweet film, but it’s also a remarkable testament to how much society under values and under appreciates foster parents, and the good they can do for children. While imperfect at times, director Sean Anders approaches the tale of the foster family with immense respect, and delivers a film that really did have me laughing, crying, and ultimately satisfied.
With the 91st Oscars airing on February 24th, I’ll be going over the trio of short film topics and their nominees leading up to the premiere. With short films often getting overlooked (Live Action Shorts was cut from this year’s broadcast and then re-inserted after big protests) I was interested in checking out the Oscar caliber shorts making the list. It should be noted that most of the animated shorts are directed by women this year, which is refreshing. Here is the list and the short I hope wins.
As a preamble I admit that I’ve never liked the “Kim Possible” animated series. I know as a Disney fan I’m supposed to love it, but I always found the series to be incredibly flat, bland, and boring. I didn’t really care for anything about it beyond Will Friedle who, at the time, was my favorite voice actor. That said, when “Kim Possible” was rebooted in to a TV movie series, I was surprised by how new and re-energized the reboot looked. Though “Kim Possible” is back, she’s returned for a whole new generation of fans that have embraced heroines fighting crime.
I was thoroughly surprised with 2017’s “Happy Death Day.” The more I’ve thought about it and re-watched it, I’ve come to like it more and more as a horror reworking of “Groundhog’s Day.” It’s a fun and creepy character piece about a despicable young woman who realizes that maybe the way to keep herself from dying and end the cycle of re-living the same day over and over, is to think about other people in her life. “Happy Death Day 2U” is that same concept, but a wholly different movie. It’s a sequel that brings us a new angle of the narrative, expands on the concept of the original film, while also continuing to explore the character of Tree Gelbman.