This week we have seven stellar short films from around the world including Asia, Hungary, and The Ukraine, as well as one from prolific indie filmmaker Patricia Chica. Some of the shorts featured have competed in Cannes this year, and all deal with some kind of interesting and very widely discussed social theme including LGBTQ Pride Month. Look for these excellent films when you can. If you’d like to submit your short film for review consideration, submissions are always opened to filmmakers and producers
With Disney’s acquisition of Fox Studios and many more of their Marvel properties, the Fox Studios “X-Men” franchise is done. It’s over. There’s no ifs, ands, or buts about it. With “Dark Phoenix,” Simon Kinberg tries to exercise the feeling of finality for an era that began in 2000. The problem with “Dark Phoenix” is that while the pieces are all there for a slam bang exciting finale, it’s a sequel that basically takes “The Last Stand” and tries to remake it in to something decent. And it fails, for the most part.
We’re in the thick of pride month (Go see “Booksmart”!) and as many online entities and blogs celebrate the month, we’re naming five of our personal favorite LGBTQ films of all time. They’re ordered by year, as I have a hard time naming my favorite of the sub-genre. These are only some of the many excellent titles, of course, as there are some banner films like “Brokeback Mountain,” “Jeffrey,” “The Bird Cage,” “Hedwig and the Angry Inch,” “The Perks of Being a Wallflower,” and so much more.
Feel free to let us know what some of your favorite LGBTQ films of all time are, and celebrate with us. Happy Pride Month.
Writer Paul Rudnick walks a fine line with “Jeffrey” as he balances comedy and drama with his stage play and film. “Jeffrey” has every opportunity to be melodramatic or cheaply exploitative, but it instead manages to find a way to laugh through tears and fears. In 1995 America was still basically in the midst of the AIDS epidemic with the government doing just about nothing about it, so “Jeffrey” examines the relative fear and terror behind it.
I’d almost be willing to bet money that Warner is planning a big deluxe boxed edition of “A Star is Born” for Christmas or perhaps the new year. Until then, fans of “A Star is Born” can double dip or opt for either edition that’s been released. While the original release is very good with some interesting extras, The “Encore Edition” is an okay release if you want the extended edition and a lot more material with what is an already great film. You can’t go wrong with “A Star is Born,” a wonderful remake that managed to be the best musical of 2018, bar none.
“To Wong Foo” was an especially curious film for me when I was twelve as I was admittedly not at all aware of what Drag Queens were. All I knew about “To Wong Foo” then is that it starred three of my favorite movie stars dressed as women. While the trailers completely advertised the film as men who dress as women for some kind of action oriented premise, I was surprised that it was a lot better than that. “To Wong Foo” isn’t a masterpiece, but through and through it’s a charming and funny drama comedy about acceptance, and enduring through pain.
If you’re looking for a double feature from Mill Creek Entertainment bound to save you some dough and allow for a neat night of blubbering and familial melodrama, you can’t get better than the new double feature from the company. Although both films have been released ad nauseum, Mill Creek Entertainment has the perfect double feature that will likely make a pretty good addition for future Mother’s Days. While bereft of bells and whistles, it’s a good value for folks that enjoy this kind of drama.