I’m very disappointed that it’s taken me so long to watch “The Ballad of Gregorio Cortez,” a Robert M. Young Western drama that has gone shockingly under mentioned for years. A mix of “The Ox-Bow Incident” and “Rashomon,” in many ways it’s a very history accurate and groundbreaking example of the genre. Young’s drama pictures a hideous crime and paints it in the shades of people’s prejudices and how we can perceive certain events when emotions and biases play a big hand.
I think the time for Slender Man to become a modern horror icon has passed. He had his period after 2009 where he rose to popularity as a genuine boogey man so authentic people still believe there’s a basis of truth behind his creation. I think with horror moving at such a fast pace, we likely won’t see a good Slender Man movie at all. Which is a shame, because Slender Man could be fodder for how horror and technology has evolved, but now he’s just a fourth tier movie monster behind Jigsaw and Bughuul from “Sinister.”
I’ll admit again and again that post apocalypse movies are my sweet spot in regards to genre cinema. I eat movies about survival after the end of the world with a spoon and am hardly ever let down. “What Still Remains” as far as its concerned is fairly standard post apocalyptic fare. It by no means re-invents the wheel with its narrative and characters, but at times it doesn’t seem like director and writer Josh Mendoza is trying to. In the end I was more impressed by what Mendoza does with his lead heroine more than anything, and I’d love to see Ana return once again in another movie of this ilk.
The thing about RKSS’s latest eighties inspired genre offering is that it’ll poke all the right nostalgia cords with audiences. There’s so much eighties ephemera, that it’ll be difficult not to be charmed by it. But deep down beneath the “Cruel Summer” music cues, and giant camcorders beats the heart of a vicious, mean spirited and dark murder mystery that was often unpleasant and kind of dull. To admit that isn’t easy as I loved RKSS’s “Turbo Kid” and anxiously wanted to see what they would do with a murder mystery. But while you might get shades of “Stranger Things” here and there, the movie itself is pretty crappy.
While on a shoot with a German director, actress Mabel tries to better her craft and herself while also attempting to connect with her co-star, a disfigured man who has a very different outlook on life and acting.
I’ve seen the frame work for “Rear Window” tacked on to a lot of genres, from murder mysteries, vampire movies, werewolf movies, Bigfoot movies, and so much more. I don’t know if I’ve ever seen Hitchcock’s “Rear Window” turned in to a gangster thriller before. Director Nosipho Dumisa definitely has her eyes aimed at Alfred Hitchcock’s murder mystery masterpiece, but thankfully while the film is pretty much an homage (or remake, perhaps?), “Number 37” definitely manages to stand on its own as a stellar thriller in its own right.
Following a mysterious death, a scientist is brought in to hopefully rule it as an accident. As he does his research, a police detective desperately wants to rule it as a homicide. Mixed up in the middle of it all is a teenager with what looks to be psychic powers and her friend who has disappeared. What will they all find once all is said and done?
A WWII veteran is minding his own business, living his life, and reminiscing about the past. Shortly after being mugged, two governmental officials come request his help in finding and eliminating a major threat to the population. As he searches for his legacy and what he stands for, he decides to go and help them with this one last mission.