It’s not too often that a movie title can take on so many meanings as a narrative unfolds, but director Ilya Naishuller manages to pull off what might be one of the more entertaining play on words of the year. “Nobody” is a pretty excellent film that, while it doesn’t re-invent the wheel, does a lot with the numerous resources on hand to create a thrilling action film that’s darkly comedic, satiric and presents an interesting conversation about the antiquated concept of the nuclear family.
Director Kristian Mercado Figueroa’s short musical is a brilliant and excellent look at the end of the potential creeping end of the American territory known as Puerto Rico. Though fiction, Mercado brings to light the very troubling developments that could change how Puerto Ricans connect to their homeland. In the near future, the raw land of Puerto Rico has been destroyed in favor of a futuristic dystopia now known as Nuevo Rico.
It’s not often that we get crime thrillers that unfold in real time, but Josh Becker’s indie “Running Time” takes a shot and does a great job of it. “Running Time” is true to its word, a movie that unravels over the course of a little over an hour, and the run time for the narrative is apt. The movie is not too long, refusing to pad the story, buts it’s never too short to where we’re left asking questions. It runs a good pace as a tense drama that feels kind of like a prologue to “Reservoir Dogs.” Campbell is stellar and the movie almost makes it to the finish line without a hitch. Almost, but not quite.
After years of working with Spike Lee, Director Ernest R. Dickerson was ripe to deliver some of his own films with taut social commentary. Out of his entire career, “Juice” is easily one of his best, if not his absolute best. While it’s not quite as darkly satirical as Spike Lee’s films tend to be, “Juice” is very much ahead of its time. It’s very much about economic impact on minority teens, and the idea of toxic masculinity. “Juice” is mainly seen as a crime drama, it’s also about boys growing up in to men and trying to figure out exactly where they fit in.
Early 1970s England, a young woman is hired as a nurse and put on the night shift while local miners on strike turn off the power. What she finds in the darkness of her new job is something that she may not be able to leave behind.
When I was a wee movie loving lad, I was big fan of Christian Slater. I thought he was such a cool character and everything he was in I would seek out. Everything from “Hard Rain” and “Broken Arrow,” to “The Wizard” and—yes—even “Mobsters.” Remember “Mobsters”? Imagine “St. Elmo’s Fire” but with violent Italian mobsters. In either case, many of Slater’s films have stayed a favorite of mine, including “Pump Up the Volume.” The film just garnered a deserved release on Blu-Ray and in celebration, I just had to compile my top five Christian Slater movies.
Hollywood has an erratic history of adapting Tennessee Williams’ provocative dramas to the big screen. On this episode of “The Online Movie Show,” actor/writer Kevin Dolan offers an invigorating insight on the film classics and flops based on the Williams canon.
Director-Writer Brian Metcalf brings with him a strong crime drama that he hands over to a wonderfully seasoned cast of character actors. While a movie like “Adverse” could have stumbled right out of the gate, it manages to only improve by the time the movie has closed and ends as a sharp crime thriller. It’s a bold mix of “Taxi Driver,” and “Drive,” with a nigh unrecognizable Thomas Ian Nicholas staring.