A young woman is given the ok to remove her burka to pursue her dream of becoming a professional cricket player. As she fights to get her dream in one way or another, her sisters also fight to get their lives to where they can be happy. As challenges and problems keep coming, they keep fighting to get the best lives they can, even against all odds at times.
Now with the acquisition of FOX studios by Disney, X-Men is set to have a new renaissance in film and the media and “Chris Claremont’s X-Men” is available to audiences and comic book fans in a brand new feature length edition. Director Patrick Meaney adds over thirty minutes to his biography of Chris Claremont, featuring brand new interviews, extended interviews and even insights in to the franchise. From the comics, to the animated series, and movies, both old and upcoming, we manage to garner some keen and interesting looks in to the mind of Claremont, the man who made the X-Men as we know it.
As with every single year, we try to cover as much indies as possible, but we just never have the time to see them all, sadly. As with previous years, this top five comprises five of the best indies I saw all year. It’s not to say the films that didn’t make the list are terrible films, or that the films the other writers on Cinema Crazed enjoyed aren’t good, either. This is merely my own subjective list of five independent films I highly recommend to you that I saw this year. It’s good to remember this is opinion, and not gospel.
If you want to see what films the Cinema Crazed collective consider A+ Indies, visit the link included!
Also, be sure to let us know some of the best indie films you saw all year!
I vividly remember watching “Rockin’ with the Chipmunks”back in the very early nineties where I recall loving the scenes of Alvin dancing along with Michael Jackson to “Beat It” and “Smooth Criminal.” Mostly a cash grab for the fans, “Rockin with the Chipmunks” is a brief history of the novelty group, spliced in with comedy skits and the members singing vintage rock and roll in their modern animation. The animation for the most part is dicey and fuzzy at best, allowing for a hazy series of music videos, but back then if you were a Chipmunks fanatic, you didn’t care.
There isn’t much of a love or respect for the hippy culture in “Revolution” which is consistently referred to as the beatnik culture with a lot of derision on the tone of various interviewers. While the idea of free love and peace from war still continues on in this documentary, “Revolution” focuses on the folks that are merely just kind of parasitic and miss the point as a whole. One of the big images that sum up the entire message of the film is the title “Revolution” sprawled across the screen while angelic and thick headed hippy Today Malone lies in a field fast asleep and high on whatever she’d taken the night before. “Revolution” is kind of a mixed message of a film, based around psychedelic imagery and large interludes of great hippy rock music.
Judith Pyke’s documentary, which was originally presented as an episode on the long-running CBC Television series The Nature of Things, highlights the groundbreaking research conducted by the BC Cancer Agency in Vancouver on Personalized OncoGenomics (POG), an experimental treatment for individuals with incurable cancer.
Nick Romi is one of the most exciting new talents in today’s independent film scene. On this episode, we highlight his new feature documentary, “Danger Boys: Punks in Osaka,” and learn about the challenges of shooting this Japanese-based nonfiction music production.
“The Online Movie Show” is produced at the Platinum Wolfe Studios.
After their horror film Mon Ami inspires someone to send them a video, filmmakers Rob Grant and Mike Kovac decide to explore what makes someone kill and the responsibility of filmmakers in how their films influence violence in people.