The problem with big screen adaptations of big television shows is that the commercials can sometimes save a tanking episode. Commercials can break the monotony and sometimes give the audience a chance to regroup. While “Impractical Jokers: The Movie” can benefit from an ad break or two, struggling to keep the energy well in to the hour mark, it’s a very good extension of the hit TV show.
Even if it’s niche cinematic affair for the fans like me that watch the series religiously.
BOOTLEG FILES 719: “The Great Radio Comedians” (1972 documentary featuring George Burns, Jack Benny and Edgar Bergen).
LAST SEEN: On YouTube.
AMERICAN HOME VIDEO: None.
REASON FOR BOOTLEG STATUS: It seems to have fallen through the proverbial cracks.
CHANCES OF SEEING A COMMERCIAL DVD RELEASE: Unlikely.
From the late 1920s into the late 1940s, Americans relied on radio for their home entertainment. There was a wide variety of original programming to choose from, but many listeners gravitated to the weekly comedy series. Considering the heyday of the medium coincided with the grim years of the Great Depression and World War II, the comedy shows offered much-needed happy distraction from the problems and crises taking place across the country and around the world.
When Victor Gruen invented the mall, it’s explained that he envisioned them being small metropolitans allowing people to commune and live. They became tax shelters and giant symbols of American consumerism until finally suffering slow deaths in the aughts. “Jasper Mall” is a somber and engaging tale of one of the last dying mega malls in America that is suffering a slow, painful death and is resuscitated, ironically, by the loyalty of its patrons and the sense of community that’s attracted to what was once a pantheon of consumerism.
I’ve been an animation nut ever since I was a kid, and it was tough to find varieties of animation since in the nineties it was a steady diet of Disney and Disney only. I was never really aware of the vast possibilities of the medium well into my early adulthood. “Spike & Mike’s Sick & Twisted Festival of Animation” is an event I would have loved to attend early in to my teens, if only to verify that there’s so much more you can do with the medium beyond singing animals, and fairy tales. “Animation Outlaws” is a very niche documentary but an outstanding film that will also speak to all kinds of fans of film and animation.
As with every single year, we try to cover as much indies as possible, but we just never have the time to see them all, sadly. For the first time ever, we’ve separated our five choice Indies in to Feature and Shorts categories. This will be five indie films we loved that are short format and feature format.
It’s not to say the films that didn’t make the list are terrible films, or that the films the other writers on Cinema Crazed enjoyed aren’t good, either. This is merely my own subjective list of five independent films I highly recommend to you that I saw this year. It’s good to remember this is opinion, and not gospel.
If you want to see what films the Cinema Crazed collective consider A+ Indies, visit the link included!
Also, be sure to let us know some of the best indie films you saw all year!
Here is something that you don’t see every day: a documentary that gets its facts wrong.
Viewers with little knowledge on the history of sound technology in filmmaking are advised to stay away from Midge Costin’s feature, which gives a cockamamie overview of the audio aspects of the cinematic experience. Costin appears to be under the impression that movies were completely silent between Edison’s failed sound film experiments of the late 1890s and the Warner Bros. releases of “Don Juan” and “The Jazz Singer” in the late 1920s – in reality, there were numerous experiments taking place to create the so-called “talkies,” and many of these works still survive and are widely available for review.
Linger on Youtube for a little while and you’ll likely find at least fifty toy collectors and or pop culture buffs that have a slew of videos looking back at classic toy lines and franchises. What makes “Toys That Made Us: Seasons 1 & 2” such a unique series is that it attempts to offer up much more than memories. Creator Brian Volk-Weiss’s series could very well have fallen back on pure nostalgia, but instead opens up the scope of these world changing toy lines. There’s deeper insight, stark truths about how and why these toys were created, and a look in to the business of it all.
In 1988 my kindergarten class was having a Halloween party with just the class immediately after lunch. It was a very exciting experience for me considering I’d never done anything like that before. At the time we couldn’t really afford elaborate or huge costumes, so my dad bought me a generic mask in a box with the classic plastic smock. I was a mutant. So for a few Halloweens we opted for the sweaty plastic mask with no peripheral vision, and odd smock. That is until they were phased out. For years one of the highlights of Halloween was seeing the rows of boxes of plastics masks and smocks for various characters from Superman to Popeye.