Documentary filmmaker Chris Metzler has given audiences a look into strange and fascinating subjects through his productions “Plagues and Pleasures on the Salton Sea” (seen in the above photo), “Everyday Sunshine: The Story of Fishbone” and his new release “Rodents of Unusual Size.” On this episode of “The Online Movie Show,” Chris discusses his distinctive approach to nonfiction filmmaking.
BOOTLEG FILES 685: “Wings Over Everest” (1934 Academy Award-winning documentary short).
LAST SEEN: One YouTube.
AMERICAN HOME VIDEO: None.
REASON FOR BOOTLEG STATUS: A forgotten work.
CHANCES OF SEEING A COMMERCIAL DVD RELEASE: Not as a standalone film.
Everyone knows that Edmund Hillary and Tenzing Norgay were the first men to reach the peak of Mount Everest with their landmark 1953 expedition up the Himalayan mountain. However, most people are unaware that they were not the first men to see the top of the world’s highest mountain. That achievement belonged to a 1933 aerial expedition led by Sir Douglas Douglas-Hamilton (also known as Lord Clydesdale) and Lieutenant David McIntyre. Sadly, that accomplishment has been mostly forgotten today – except for Academy Award completists who know about the expedition through a short documentary called “Wings Over Everest.”
Rachel Lears’ political documentary “Knock Down the House” might appear to be a documentary exploring the campaigns of a group of women that sought to win positions in the House in Washington, but deep down it’s about hope. For too long, America has been convinced that frankly only established politicians and those within inner circles can claim positions of power. “Knock Down the House” shows how four women rose from obscurity to shake up the government, and how Alexandria Ocasio Cortez rightfully won her position as congresswoman.
For this week’s Shorts Round Up, we check out some great shorts including two animated experimental films one of which by film students, a thought provoking science fiction drama, and a riveting human drama.
If you’d like to submit your short film for review consideration, submissions are always opened to filmmakers and producers.
“Never-Ending Man” is a meaningful documentary that explores the thoughts and ideas of Hayao Miyazaki that we can’t really find anywhere else. While some may go in to this expecting a more biographical and fluffy film about the man and his life, Kaku Arakawa seeks to give us more of a thoughtful and subtler peek in to the man, who is late in to his career and his life.
If you’re looking for a wonderful companion piece to the upcoming feature film adaptation of the infamous book trilogy “Scary Stories to Tell in the Dark,” Cody Meirick’s documentary “Scary Stories” is a great refresher course for fans. It’s also a wonderful look at how history repeats itself, with the elementary school touted horror anthology nearly suffering the same amount of censorship and hysterical panic that EC Comics endured decades before its release. It’s a fascinating but nasty bit of history repeating itself, but history also learning from itself, as well.
One of the best movies about the American Drive-In that I’ve possibly ever seen, “At the Drive-In,” is a wonderful documentary directed by Alexander Monelli that embraces and celebrates everything that’s so enchanting about the drive-in. It’s also a testament to the love and commitment that movie buffs are capable of, even in the face of financial dire straits and a changing climate of pop culture. Drive-Ins have become something of a memory of American pop culture and in the new generation is a community that has struggled to stay alive. One of the few standing is the Mahoning Drive-In in Pennsylvania.
I was one of the many people that tuned in to see “Millennium” when it premiered on FOX television back in 1996. When I was thirteen any horror show would catch my eye, but I eventually tuned out after a few episodes. Years late “Millennium” is a widely celebrated cult classic television series that never caught on as much as its sibling predecessor “X-Files.” While the former embraced science fiction and horror, “Millennium” delved mostly in to the occult and horror, and never quite sought out to inspire hope within its viewers.