Yet another year, yet another series of Oscar nominations where the nominees are somewhat obvious, and the usual suspects. Despite the Oscars’ consistently low ratings, the nominations remain much discussed until the night of the big ceremony, and this year the Academy locked out some considerably great performances by minority actors. This is five great Performances by People of Color that the Academy ignored.
2019 was a surprisingly very good (and busy!) year for pop culture and film. Everything was so breakneck and speedily delivered that it was impossible to keep up. I wish I could have watched all the films I had planned for this list, That said, I did manage to see so much that I had a tough time compiling a definitive top ten. 2019 had so many surprises for movie fans of all kinds and these are ten films from 2019 that made the cut of the top ten for me.
What were some of your favorites? Let us know.
I spend a lot more of my time looking for movies I want to see these days, so admittedly I was able to dodge a lot of awful films in 2019. With the abundance of avenues to new movies it’s nearly impossible for one person to view it all, so out of the movies I was able to catch in 2019, these are five of the absolute worst that were unleashed on movie goers and movie buffs. Excluded but genuinely considered for the list were The Reliant, Men in Black: International, 47 Meters Down: Uncaged, Netflix’s Rim of the World, The Haunting of Sharon Tate, Long Shot, Kiss Kiss, and Dark Phoenix.
What were some of the worst from 2019 for you?
Disney remaking their loose adaptations of classic fairy tales and folklore is their newest confusing trend, and as a behemoth of a corporation they’ll keep churning them out. Because they know audiences will go see them. “Aladdin” banks heavily on the nostalgia of the nineties much like previous Disney efforts. And like previous Disney remakes, “Aladdin” is fine. It’s just fine. I’ve yet to see a Disney live action remake that has completely outshone their original effort; compared to “The Lion King,” Guy Ritchie’s remake is mediocre, time filling fodder and that’s about the best compliment I can give it.
Over twenty five years later, “Aladdin” is still one of the best animated films of the Disney golden age of the late eighties and nineties. Whether it’s on the big screen or the small screen, Jon Musker and Ron Clements’ adaptation of the original series of fantasy tales is engaging, and fun, but also excels in its simplicity and accessibility. Aladdin is also one of the most underrated Disney heroes in their staple, it’s a shame he doesn’t get mentioned too often.
Jon Favreau’s “The Lion King” is very much like Gus Van Sant’s “Psycho.” It’s a glossy, new setting, with a bold new cast, but when you cut right through the nostalgia lenses, it’s basically the same movie all over again. “The Lion King” doesn’t leave a lot of room to surprise its audience, as it basically plays it safe and copies the original film almost verbatim. Why watch a remake of “The Lion King” when you can simply stay home and watch the 1994 original? I can’t think of much of a reason, save for the all star cast.
BOOTLEG FILES 677: “3 Days in the County Jail” (1976 nontheatrical short film distributed by Walt Disney Educational Media Company).
LAST SEEN: On YouTube.
AMERICAN HOME VIDEO: On a gray market DVD with other imprisonment-related short nonfiction films.
REASON FOR BOOTLEG STATUS: Never made available for commercial home entertainment release.
CHANCES OF SEEING A COMMERCIAL DVD RELEASE: Nope.
Back in the mid-1970s, when Walt Disney Pictures was stuffing theaters with such happy nonsense as “The Apple Dumpling Gang” and “Escape to Witch Mountain,’ the company’s nontheatrical subsidiary Walt Disney Educational Media Company was attempting to convince America’s youth that crime didn’t pay. Through a four-part series called “Under the Law,” the sons o’ fun at the mouse factory offered a grim and gritty – at least by Disney standards – view of the mishaps that befell naughty young people who thought they were above and beyond the reach of law enforcement.
BOOTLEG FILES 676: “Nimbus Libéré” (1944 propaganda animated short).
LAST SEEN: On YouTube.
AMERICAN HOME VIDEO: It was included in the 1993 Claude Chabrol documentary “The Eye of Vichy.”
REASON FOR BOOTLEG STATUS: Unauthorized use of copyright-protected animated characters.
CHANCES OF SEEING A COMMERCIAL DVD RELEASE: It is in “The Eye of Vichy,” but it is also posted online without authorization.
By early 1944, Nazi Germany saw its control over Europe weaken dramatically due to Soviet advances from the East and the arrival of Allied forces into Italy. An invasion of France was expected, and the Germans were not eager to see their brutal control over the French removed.
In one of the weirdest attempts to convince an occupied nation that they should not welcome liberation, the German authorities commissioned an animated short designed to show the stupidity and recklessness of the liberating Allied forces.