In celebration of Women in Horror Month (now defunct unfortunately) Fatally Yours ran a series of articles focusing on the women of horror from guest contributors. Articles ran the gamut from spotlighting women authors, women filmmakers, female characters in horror films, scream queens, horrific artists and more and ran every Friday in February 2011. This was my contribution and dedication to horror bombshell Diora Baird. This article prompted a response by the Queen herself on Twitter thanking me.
John Lennon and Yoko Ono once presented a performance art routine that was most unorthodox. What they did was completely cover themselves from head to toe with a white amorphous body cover, and explained that the cover is meant to explore how human beings have biases whether they know it or not. Hearing a person talk without indication of their physical appearance is a much more interesting way of getting to know someone, especially when youâ€™re not noticing blemishes, body language, and race. If we could listen instead of judge, weâ€™d be able to learn so much more.
Like pretty much any documentary involving the video age and golden age of horror “Screaming in High Heels” is a love letter to the genre, and a requiem for a period of horror and filmmaking that is dead and buried. Granted there is the occasional Danielle Harris and Diora Baird, but the facet of the scream queen is defunct, thanks to a new wave of horror directors who feel they’re above such elements. Scream Queens were once upon a time a big lure for potential horror audiences to a new title. Director Jason Paul Collum sets the spotlight on three of the most beautiful women to ever rule the horror world, and examines the highs and lows of being a scream queen.
One thing about “Young People Fucking” that I detested was that it’s really just pseudo mumblecore, when all is said and done. And if there’s one thing I hate it’s mumblecore. I hear enough people blathering on about nonsense day in and day out, I would actually like dialogue with purpose in films. “Young People Fucking” is pseudo mumblecore that really explores the plight of the young hot blond sexy folks of California. Oh no, they’re a dying breed, aren’t they?
Leeroy: I’m pretty sure god would consider it a sin not to glorify that ass!
2008’s “Grindhouse” did not by any means revive the infamous double bill in movie theaters mainly because audiences attention spans are slim to nil. But on the bright side, the massive financial failure did breed a legion of indie and under ground filmmakers who would for many years re-invent the mock grindhouse movie trailer we saw displayed during “Grindhouse.” Subsequent the success of “Machete,” and “Hobo with a Shotgun,” every single filmmaker with a wild imagination are concocting their own mock grindhouse trailer. The Black Keys “Howlin’ for You” can now be seen as an exclusive music video where the group not only touts their fantastic rock song but also tells the tale of Alexa Wollf and her journey for vengeance!
I’ll be the first to say that a remake of “Night of the Demons” is pointless. While it is considered a mild classic among horror geeks who remember the video age, that’s about as far as we can go from calling it a classic. It’s a fun party movie. This inane 2010 remake is more brand name exploitation than a remake. Sure it’s called “Night of the Demons,” and features some rather forgettable nods to the original (Diora Baird does a memorable variation of the lipstick-nipple scene, though), but it’s not entirely a remake. In the end though even admirers of the original 1988 horror film (all five of you!) may be able to gladly place this as a companion piece to the original and have some fun with its eighties trash horror comedy style that is never afraid to poke fun at itself but is also never above creeping the audience in to submission.
Comedy… especially horror comedy, is almost impossible to pull off. As the Wayans brothers can attest to, there’s only so much material to be mined until you’re pretty much just tapping the same old cliches for an audience that has seen it a thousand times over since the eighties. If “Scary Movie” proved anything, it’s that horror spoofs are quickly forgotten and easily aged especially when fads in horror comes and go faster than style in America. By the time “Scary Movie” was released, the whole “Scream” phenomenon was tired thus the Wayans were already three steps behind. “Stan Helsing” is an attempt to combine all the classic tropes while also bringing an actual narrative to the audience. Oddly enough while it’s not a good film by any means, it’s also not the worst spoof ever put to film.