I have to say that I hate that I didn’t like “Attack of the Demons.” Throughout its merciful seventy five minute run time I anxiously tried to love it, and wanted to recommend it thirty times over. But by the end, while I appreciated its approach and concept, it’s really just a dull demonic thriller in the end. There might be a new way here to tall a story, but it’s by no means a novel take on the premise of a demon apocalypse by Eric Power.
Full Disclosure: Although Mill Creek Entertainment sent us a copy of “The Jackie Chan Adventures,” the opinions expressed are 100% honest and our own.
Jackie Chan seemed almost fit for his own kids show. While the international action movie star was in fact known for a slew of iconic movies that continue to win the hearts of movie buffs to this day, Jackie Chan’s methods of self defense always made him look like a walking, talking cartoon character—but, you know–deadly. To tap his ever-rising popularity, the WB network eventually gave him his own animated series for kids. Unlike other action stars, it seemed like a natural fit that wouldn’t alienate any of the fan base including the action aficionados. Basing a show on a hero that avoided getting hit as well as avoiding actually hitting his enemies was a breath of fresh air, and it seemed like Saturday morning kismet.
“The Conjuring” movie universe has been a horror lovers dream, but sadly a mixed bag of movies that all interconnect in some form. The core movies that started it all are fantastic, while the rest have been either abysmal or mediocre. Thankfully, there was still some momentum in the popularity of Annabelle to allow for “Annabelle: Creation” to restore the missed opportunity that was her spin off. “The Curse of La Llorona” is a nice departure from Ed and Lorraine Warren that digs deep in to the roots of “The Conjuring” universe. It’s a horror drama about parenting, grief, revenge, and a vicious maternal villain like the previous films, but this time the producers dig in to Latin folklore.
Like a lot of previous efforts to reboot a property, Neil Marshall’s handling of “Hellboy” was the apparent product of studio interference and clashing ideas that resulted in a hectic shoot for just about everyone. That’s a shame since when Neil Marshall is allowed to unfold his own ideas and monsters, he gives us “The Descent,” and “Dog Soldiers.” It’s not to say that “Hellboy” is a bad movie, it’s just one half of a very good reboot that’s fun, and action packed, and one half of a sloppy studio film that’s boring, over explained, and sloppily tailored for sequels, prequels, and spin offs.
When I was a kid I was heavy in to the mythology of Arthurian lore. Everything about King Arthur and the knights of Camelot drew my immediate attention and fascination. I spent a great three years learning everything that I could about that era. As a kid if I’d have seen Joe Cornish’s “The Kid Who Would Be King,” I’d have left the theater with a humongous smile on my face and anxious to learn a lot more that was available in the libraries. Joe Cornish has a particular love for making heroes out of underdogs and the least suspecting people you’d come across, and he carries that trademark in to his newest film.
Most of the time we get such a backlog of short films and feature length indie films that we work hard to take them all on and review them before the year is up. In “Shorts Round Up of the Week” we review a round up of short films of varying quality.
If you’d like to submit your short film for review consideration, submissions are always opened to filmmakers and producers.
This week we have a trio of shorts from Chris McInroy, a psychotic tattoo artist, and the tale of a walking baby.
After a teen girl befriends and is taken by a demonic entity, her parents react in wildly different ways with her mother turning to drinking and her father doing all he can to get her back. How far is he willing to go?Continue reading
The only studio that’s managed to build an interesting cinematic universe beside Marvel is Warner who’s “The Conjuring” cinematic universe has been a long stretch of movies varying in quality. The interconnected movie verse takes Valak the horrific nun from “The Conjuring 2” and gives her own film. What should have been an easy scare fest lending a spotlight to one of the most memorable monsters in “The Conjuring 2” ends up as yet another miss like “Annabelle.” I don’t know why it’s so tough for the producers of the “Conjuring” cinematic universe to produce spin offs for their series’ monsters.