Scary Stories to Tell in the Dark (2019)

“Stories Hurt. Stories Heal.”

Although “Scary Stories to Tell in the Dark” has gone down considerably well with audiences it might remain one of the most misunderstood movies of the year. The original books from Alvin Schwartz and Stephen Gammell were compilations of urban legends, urban folklore, and original tales, the former of which had been shared for generations by many people. They began life as morality stories and then became campfire tales. Sure André Øvredal could have turned the books in to a normal anthology, but in the end he opts for something of more substance. “Scary Stories to Tell in the Dark” is about stories. The stories of the past. The stories we tell one another. The stories the characters tell each other to survive. The stories that can ultimately destroy us.

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White Snake (2019) [Fantasia Festival 2019]

I don’t know what Warner are planning for a domestic release, but “White Snake” (Warner Bros. first animated feature made completely in China) is far too complex and adult for a family friendly audience or broader crowd, and way too briskly paced for movie fans that appreciate the more subtle tone of Pixar and Studio Ghibli. As someone genuinely looking forward to “White Snake” I loved the animation and genuine sentiment behind it, I just wish I wasn’t so bored by it half the time.

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Silent Hill (2006): Collector’s Edition [Blu-Ray]

There aren’t many very good video game-to-movie adaptations out there, but “Silent Hill” manages to stray from the video game to movie curse by embracing what makes the classic games so entertaining while also telling its own tale. It’s a shame that “Silent Hill” never became a full fledged horror movie franchise, as Christophe Gans’ adaptation of the classic video game allows for a visually stunning horror thriller that spooks in all of the right places.

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Annabelle Comes Home (2019)

Proving once and for all that the “Conjuring” cinematic universe works so much better when New Line takes their time to offer something made with care rather than haste, “Annabelle Comes Home” is a third entry in to the spin off that delivers big time. 2014’s “Annabelle” is a distant memory now, as the series has managed to redeem the spin off transforming Annabelle the doll in to a worthwhile villain who brings only death and carnage where ever she is, and we never spend time trying to find out why. She’s merely an instrument for evil and that’s what helps “Annabelle Comes Home” as an entertaining monster movie about evil preying on the weak.

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Attack of the Demons (2019) [Cinepocalypse 2019]

In a small, isolated town, a green glowing blob of sort attacks animals and humans alike, turning them into a mass of evil that swallows all in its path. Trying to survive this, a local young man, a visitor, and a young lady team up to try and outrun the take of over of this town during its yearly music festival.

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Attack of the Demons (2019) [Cinepocalypse 2019]

I have to say that I hate that I didn’t like “Attack of the Demons.” Throughout its merciful seventy five minute run time I anxiously tried to love it, and wanted to recommend it thirty times over. But by the end, while I appreciated its approach and concept, it’s really just a dull demonic thriller in the end. There might be a new way here to tall a story, but it’s by no means a novel take on the premise of a demon apocalypse by Eric Power.

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A Second Look at the Underrated “The Jackie Chan Adventures”

Full Disclosure: Although Mill Creek Entertainment sent us a copy of “The Jackie Chan Adventures,” the opinions expressed are 100% honest and our own.

Jackie Chan seemed almost fit for his own kids show. While the international action movie star was in fact known for a slew of iconic movies that continue to win the hearts of movie buffs to this day, Jackie Chan’s methods of self defense always made him look like a walking, talking cartoon character—but, you know–deadly. To tap his ever-rising popularity, the WB network eventually gave him his own animated series for kids. Unlike other action stars, it seemed like a natural fit that wouldn’t alienate any of the fan base including the action aficionados. Basing a show on a hero that avoided getting hit as well as avoiding actually hitting his enemies was a breath of fresh air, and it seemed like Saturday morning kismet.

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The Curse of La Llorona (2019)

“The Conjuring” movie universe has been a horror lovers dream, but sadly a mixed bag of movies that all interconnect in some form. The core movies that started it all are fantastic, while the rest have been either abysmal or mediocre. Thankfully, there was still some momentum in the popularity of Annabelle to allow for “Annabelle: Creation” to restore the missed opportunity that was her spin off. “The Curse of La Llorona” is a nice departure from Ed and Lorraine Warren that digs deep in to the roots of “The Conjuring” universe. It’s a horror drama about parenting, grief, revenge, and a vicious maternal villain like the previous films, but this time the producers dig in to Latin folklore.

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