We’re nearing the beginning of October so as is the mandate to keep reality from collapsing, we have another Tim Burton classic re-released and updated. Burton’s horror comedy classic “Beetlejuice” gets another big re-release for physical media collectors, allowing fans to re-visit the demented and dark supernatural comedy in a 4K UHD upgrade. Of course Burton’s film is being released in various other editions online, including Steelbook.
Steve Villeneuve’s “Hail to the Deadites” is a documentary about “Evil Dead” that touts itself as not featuring any kind of footage from the original films at any point. You’d think that would hinder the experience, but that only benefits the feature in the end. “Hail to the Deadites” is an unabashed love letter to the fans and the fans only. It explores the various facets of “Evil Dead” fandom, how all three movies have affected their lives, and how Bruce Campbell has become a source of inspiration to many.
I’m a big fan of the concept where studios or a collective of directors take various short films from indie directors and create anthology horror films in the vein of “Tales from the Darkside” or “V/H/S/.” The idea is a great one and opens up a broader audience, and allows them some great exposure. “A Night of Horror: Nightmare Radio,” is one of the many that’s come along, mixing seven stellar horror shorts told by a lone radio DJ in the middle of the night.
A coven of young witches find their 5th they had been waiting for in a new witch they did not realize the power of. Together they aim at bringing back a martyrized powerful witch named Ashura, unleashing more than they expected by doing so.
I was an ardent supporter and fan of the “Paranormal Activity” films for a while there. Parts one to three are a pretty great trilogy on their own, discussing Katie’s family, and how their entire lives were fated to become prey to the demonic entity known simply as “Tobi.” With the release of “Paranormal Activity 7” being announced for a potential 2021 date, I’m hoping the new movie bothers to create some sense of cogency by bringing back characters, introducing heroes, and answering so many lingering questions they never bothered to answer.
Without further ado…
Once in a while, the stars align and the moon shines bright enough to where a bonafide cult classic of horror cinema is born. Out of the absolute depths abysmal cinema comes one of the most laughable and painfully awful horror movies of the year. From rock icon Glenn Danzig, no less, comes his directorial debut, a live action adaptation of his comic book series “Verotik,” a title that mixes erotica and violence in to one monster. That wouldn’t be such a bad idea for an anthology. But someone forgot to tell Danzig that if you want to direct a movie, you probably should know how to operate a camera, first.
I originally checked out “White Snake” when it was at the Fantasia Film Festival last year, and it’s not what I’d call the best anime movie to open 2020 with. While I love and appreciate the brilliant animation, “White Snake” is somewhat of a shallow and dull anime epic that packs in a lot of sub-genres and themes involving demons, war, the supernatural, dragons, and a very exhaustive reliance on ancient mythology. It would probably help the experience of “White Snake,” but having to do research to enjoy a movie is not appealing, even for movies that garner my interest.
While I wouldn’t peg the Mick Garris fueled “Nightmare Cinema” a horror masterpiece, I had a good time with the selection of horror stories, and loved how various storytellers in the film managed to go in completely different directions than I originally thought they would. Despite a shifty story frame, like most horror anthologies, “Nightmare Cinema” is a mixed bag of horror treats that will click with most lovers of the format, if only for its ambition and style.