While comic book movies are almost always a guaranteed money maker, it’s quite a shock to many that one of the highest grossing comic book movies of all time is a movie about Aquaman. After spending decades being a basic punch line for all of pop culture, Aquaman swoops in and basically has changed the course of how we think of the character and DC’s Comic book movies. All it took was a skilled director like James Wan, and the undeniable charisma of Jason Momoa.
As a Superman fanatic it’s been a tough road as I’m still getting over the stinks of “Smallville” and “Batman v Superman,” so when Syfy proposed its own Superman series that side stepped Superman altogether, I was very skeptical. Suffice to say, “Krypton: The Complete First Season” isn’t always a great show, but appreciated as its own attempt to ambitiously tackle the back drop of the Kryptonian Lore, it’s not a bad time spent. At ten episodes total for the first season, there are a lot worse things you can do as a Superman fan. Watching “Superman IV,” for instance. I digress.
One of most controversial and divisive story arcs of the nineties is brought to the small screen in an epic fashion, and DC and Warner manage to adapt the final half of the “Death of Superman” storyline for a broader audience. While nineties kids will love to see the whole mystery of the Four Supermen once again, DC works within the limitations of the characters they’re allowed to use, and re-imagines most of the storyline of the Reign of the Supermen, right down the primary antagonist working behind the scenes.
With the success of his iconic adaptation, “Batman: The Animated Series” behind him, creator Bruce Timm was asked by Warner Bros. in 1996 to produce a companion series to the darker crime drama. The natural jumping off point from Batman was, of course, Superman, the equally recognizable and ever immortal character from DC Comics. With “Batman: The Animated Series” ensuring the success of DC translating in to the animated medium, Superman was a welcome change of pace for the medium Timm had helped innovate for the decade. It was also a welcome reboot for Superman fans who wanted the Man of Steel brought in to the decade.
Adapting the entirety of the arc of the Death, Reign and Return of Superman was always a heavy ambition for DC and it’s a shame that they never quite get it just right when it comes to putting it on the small screen. I loved “The Death of Superman.” And while I thought “Reign of the Supermen” was a pretty damn good movie all in all, it suffers from a lot of the major flaws most DC animated movies do. It rushes through so much important exposition, and doesn’t give its four main characters enough screen time to warrant caring a lot about them, or even rooting for them for that matter. When all is said and done, “Reign of the Supermen” is a very good follow up to “The Death of Superman” with some great action set pieces, and wonderful animation.
Warner Bros and DC Comics begins correcting course from their disastrous first run of films by finally focusing on characters that have been woefully under valued for decades. If “Aquaman” is any indication, DC and Warner are on course for a huge comeback that could signal a string of fantastic comic book films, finally. DC garners such a gallery of wonderful mythical superheroes, and James Wan comes on board to not only embrace Aquaman’s universe whole hog, but show us why he’s not at all the geekiest superhero in his stable. If there was anyone that could pull Aquaman out of the doldrums, it’s James Wan. Wan is one of the best, most dynamic filmmakers working today and he can put a creative spin on just about everything.
Even in this day and age, 1992’s “Batman: The Animated Series” remains the definitive iteration of Bill Finger’s Batman. Combining all of the best elements from past Batman lore, Bruce Timm’s iconic animated series is a mature, often compelling take on the Dark Knight that’s action packed enough for children, but sophisticated enough for older audiences to appreciate. Timm approaches the Batman with enough care and delicate creativity to allow the character to flourish in a contemporary setting, embracing the fantasy elements of the character as well as basing a lot of the aspects of the character and his background in reality as much as possible.
I’ve come to terms with “Teen Titans Go!” and I’ve especially come to accept it thanks to the shockingly good feature film. If there was ever a time where the superhero movie genre was ripe for parody and satire it’s 2018, and “Teen Titans Go! to the Movies” manages to do it better than anyone else. For everyone that’s come before, attempting to mock the whole appeal of the sub-genre, “Teen Titans Go!” captures the whole appeal and absurdity of the superhero movie and the superhero mythology as a whole. It also manages to cater to the hardcore comic book buffs in the audience, inspiring some great laughs from obscure references.