I’ve pretty much gotten over my immense hatred for the watered down reboot of the “Teen Titans” animated series. It’s here to stay, and I’m over it. So I approached the new big screen adventure with an open mind and rock bottom expectations. All things considered “Teen Titans Go! To the Movies” is a mixed bag. Sometimes it hits with some sharp, slick superhero movie and Hollywood satire and truly engaging protagonists. Other times it feels like the writers are running out the clock with goofy filler and distracting musical numbers.
One of the most controversial and heavily disputed comic book events of all time is finally brought to the DC animation universe. It’ll probably also setting up potential movie go arounds for supporting characters within the “Superman: Doomsday” scope. I can imagine if the course is cleared, we could see some overdue attention paid to “Steel.” One can hope. In either case, “The Death of Superman” is pretty much a truncated version of the original mini-series, with a look at the massive event that brought DC to its knees and Superman to death.
Based on one of the most iconic and controversial miniseries of all time, “The Death of Superman” is a curious adaptation of the series that suffers from definite pitfalls but comes out in the end as a pretty damn good movie, overall. One of the very few DC animated movies not centered on Batman, “The Death of Superman” is much more centered on the original source material than 2007’s “Superman Doomsday,” and if the final scene is any indication, we’re looking at a pretty length depiction of the story arc from the comic books right down to the Super mullet.
Jim Wynorski’s “The Return of Swamp Thing” is one of my bonafide childhood favorites, and a favorite of the rental places. “The Return of Swamp Thing” was my introduction to the character when I was a child and it’s a definite favorite that’s become more about sentimental value than quality. I admit that viewing “The Return of Swamp Thing” through nostalgic glasses helps improve the campy direction Jim Wynorski takes for this second outing.
It’s finally all coming together on Friday where all the superheroes from the Marvel Cinematic Universe clash to bring down one of the galaxy’s biggest threats. Since its introduction in 2008, Marvel and Disney have made building universe look easy, but many modern studios have proven it’s an impossible task to pull off competently. Before Marvel and DC there were many established Extended and Shared, and if you’re looking for a break from Marvel, these are five you might love.
With superhero movies now bringing down box office records and garnering mass critical acclaim, the genre has transcended TV schlock and has now become a legitimate cinematic sub-genre. From it, auteurs all over Hollywood from Christopher Nolan to Taika Waititi have lensed some of the best superhero movies of all time.
But back in the nineties, Hollywood didn’t always want to put money behind a movie starring caped superheroes and crime fighters. A long time superhero buff, Felix Vasquez, editor of Cinema Crazed, takes a look at the decade where superhero movies were considered very risky gambles for FOX and Warner.
“Everyone knows Iron Man, Superman, Captain America, and Batman.
They are some of the biggest cinematic icons of the modern era.
But do you remember the technological hero M.A.N.T.I.S.? How about the super powered being known as Meteor Man? The Master of the Unknown, Doctor Mordrid? Ever met the super model crime fighter known as Lady X? How about the Roger Corman leather clad heroine Black Scorpion?
In the 90’s, the prospect of superhero entertainment was still in its infancy and considered a big gamble for major studios like FOX and Warner, thus superheroes were confined to television movies, and low budget films. Prepare to go back to a decade where the time of The Avengers, and Iron Man were still very far off.”
“Hell to Pay” is chapter two in what is one of the more under appreciated animated DC series currently in stores. While DC mainly focuses on Batman and Superman, we’re given a second shot with “Suicide Squad” who DC is thankfully not above sharing for the home entertainment audiences. After the very good “Assault on Arkham,” the team known as Task Force X return with a premise that—let’s just say it—should have been the premise for the live action movie. It’s a small covert team, they should do small covert operations that involve the DC Universe, for crying out loud.
After “Batman and Harley Quinn,” the cinematic adaptation of “Gotham By Gaslight” feels like a breath of fresh air. It brought me back to the time when Batman animation was mature and accessible, and we got entertainment like “Mask of the Phantasm” and “Return of the Joker.” Warner follows up with the aforementioned horrendous DC team up movie with what is a charming, creepy, and wholly creative twist on the Jack the Ripper legend that ponders on what would have happened if he and Batman were foes during the time he wrought havoc in the 1880’s.