Bill Finger’s creation The Joker has remained one of the most fascinating figures in all of pop culture and comic books medium. Every new generation finds an angle upon which to examine the Joker and how he’s so much more than a simple Batman villain. It has fascinated artists for decades how someone can sink so far in to the murky depths of madness that they can’t even see the light anymore. Christopher Nolan set a high bar that director Todd Phillips almost touches with the ugly, grotesque, depressing and yet quite fantastic “Joker.”
After the polarizing “adaptation” from 2007, DC and Warner take another crack at the taking one of the most controversial and news making comic book storylines of the nineties and bring it to the big screen. With a little tweaks, of course. The whole of “The Death and Return of Superman” is compact, but it takes a good effort in streamlining the entire arc for a movie. The whole epic storyline spanned a ton of DC titles from Supergirl, Green Lantern, and Justice League, so Jake Castorena and Sam Liu have to squeeze it in to two whole movies, and they do a pretty great job of it, save for glaring flaws here and there.
It’s shocking that “Manifest” lives on to see a second season, as the series is thick in mystery and mythos and it might drive fans nuts if it ends without some answers. I’m not usually a fan of series like “Manifest” that practice the tradition of an ensemble of characters uncovering a mystery that connects them a la “Lost,” but “Manifest” is a pretty good science fiction drama all things considered. I don’t know if the show is going to dip in to science fiction or religious realms soon, but the series digs in to some unique material with a prologue that is pretty damn compelling.
The “Arrow” series finally comes to its natural peak as season seven loosely adapts Green Arrow’s iconic comic storyline “Super Max.” Once optioned for a movie and basically in development hell for years, “Arrow” realizes the narrative for a full season arc. After Oliver Queen is finally pushed in to a corner in season six he’s forced to out himself as the Arrow for all of Star city. In season seven he’s jailed in Maximum Security and forced to confront all of the criminals he’s put away since he arrived, prompting some tense unfolding of events.
One of the most family friendly and outright entertaining superhero features of the year, “Shazam!” is a movie that will appeal to children of all walks of life. It’s a movie that promotes the power of family, promotes the appeal of adopted families, and explores the effects of bullying and toxic masculinity. “Shazam!” is one of the bigger surprises of 2019 as the DCEU keeps delivering on entertaining and bright action features that spotlight the lesser explored and rarely discovered characters from the DC Comics stable.
No matter what you feel about “Batman and Robin,” you can’t deny that it almost killed the comic book movie as a sub-genre. It also about killed the careers of Alicia Silverstone, Chris O’Donnell, and Uma Thurman, all of whom took years to recover. Even today with so much nostalgia and looking back on classically bad movies, “Batman and Robin” is still just bad. I understand Warner wanted kid friendly, and Joel Schumacher delivered on kid friendly, but in the process he also delivered a nigh unwatchable sequel that also killed Batman on film for years until Christopher Nolan swooped in to reboot the whole kit and caboodle.
If “Batman” was the opening act of Tim Burton’s iteration of Batman, “Batman Returns” is a pretty epic second chorus that pretty much completes the picture. Whether or not you believe Burton dropped out, or was ousted by Warner for being too dark or violent, “Batman Returns” is a pretty good closing chapter in Burton’s Batman world, even in spite of its flaws. Hell, it’s a better film than “Batman,” despite the fact it objectively garners the more obvious flaws than the 1989 original.
It’s a new era and a brand new format for movie lovers and Warner Bros. is offering up their “Batman” movie anthology from the 1990’s on 4K UHD for those that have converted. With “Batman” also celebrating its thirtieth anniversary (where does the time go?) since its theatrical release, Tim Burton’s iconic adaptation of the DC Comics hero manages to appear once again in an even higher definition making it—uh—Battier? Burtoner? In either case, the good news is “Batman” is still a solid iteration of the Dark Knight, which is all that counts.