The Green Inferno (2013): Collector’s Edition [Blu-Ray/CD]

At the very least, “Cannibal Holocaust” had something to say about humanity and the cruelty of alleged civilized societies. It also had a lot to say about xenophobia and white privilege. Even “Cannibal Ferox” had something interesting to say. “The Green Inferno” is peak Eli Roth where it has no idea what it wants to say and it bathes itself in disgusting, sadistic, unpleasant, garbage that it never quite rebounds from. Whether it’s stoned cannibals eating a guy, to a prisoner masturbating to calm himself down, “The Green Inferno” is the bottom of the barrel sophomoric nonsense that Eli Roth puts on to film with pride.

Continue reading

TNT’s “Claws” is as Bizarre and Fun as Ever in Season Three

Its season three for one of the most bizarre but very entertaining crime thrillers TNT has ever brought to the small screen. After season two falling in with the Russian mafia, and surviving a deadly marriage, the season closed with an assassination attempt on Desna’s life. Virginia sadly suffered the bullet meant for her sister in law. “Claws” returns taking off immediately from the last scene from season two and it takes off like a rocket. It’s the same lunacy as always for “Claws” with bizarre fantasy sequences, some genuinely darkly funny comedy, and a brand new pair of villains that might just be the undoing of Desna and her crew if she isn’t careful.

Continue reading

Funny Games (1997): Criterion Collection [Blu-Ray]

Michael Haneke’s “Funny Games” has tested even the most devoted cineaste, and split audiences down in two thanks to its polarizing premise and concept. Going in to Haneke’s “Funny Games,” I frankly didn’t know what to expect, but what I did know was that it’d test every fiber of patience I had in me as a horror fanatic. Lo and behold, it did. Admittedly, I was shocked to see that I admired every single aspect of what it attempted to pull off as a narrative that acknowledges the audience and asks us if we want to turn away… or see what hideous violence unfolds.

Continue reading

Blood Clots (2018)

I love the idea of indie filmmakers taking their various horror short films and turning them in to anthologies, especially now with the horror anthology hotter than ever with audiences. “Blood Clots” has a lot of great intentions, but in the end it’s just an okay anthology with seven pretty okay horror shorts. I was never blown over by anything I saw here, but I appreciated the effort, and I liked the variety, overall. There are zombies, mutants, monsters, and werewolves, and that’s basically the only overarching theme for audiences.

Continue reading

Into the Dark: I’m Just Fucking With You

Adam Mason’s “I’m Just Fucking With You” is about business as usual for Hulu’s “Into the Dark,” the anthology horror series that’s given viewers a new episode every month. Like all episodes before this April entry, there’s a slow build up, a very good hour, and a final twenty minutes that drag in to a luke warm climax. All in all it’s another mediocre episode that never quite recovers once the second act is introduced. I think it’s time worth spent, don’t get me wrong, as one of the fun things about anthology films is the ability of the authors to convey social commentary. “Into the Dark” has covered social commentary in droves, whether it’s rabid consumerism (“Pooka!”) or the Me Too movement (“The Treehouse”), they’ve covered some interesting bases for the modern generation.

Continue reading

Shorts Round Up of the Week – 4/15/19

For this week’s edition of “Shorts Round Up of the Week” I check out some rich dramas, a few ambitious fantasy films one of which involves bullying, and a pitch black revenge movie co-starring M. Emmet Walsh.

If you’d like to submit your short film for review consideration, submissions are always opened to filmmakers and producers.  

Continue reading

Shorts Round Up of the Week – 3/28/19

For this week’s edition of “Shorts Round Up of the Week” we have a look at pitch for toys involving Italian Turtles, a horror tale about a pale lady, and a comedic spoof of an eighties Christmas horror classic.

If you’d like to submit your short film for review consideration, submissions are always opened to filmmakers and producers. 

Continue reading

An Hour to Kill (2018)

I kind of see what Aaron K. Carter is going for with “An Hour to Kill.” What his film tries to be is a basic meshing of the gangster politics of “Pulp Fiction” with the horror tales of “Creepshow.” I don’t begrudge him for trying something completely different and unique, it’s just sad that “An Hour to Kill” never comes together as a coherent or even entertaining horror comedy anthology. Even taken as a silly horror comedy, it’s tough to find any real redeeming aspects here, as Carter seems to work hard in keeping his film together as it falls apart from minute one.

Continue reading